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Sonata for Violoncello and Piano E minor op. 38
$6.95
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Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag
Instrumentation :
Cello, Piano
Publisher :
Barenreiter
ISBN 9790006544295. 31 x 24.3 cm inches. Key: Key: e minor. Text Language: German/English. Preface: Clive Brown.
The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.
Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.
An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.
- A pioneering Urtext edition
- With an unmarked Urtext part
- With a second part including fingering and bowing based on the practices of contemporaries of Brahms
- With an extensive Performance Practice Commentary
- For further information on Romantic performance practice we recommend: ,,Performance Practices in Johannes Brahms' Chamber Music", text booklet BA 9600
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Intermediate
Hildegard
(For Piano and Violoncello). By Emilie Mayer (1821-1883). Edited by Marie-Aline ...
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(For Piano and Violoncello). By Emilie Mayer (1821-1883). Edited by Marie-Aline Cadieux. For Cello and Piano. Intermediate. 45 pages
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Time Pieces for Cello, Volume 3
Cello, Piano
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Intermediate
ABRSM Publishing
By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Gr...
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By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 3-4). Published by ABRSM (Associated Board of the Royal Schools of Music).
(1)
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Sonata No. 2
Cello, Piano
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Intermediate/advanced
Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...
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Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4
SKU: MA.EMR-57121
Composed by Benedetto Marcello. Arranged by John G. Mortimer. Score and parts. Duration 7'53. Editions Marc Reift #EMR 57121. Published by Editions Marc Reift (MA.EMR-57121).
E Minor.
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Sonata No. 4
Cello, Piano
-
Intermediate/advanced
Editions Marc Reift (Swiss import)
Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4 SKU: MA.EM...
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Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4
SKU: MA.EMR-57157
Composed by Benedetto Marcello. Arranged by John G. Mortimer. Score and parts. Duration 7'16. Editions Marc Reift #EMR 57157. Published by Editions Marc Reift (MA.EMR-57157).
G Minor.
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Bach, Jean-Sébastien : Suites, Partitas, Sonatas
Piano solo
[Sheet music]
Barenreiter
?I think Bach would have forgiven me for embarking on these transcriptions. Whet...
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?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.
- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /
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Sonatas For Piano And Violoncello, Sonatas For Clarinet And Piano
Klavier und Violoncello / Klarinette und Klavier
G. Henle
/ Violoncelle Et Piano
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Sonata For Piano And Violoncello E Minor Op. 38
Cello, Piano
[Sheet music]
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Partition
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Complete Sonatas For Violoncello And Piano
Cello, Piano
Music Minus One
/ Violoncelle Et Piano
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Georg Friedrich Händel: Sonatas - Volume 1: Violin: Instrumental Work
Violine und Basso continuo (Violoncello und Cembalo/Klavier)
[Score and Parts]
Peters
George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompanim...
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George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Franz Schubert: Sonata For Piano And Arpeggione In A Minor D 821: Cello:
Piano solo
[Sheet music]
G. Henle
Ausgabe für Violoncello-An authoritative urtext edition of Schubert's Sonata In...
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Ausgabe für Violoncello-An authoritative urtext edition of Schubert's Sonata In A Minor D 821 for the Arpeggione - also known as the Guitar-Violincello or 'Guitar D'Amour'. This version has been transcribed for Cello and Piano edited byWolf-Dieter Seiffert.
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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3 Sonatas For Violoncello And Harpsichord
Cello, Piano
Barenreiter
/ Violoncelle Et Piano
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Franz Schubert: Sonata For Piano And Arpeggione In A Minor D 821: Viola:
Viola, Piano
G. Henle
Ausgabe für Viola-An authoritative urtext edition of Schubert's Sonata In A Min...
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Ausgabe für Viola-An authoritative urtext edition of Schubert's Sonata In A Minor D 821 for the Arpeggione - also known as the Guitar-Violincello or 'Guitar D'Amour'. This version has been transcribed for Viola and Piano edited byWolf-Dieter Seiffert.
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
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Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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9 Sonates Faciles Du Baroque Italien - Violoncelle Et Bc Ou Deux Violoncelles
Cello, Piano
EMB (Editio Musica Budapest)
9 Sonate facili del barocco italiano per violoncello e basso continuo o due viol...
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9 Sonate facili del barocco italiano per violoncello e basso continuo o due violoncelli Publié par Pejtsik Árpád Réalisation de la basse continue par Vigh Lajos 1. Belisi, F. C.: Sonata in sol maggiore 2. Marchesseli, D.: Sonata in re minore 3. Perti, G. A.: Sonata in la minore 4. Bernardi, B.: Sonata in sol minore 5. Laurenti, B. G.: Sonata in la minore 6. Torelli, Giuseppe: Sonata in sol maggiore 7. Jacchini, G. M.: Sonata in mi minore 8. Aldrovandini, G. A. V.: Sonata in sib maggiore 9. Grimandi, A.: Sonata in sib maggiore
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Sonata (PAGANINI NICCOLO)
Alto Saxophone and Piano
Schott
after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. P...
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after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. Par PAGANINI NICCOLO. This beautiful Sonata for alto saxophone and piano by the ECHO Klassik Award winner Raaf Hekkema is a valuable addition to the saxophone repertoire. The piece is an arrangement of Niccolò Paganini's Quartet No. 15 in A minor (originally scored for violin, viola, violoncello and guitar)./ Répertoire / Saxophone Alto et Piano
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Ludwig van Beethoven: Violoncello Sonata G Minor Op. 5 No. 2: Cello:
Cello, Piano
G. Henle
Violoncello Sonata G Minor Op. 5 No. 2
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Henry Eccles: Sonata In G Minor For Cello And Piano: Cello: Instrumental Work
Cello
Bosworth
The entire four movements of Henry Eccles’ Sonata in G Minor for ViolonCel...
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The entire four movements of Henry Eccles’ Sonata in G Minor for ViolonCello and Piano remain in the key of G minor with many long expressive phrases and some moments of fleet-fingered delight.Henry Eccles was a Violinist and composer of the Baroque era who was a musician to King William and Queen Mary and a member of the Royal Band of Queen Anne. The Duke d’Aumont brought him to Paris where he entered the service of King Louis XIV. In 1720 Eccles published a book of sonatas for Violin and figured bass from which renowned English composer Malcolm Lipkin has created this arrangement for ‘Cello and Piano.
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Marcello Benedetto - Sonata No. 3 A Minor - Cello And Basso Continuo ; Cello Ad Lib.
Cello
Schott
A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da ...
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A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.
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Johannes Brahms: Sonata Op. 38 E Minor: Cello: Instrumental Work
Cello
Wiener Urtext
Violoncello and Piano-Johannes Brahms' Sonata Op. 38 in E minor for Cello with P...
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Violoncello and Piano-Johannes Brahms' Sonata Op. 38 in E minor for Cello with Piano accompaniment.
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Johannes Brahms: Sonata No. 1 in E Minor Op. 38: Cello and Accomp.:
Schirmer
Cello part revised and fingered by Edwin Hughes. Piano part edited by Cornelius ...
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Cello part revised and fingered by Edwin Hughes. Piano part edited by Cornelius Van Vilet. This work is officially titled 'Sonate Fur Klavier Und Violoncello' thus establishing the equality between the two instruments.
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Gabriel Fauré: Sonate Nr. 2 g-moll Opus 117: Cello: Instrumental Work
Cello
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the fir...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the first cello sonata (HN 1357) composed four years earlier this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d???Indy wrote to Faur? the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.??? It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings.
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