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Sonata for Violin, Cello and Basso Continuo RV 820
SORRY, THIS ITEM IS CURRENTLY OUT OF PRINT
Lead time before shipment :
24 hours - In Stock
Critical Edition
. Composed by Antonio Vivaldi (1678-1741). String Ensemble. Ricordi #PR1429. Published by Ricordi (HL.50600498).
Instrumentation :
Violin, Violoncello and Doublebass
Publisher :
Ricordi
8x10.5 inches.
One of the oldest works by Vivaldi, perhaps the very oldest among those known.
Seller information:
Sheetmusicplus
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, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Georg Friedrich Händel: Seven Sonatas For Violin And Basso Continuo: Violin:
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Telemann G.ph. - Sonata A Minor - Flb Alto, Violon Et Bc
Recorder, Violin, Basso continuo
Schott
A minor - treble recorder, violin and basso continuo (piano, harpsichord.); cell...
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A minor - treble recorder, violin and basso continuo (piano, harpsichord.); cello (viola da gamba) ad lib. editor: Friedrich, Wilhelm
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Benedetto Marcello: Sonaten 1 F-Dur D Op.2: Treble Recorder: Instrumental Work
Treble (Alto) Recorder, Basso continuo
Hortus Musicus
für Altblockflöte (Querflöte Violine) und Basso Continuo-Volume 1 of Benedet...
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für Altblockflöte (Querflöte Violine) und Basso Continuo-Volume 1 of Benedetto Marcello's Sonatas For Treble Recorder And Basso Continuo Op.2.Contains Sonatas No. 1 in F major and No. 2 in D minor.
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Sonata Per Flauto Traverso (Oboe, Violino), Oboe (Violino), Violoncello (Fagotto) E Basso Continuo - Rv 801
Ricordi
/ Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Bass...
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/ Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Basson) Et Basse Continue
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino ⦠di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Carl Philipp Emanuel Bach: Triosonate a-Moll Wq 148: Flute & Violin:
Flute, Violin, Keyboard (basso continuo)
[Sheet music]
-
Intermediate
Zimmermann
Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor W...
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Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute Violin (or Oboe) and Continuo - Piano (or Cembalo) with Cello (or Bassoon) - this work is ideal for recital or concert performance.Available here is the score with Flute Violin (or Oboe) and Cello (or Bassoon) parts.
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violin, Basso continuo
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Gottfried Finger: Sonata In C: Oboe & Bassoon: Instrumental Album
[Sheet music]
Nova Music
Op. 5 No. 10 for violin/oboe/descant recorder bassoon/cello & basso continuo.
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Antonio Vivaldi: 9 Sonatas For Cello And Piano: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions...
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per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions for violin his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.
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Telemann G.p. - Sonata In A Major
Schott
from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord...
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from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad lib. Date of Publications : 12/07/1985 Number of Pages : 20 Arranger : Ruf, Hugo Series : Violin Library
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Antonio Vivaldi: Two Sonatas RV40 And RV46: Cello: Instrumental Album
Violoncello, Basso continuo
[Sheet music]
-
Intermediate/advanced
Barenreiter
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Viv...
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Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.
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Four Scottish Sonatas: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Schott
This new addition to the ‘Baroque Around the World’ series invites y...
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This new addition to the ‘Baroque Around the World’ series invites you to explore exciting new repertoire by Scotland’s Baroque composers: Oswald Reid McGibbon and Mackintosh!This collection includes the first modern edition of Mackintosh’s G minor Sonata. These pieces are ideal for auditions and exams as well as concerts and can be performed as whole sonatas or single movements. The accompaniments are simple and effective; the instrumentation is flexible – suitable for violin or flute and cello or bassoon plus keyboard. The sonatas are newly researched by the Scottish musicologist David Johnson. The CD includes complete performances as well asplay-along tracks.
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Finger G. - Two Easy Sonatas- Flb Et Bc
Schott
treble recorder (flute, oboe, violin) and basso continuo; harpsichord (Pianofort...
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treble recorder (flute, oboe, violin) and basso continuo; harpsichord (Pianoforte), cello (viola da gamba) ad lib. These recorder sonatas by Gottfried Finger have been copied from an edition by the London publisher John Walsh. They are pretty pieces, very similar in form and invention to the recorder sonatas of Daniel Purcell (cf. ED 3693 and 4732) and from the same period. They are, moreover, just as charming and just as easy to play.
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Sonata II (ZELENKA JAN DISMAS)
Français
2 Oboen (oder Violine und Oboe), Fagott (Violoncello) und Basso continuo
[Score and Parts]
Barenreiter
Par ZELENKA JAN DISMAS. / Répertoire / 2 Hautbois, Basson et Basse Continue
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Benedetto Marcello: Sonaten 3 C Bes Op.2: Recorder: Instrumental Album
Barenreiter
Volume 3 of Benedetto Marcello's Sonatas For Treble Recorder (Flute Violin) And...
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Volume 3 of Benedetto Marcello's Sonatas For Treble Recorder (Flute Violin) And Basso Continuo Op.2. Contains Sonatas No. 6 in C minor and No. 7 in B-flat major. Edition no.: HM 152
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Johann Sebastian Bach: Trio Sonatas Volume 1: Viola Duet: Instrumental Work
Flute, Violin, Keyboard (basso continuo)
[Score and Parts]
Peters
Johann Sebastian Bach's Trio Sonatas - Volume 1 arranged for Flute and Violin w...
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Johann Sebastian Bach's Trio Sonatas - Volume 1 arranged for Flute and Violin with Piano accompaniment also includes part for Cello ad lib.
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4 Sonatas
[Score and Parts]
Peters
Cello ad lib. Music Partner backing CD available, see MP 4552 / Flûte A Bec (Al...
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Cello ad lib. Music Partner backing CD available, see MP 4552 / Flûte A Bec (Alto) Et Clavier
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Giuseppe Tartini: Sonate in G-Moll Teufelstriller: Violin: Instrumental Work
Violin, Basso continuo
Barenreiter
The “Devil’s Trill” Sonata is the most famous of the Violin so...
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The “Devil’s Trill” Sonata is the most famous of the Violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition it holds many a surprise in store. For the first time all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time this edition includes a separate part for violoncello or violone.Adetailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages including the famous trill itself.
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Blockflötensonaten des italienischen Barock: Recorder: Instrumental Album
Barenreiter
Sechs Sonaten für Altblockflöte (Querflöte Oboe Violine) und Basso Continuo...
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Sechs Sonaten für Altblockflöte (Querflöte Oboe Violine) und Basso Continuo-The works by Benedetto Marcello Antonio Vivaldi and other Italian contemporaries of Bach and Handel wonderfully illustrate the possibilities of this versatile solo instrument and offer recorder players an ideal introduction to the chamber music of the Italian Baroque.Francesco Barsanti: Sonata B-durMartino Bitti: Sonata G-durBenedetto Marcello: Sonata F-dur op. 2/1Antonio Vivaldi: Sonata g-moll 'Il pastor fido' op. 13/6Francesco Mancini: Sonata d-mollFrancesco Maria Veracini: Sonata F-dur
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Johann Sebastian Bach: Four Flute Sonatas: Flute: Instrumental Album
Flute, Basso continuo
[Score and Parts]
Barenreiter
Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 103...
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Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.
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Benedetto Marcello: Sonata in G major Opus 2 No. 5: Violin: Instrumental Work
Violin, Basso continuo
[Sheet music + CD]
-
Easy
Fentone Music
for violin & basso continuo
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Allegro (S/O)
String Orchestra
Alfred Publishing
Wonderful for teaching Baroque style and bowing concepts, this piece features li...
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Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mostly sharing the basso continuo line with cellos. This movement from Telemann's Sonata in A for String Quartet has been perfectly set by Robert Sieving. (3:20) / Orchestre A Cordes
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