SKU: TM.640-6209SET
No. 7 Preludio (Largo) â?? Allemanda (Allegro) â?? Sarbanda (Andante) â?? Giga (Presto); No. 8 Preludio (Largo) â?? Corrente (Allegro) â?? Grave â?? Giga (Allegro); No. 9 Preludio (Allegro) â?? Adagio â?? Allemanda (Allegro) â?? Corrente (Presto); No. 10 Preludio (Adaio) â?? Allemanda (Allegro) â?? Gavotta (Presto)l; No. 11 Preludio (Andante) â?? Corrente (Allegro) â?? Giga (Allegro) â?? Gavotta (Presto); No. 12 Folia No. 1 Adagio â?? No. 2 Andante â?? No. 3 Allegro â?? No. 4, No. 5, No. 6, No. 7, No. 8, No. 9 Adagio, No. 10 Vivace, No. 11 Allegro, No. 12 Larghetto, No. 13 Allegro, No. 14, No. 15 Adagio, No. 16 Allegro, No. 17, No. 18, No. 19, No. 20.
SKU: HL.50487568
ISBN 9790080133347. Bach (23 x 30,2 cm) inches. Maria Giovanni Bononcini; Istvan Homolya.
Giovanni Maria Bononcini (1642-1678) published in Bologna in the last year of his life, i. e. in 1678 a collection of 24 movements for two violins and basso continuo entitled Arie e Correnti a tre (Op. 12). In agreement with the sonata da camera traditions of the early Baroque the collection is a series of 9 two-movement and 2 three-movement sonatas. It was published again in London in 1701 with the title Ayres in 3 parts. Four years later a revised edition of the work appeared, also in London, which bore the title Bononcini's Aires for two Flutes and a Bass. The edition published in Amsterdam without date, but presumably around 1725, with the title Preludes, Allemandes, Sarabandes, Courantes, Gavottes et Gigues a 2 Flutes ou Violons et une Basse, is essentially a reprint of the London edition. The present edition contains this posthumous revised variant. Territorial restrictions may apply. Please ask before ordering.
SKU: BT.EMBZ13334
Giovanni Maria Bononcini (1642-1678) published in Bologna in the last year of his life, i. e. in 1678 a collection of 24 movements for two violins and basso continuo entitled Arie e Correnti a tre (Op. 12). In agreement with the sonata da camera traditions of the early Baroque the collection is a series of 9 two-movement and 2 three-movement sonatas. It was published again in London in 1701 with the title Ayres in 3 parts. Four years later a revised edition of the work appeared, also in London, which bore the title Bononcini's Aires for two Flutes and a Bass. The edition published in Amsterdam without date, but presumably around 1725, with the title Preludes, Allemandes,Sarabandes, Courantes, Gavottes et Gigues á 2 Flutes ou Violons et une Basse, is essentially a reprint of the London edition. The present edition contains this posthumous revised variant. Territorial restrictions may apply. Please ask before ordering.
SKU: BT.EMBZ14662
Angelo Maria Fiore (c. 1660-1723), composer and virtuoso cellist, was the founder of the Piedmont school. In 1697 he was invited to the Accademia Filarmonica di Bologna as a rare cello player. During his lifetime his work entitled Trattenimenti di camera a due stromenti, violino e cimbalo o violino e violoncello was published by Bartolomeo Gregori in 1698, barely three years after the first cello sonatas to appear in print, the works of Giuseppe Jacchini. Three of the 14 Trattenimenti were written for cello and basso continuo, and they form the contents of this volume. This edition is faithful to the text of the source and the archaic style of writing has been modernized to makethe score (intended for practical, pedagogical purposes) easier to read. Der Komponist und virtuose Cellist Angelo Maria Fiore (c1660-1723) war der Gründer der Piemont-Schule. 1697 wurde er in der ‚Accademia Filarmonica di Bologna als raro suonatore di violoncello' aufgenommen. Schon zu Lebzeiten erschien sein Werk: ‚Trattenimenti di camera a due stromenti, violino e cimbalo o violino e violoncello, kaum drei Jahre nach den ersten gedruckten Cellosonaten von Giuseppe Jacchini, der Herausgeber war Bartolomeo Gregori. Von der vierzehn ‚Trattenimenti' (eigentliche Barocksonaten) entstanden drei für Cello und Basso continuo, diese Werke beinhaltet unser Band. Die Ausgabe bleibt zum Text der Quelle treu, um die Lesbarkeit der praxisorientierten, vorallem pädagogischer Zwecke dienenden Noten zu vereinfachen, wurde die alte Schreibweise modernisiert.
SKU: FP.FHP07
ISBN 9790570504091.
This short piece for recorder and piano, written for the 50th anniversary of the Stockport Recorder College, is an affectionate memory of the double decker trams the composer recalls from his childhood in the 1930s and 40s. The conductor rings the bell, the tram starts, picks up speed and away we go bringing memories of care free days some 80 years ago.Peter Hope has worked for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other leading composers including John Williams and James Horner. His original compositions include the Suite Ring of Kerry (which won an Ivor Novello Award in1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble, and an Oboe Sonata, recently published by Forsyth and written in memory of Evelyn Barbirolli.Hope’s Bramall Hall Dances, for recorder and guitar/piano is also published by Forsyth and has become a standard repertoire work for the recorder. Further recorder publications Geordie Tunes, Tallis Remembered and his Recorder Sonata are available from the same publisher.
SKU: FP.FHP06
ISBN 9790570504053.
The heartachingly beautiful Tallis Remembered is a timeless little piece composed by outstanding British composer Peter Hope for the 2013 William Alwyn Festival, where it featured a violin instead of the clarinet. The work was inspired by Wendy Cope’s wistful poem ‘Tallis’s Canon’ and is effectively a set of through-composed variations on Tallis’s well-known tune. A recording of the work can be heard on the CD 'Windblown: Sonatas for Wind Instruments by Peter Hope'. It has been regularly featured on Radio 3.Hope has written and arranged for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other composers including John Williams and James Horner. His original compositions include the Suite: Ring of Kerry (which won an Ivor Novello Award in 1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, and a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble. His Bramall Hall Dances, for recorder and guitar/piano are published by Forsyth Brothers Ltd. and have become a standard repertoire work for the recorder.