Sonata for Four Trombones with Piano or Organ ad lib. (BROWN) (score & parts)

By Marcello. Arranged by Fote. Trombone Solo. Level: Grade 6. Published by Kendor Music Inc.

For Trombone. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

Trombone and Piano - advanced

SKU: CY.CC2718

Composed by Georges Bizet. Arranged by Ralph Sauer. 19th Century French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2718).

The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.

In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.

For Tuba/Bass Trombone. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

Chorus (with soloists) and orchestra (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.PB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. 52 pages. Duration 15'. Breitkopf and Haertel #PB 32091. Published by Breitkopf and Haertel (BR.PB-32091).

ISBN 9790004215777. 9.5 x 12 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Violin 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.OB-32091-15

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-15. Published by Breitkopf and Haertel (BR.OB-32091-15).

ISBN 9790004351222. 0 x 0 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Violin 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.OB-32091-16

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-16. Published by Breitkopf and Haertel (BR.OB-32091-16).

ISBN 9790004351239. 0 x 0 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Viola 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.OB-32091-20

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-20. Published by Breitkopf and Haertel (BR.OB-32091-20).

0 x 0 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Viola 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.OB-32091-19

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-19. Published by Breitkopf and Haertel (BR.OB-32091-19).

ISBN 9790004351246. 0 x 0 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.