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HARPSICHORD
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Sonata for Harpsichord
SORRY, THIS ITEM IS CURRENTLY OUT OF PRINT
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By Edwin Mclean. For harpsichord/piano/digital keyboard. The FJH Contemporary Keyboard Editions. Winner of the Alienor Harpsichord Composition Competition, the Sonata is performed by harpsichordists Elaine Funaro.. Book. Published by The FJH Music Company Inc
Instrumentation :
Harpsichord
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FJH
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Bach, Johann Sebastian: Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029
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G. Henle
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Edition for Viola and Harpsichord. By Johann Sebastian Bach. Edited by Ernst-Gunter Heinemann. Viola. Pages: Score = IV and 56 * Va Part = 19. Edition for Viola and harpsichord-paper bound. Published by G. Henle.
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Bach, Carl Philipp Emanuel: Piano sonatas, selection, volume I
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By Carl Philipp Emanuel Bach. Edited by Darrel M. Berg. Piano (Harpsichord), 2-hands. Pages: VIII and 112. Urtext edition-paper bound. Published by G. Henle.
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Sonata pour le clavecin, forte piano, orgue ou harpe qui representent la bataille de Bergen - 1776
Harpsichord
Anne Fuzeau Productions
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Sonata per il flauto, violino e basso
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Sonate per Clavicembalo Volume 8 Critical Edition
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Sonate in C (Sonata in C major)
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[Score]
Carus Verlag
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Johann Sebastian Bach: Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029
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G. Henle
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Composed by Johann Sebastian Bach (1685-1750), edited by Ernst-Gunter Heinemann, Rainer Zipperling. Collection and set of parts for viola de gamba (or cello) and harpsichord (or piano). With introductory text, performance notes and fingerings. 96 pages. Published by G. Henle.
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Schubert, Franz: Piano sonatas, volume III (early and unfinished sonatas (revised edition))
Piano solo
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Advanced
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Early and Unfinished Sonatas - Revised Edition - with a Critical Report in English. By Franz Schubert. Edited by Paul Badura-Skoda. Piano (Harpsichord), 2-hands. Pages: X and 248. Urtext edition-paper bound. Published by G. Henle.
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Bach, Johann Sebastian: Flute sonatas volume II (3 Sonatas ascribed to J. S. Bach with Violoncello part)
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Three Sonatas attributed to J.S. Bach - with a Violoncello Part - for Flute and Piano. By Johann Sebastian Bach. Edited by Hans Eppstein. Flute. Pages: Score = VII and 34 * Fl Part = 15 * Vc Part = 3. Urtext edition without fingering-paper bound. Published by G. Henle.
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Johann Sebastian Bach: 6 Sonatas for Violin and Piano (Harpsichord) BWV 1014 - 1019
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G. Henle
This item will ship directly from our Australia warehouse! Flute, Cello, Piano S...
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G. Henle
By Classical Piano Sonatas. Edited by Walther Georgii. Piano (Harpsichord), 2-ha...
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Suiten, Partiten, Sonaten
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Barenreiter
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Domenico Scarlatti: Selected Piano Sonatas, Volume III
Piano solo
[Sheet music]
G. Henle
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Piano solo
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G. Henle
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Padre Antonio Soler: Selected Piano Sonatas
Piano solo
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G. Henle
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Piano solo
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Composed by Franz Joseph Haydn (1732-1809), edited by Georg Feder. Collection fo...
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Joseph Haydn: Complete Piano sonatas, volume II
Piano solo
G. Henle
By Franz Joseph Haydn. Edited by G. Feder. Piano (Harpsichord), 2-hands. Pages: ...
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6 Sonates Pour Le Clavecin Ou Le Piano Forte, Oeuvre V - 6 Sonatas For The Harpsichord Or Piano Forte, Opera XVII
Harpsichord
Anne Fuzeau Productions
Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)...
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Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)Six sonatas for the harpsichord or piano forte. Opera XVII - Edition : Londres, s.d. = (c.1779)Présentation par Jeanne Roudet : introduction - éléments d'interprétation (ornementation, dynamique) - appendice 1 (erreurs et approximations) - appendice 2 (aménagements proposés).Ces sonates peuvent être interprétées aussi bien sur un clavecin que sur un piano forte. / Clavecin Et Piano-Forte / 136 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
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Fourteen Sonatas (SOLER ANTONIO)
Harpsichord
[Sheet music]
Faber Music Limited
Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers...
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Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers of 18th-century Spain. His sonatas show great brilliance and originality, many of them influenced by the characteristic colours of Iberian popular music. This edition offers a selection of 14 of the best sonatas from the set given by the composer to Viscount Fitzwilliam in 1772, as well as editorial notes from Kenneth Gilbert. **ABRSM selected piece (Piano 2019-2020): Sonata in D minor, R. 25 / Piano Music / Recueil / Clavecin
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Bach, Jean-Sébastien : Suites, Partitas, Sonatas
Piano solo
[Sheet music]
Barenreiter
?I think Bach would have forgiven me for embarking on these transcriptions. Whet...
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?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.
- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /
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Domenico Scarlatti: Eleven Sonatas: Piano: Instrumental Album
Piano solo
ABRSM Publishing
Easier Piano Pieces 66-From Domenico Scarlatti's vast output of 555 harpsichord ...
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Easier Piano Pieces 66-From Domenico Scarlatti's vast output of 555 harpsichord sonatas a number have been edited and published by the Associated Board. Thirty-two of the easier sonatas have been edited by Howard Ferguson and published in three volumes within the Easier Piano Pieces series and these have been edited for performance on the piano and include dynamics and marks of articulation. Fergusonâ??s selection of sonatas seems to have been made on the basis of musical effectiveness and originality and there are wonderful pieces in each book. Piano Quarterly
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Franz Joseph Haydn: Selected Keyboard Sonatas - Book I: Piano: Instrumental
Piano solo
-
Intermediate
ABRSM Publishing
Nine sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the ...
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Nine sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the ABRSM Harpsichord syllabus grades 4-6.
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Carl Philipp Emanuel Bach: Selected Keyboard Works Book IV: Six Sonatas: Piano:
Piano solo
-
Intermediate/advanced
ABRSM Publishing
from 'Versuch uber die wahre Art das Clavier zu spielen'-Book 4 in this collecti...
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from 'Versuch uber die wahre Art das Clavier zu spielen'-Book 4 in this collection of Selected Carl Emanuel Bach Keyboard Works contains six fantastic sonatas from his Versuch uber die wahre art das Klavier zu spielen or The True Art of Playing Keyboard Instruments. Published within the â??Signature Series' a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions and performance notes. These authoritative and satisfying volumes are all set for solo Keyboard instrument and are suitable for Piano Harpsichord or Keyboard solo.
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Franz Joseph Haydn: Selected Keyboard Sonatas Book II: Piano: Instrumental Album
Piano solo
-
Intermediate/advanced
ABRSM Publishing
Five Haydn sonatas edited and annotated for the ABRSM by Howard Ferguson. Set fo...
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Five Haydn sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the Harpsichord grade 7 examination.
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Carl Philipp Emanuel Bach: Selected Keyboard Works Book III: Five Sonatas:
Piano solo
-
Intermediate
ABRSM Publishing
A flat maj Wq. 49/2 B min Wq. 55/3 F maj Wq. 55/5 F min Wq. 57/6 C min ...
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A flat maj Wq. 49/2 B min Wq. 55/3 F maj Wq. 55/5 F min Wq. 57/6 C min Wq. 60-Five of Carl Philipp Emanuel Bach's best sonatas in one terrific volume edited and annotated by Howard Ferguson. Published within the â??Signature Series' a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions and performance notes. These authoritative and satisfying volumes are all set for solo Keyboard instrument and are suitable for Piano Harpsichord or Keyboard solo.
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Domenico Scarlatti: Keyboard Pieces And Sonatas Book II: Piano: Instrumental
Piano solo
-
Intermediate
ABRSM Publishing
An ABRSM collection of ten keyboard works edited by Arnold Goldsborough. Set for...
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An ABRSM collection of ten keyboard works edited by Arnold Goldsborough. Set for the Harpsichord examinations grades 6-8.
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Paradies Pietro Domenico - Sonata For Harpsichord Band 1 - Harpsichord (piano)
Harpsichord
Schott
Sonatas 1 - 6 Instrumentation : harpsichord (piano) Date of Publications : 15/0...
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Sonatas 1 - 6 Instrumentation : harpsichord (piano) Date of Publications : 15/07/1971 Number of Pages : 48 Arranger : Ruf, Hugo / Bemmann, Hans Series : Piano music pre-classicism
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Domenico Scarlatti: Sonate per clavicembalo - Volume 10: Harpsichord:
Harpsichord
Ricordi
Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The...
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Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.
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Johann Sebastian Bach: Sonata For Flute And Harpsichord In E Flat: Flute:
Flute, Harpsichord
[Sheet music + CD]
Dowani
This volume presents the Sonata for flute and harpsichord BWV 1031 in E flat M...
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This volume presents the Sonata for flute and harpsichord BWV 1031 in E flat Major by Johann Sebastian Bach. This edition with solo part Piano reduction and Dowani 3 Tempi Play Along CD allows you to work through the piece with a professional harpsichord accompaniment.
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Edwin McLean: Sonata No. 2 For Harpsichord: Harpsichord: Instrumental Work
Harpsichord
[Sheet music]
FJH
Here is a winning combination of old and new. This three-movement sonata contras...
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Here is a winning combination of old and new. This three-movement sonata contrasts the traditional sound of the harpsichord with tonality and syncopation's common to popular music and jazz. There are guitar-like moments in the first and third movements while the second alternates between the baroque and the modern. McLean brings all the character of the instrument to light.
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Johann Sebastian Bach: Three Sonatas For Viola Da Gamba And Harpsichord: Chamber
Viola da Gamba, Harpsichord
[Score and Parts]
Barenreiter
for Viol (Viola) and Harpsichord-The three sonatas for Viola da gamba and Harpsi...
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for Viol (Viola) and Harpsichord-The three sonatas for Viola da gamba and Harpsichord obbligato by Johann Sebastian Bach BWV 1027–1029 edited here both in the original version with viola da gamba and in a version with viola have been handed down to us only as separate works. Neither source material nor style indicate that the three works – as for example the six sonatas for Violin and Harpsichord BWV 1014–1019 – should be regarded as a whole. It is provable or at least feasible that all three sonatas were not originally conceived for this instrumentation. The musical substance and therefore the artistic status of the sonatas were not affected by this transcription.-Urtext of the New Bach Edition- Also includes optional part for Viola
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Carl Philipp Emanuel Bach: 4 Sonaten / 4 Sonatas 1: Wq 83 D-dur Wq 84 E-dur:
Breitkopf & Härtel
Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-These Sonat...
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Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755 while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version the right hand of the harpsichordist takes over one of the concertante parts. Only when this part rests does the harpsichord fulfill the function of a thoroughbass. This edition was based an the autograph and an copies by Westphal a friend of the composer. The score reproduces the Urtext thus maintaining the characteristic features of C. P. E. Bach's writing. The articulation suggestions added by the editor in the flutepart haue been distinguished by broken lines.
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Domenico Scarlatti: Keyboard Pieces And Sonatas Book I: Piano: Instrumental
Piano solo
-
Intermediate
ABRSM Publishing
An ABRSM collection of seventeen keyboard works edited and selected by Arnold G...
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An ABRSM collection of seventeen keyboard works edited and selected by Arnold Goldsbrough. Set for the ABRSM Harpsicord Syllabus grades 4-8.
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Domenico Scarlatti: 60 Sonate per clavicembalo: Harpsichord
Harpsichord
Ricordi
antologia dall'edizione critica di Emilia Fadini-This Anthology offers a wide se...
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antologia dall'edizione critica di Emilia Fadini-This Anthology offers a wide selection of Sonatas by Domenico Scarlatti taken from the complete critical edition edited by Emilia Fadini for Casa Ricordi since 1978.The sonatas have been chosen according to their level of difficulty (from Easy-Intermediate to Intermediate) and in some cases their popularity with performers.The anthology furthermore represents a vast choice of the genres and styles present in the complete corpus of Scarlatti???s sonatas (Capricci Gavottes Menuets Fugues).A valuable opportunity for every keyboard player to approach the work of this great composer.
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Guerini F. - Six Sonatas For Cello And Harpsichord
Cello and Harpsichord
Prb productions
First modern edition, by Sarah Freiberg, of these sonatas, 1765; keyboard part f...
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First modern edition, by Sarah Freiberg, of these sonatas, 1765; keyboard part fully realized by Byron Schenkman; includes separate continuo part for a second cello or bassoon. Recorded on Centaur CRC 2534.
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Carl Philipp Emanuel Bach: Sonatas Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works...
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Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Carl Philipp Emanuel Bach: Sonatas Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...
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Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Sonatas Band 1
Violon Et Harpe (Ou Piano)
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)
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Sonatas Band 2
Violon Et Harpe (Ou Piano)
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)
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Sonatas Band 1 Und 2
Violin and Piano
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
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Carl Philipp Emanuel Bach: 4 Sonaten / 4 Sonatas 2: Wq 85 G-dur Wq 86 G-dur:
Flute and Piano
[Sheet music]
Breitkopf & Härtel
Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-The second ...
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Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-The second volume of sonatas for Flute and Piano (originally for Harpsichord) containing Sonata in D Wq 85 and Sonata in D Wq 86 edited by Gerhard Braun with Continuo realization by Siegfried Petrenz.Volume 1: EB8474
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Johann Christoph Pepusch Antonio Vivaldi: Pepusch - Sonata in C Major: Oboe
Oboe
[Sheet music + CD]
Music Minus One
Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroqu...
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Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroque pieces for any oboist and are perfect training ground for the instrumentalist looking to learn ensemble playing. Classic trio sonatas of their age they utilized a background of flute and basso continuo - a semi-improvised accompaniment commonly carried out by both a harpsichord and a viola da gamba the two instruments serving as a full bass line supporting the other instruments. The oboist is here afforded a wonderful opportunity to play this beautiful music in association with the wonderful Rameau Trio. Not too difficult these pieces are perfect for the intermediate oboist or for the beginner looking toward amoderate challenge. Listen to and study master oboist Virginia Brewer performing with the Trio then you take your place with this group for one of the most marvelous experiences in chamber music - the Baroque trio sonata. Includes a printed guide to period ornamentation complete with musical examples. Performed by Virginia Brewer oboe Accompaniment: The Rameau Trio: Jean Antrim flute Jocelyn Chaparro harpsichord Fortunato Arico viola da gamba
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Leopold Kozeluch: Complete Sonatas for Keyboard Volume 4: Piano or Harpsichord:
Piano solo
Barenreiter
Sonaten 38-50-The composer pianist and Piano teacher Leopold Koželuch (1747-...
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Sonaten 38-50-The composer pianist and Piano teacher Leopold Koželuch (1747-1818) was one of the leading Czech musicians in 18th-century Vienna. His 50 sonatas for Keyboard bear witness not only to the transition from the harpsichord or clavichord to the pianoforte but also to the evolution of the classical sonata at the turn of the 19th century.Until now there have been few modern editions of this music. This Barenreiter edition prepared by Christopher Hogwood is the first to present all of Koželuch’s sonatas for solo Keyboard. Each of the four volumes contains 12 to 13 sonatas in chronological order by date of initial publication. The fourth volume edited with the assistance of Ryan Mark contains the last sonatas and those handed down only in manuscript form.First complete edition of the sonatas for Keyboard.Suitable for professionals and amateurs alike.Ideal for teaching purposes.Detailed Foreword (Eng/Cz/Ger) Critical Commentary (Eng) and facsimile pages.Overview of contents: Complete Sonatas for Keyboard:Volume I BA 9511 12 sonatas from the years 1780-1784.Volume II BA 9512 12 sonatas from the years 1784-1786.Volume III BA 9513 13 sonatas from the years 1788-1797.Volume IV BA 9514 9 sonatas from the years 1807-1809; 4 sonatas from the 1770s which exist only in manuscript.Complete Sonatas for KeyboardSet of all 4 volumes: BA 9515: Special set price
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SCARLATTI D. - SONATES VOL.X (K.458 - K.506)
Harpsichord
Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...
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Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel
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