Format : Sheet music
This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe
SKU: SU.29050202
Ragtime Piano Solos in Classical Style Duration: 20’ Composed: 2002 Published by: Whitco Press.
SKU: SU.29050212
Ragtime Piano Solos in Classical Style Duration: 20’30 Composed: 2005 Published by: Whitco Press.
SKU: SU.12800066
BachScholar Editions Vol. 66: ZEZ CONFREY: 12 Novelty Piano Solos (1921-1924) (editor's preface, 49 pages of music) presents Zez Confrey's twelve most popular novelty piano solos from the exciting era of the 1920s. (The novelty style evolved from classic ragtime, of which Confrey was its first pioneer.) These beautiful and meticulous engravings are reproduced from the original editions, making this an historically accurate Urtext of the highest quality (no fingerings provided). Pianists, students, teachers, and ragtime aficionados will marvel at the clarity and legibility of this fine authoritative edition of exciting and entertaining solos from the pioneer of the novelty ragtime style. Contents include: 1. My Pet (1921) 2. Kitten on the Keys (1921) 3. You Tell 'Em, Ivories (1921) 4. Greenwich Witch (1921) 5. Poor Buttermilk (1921) 6. Stumbling (Paraphrase) (1922) 7. Coaxing the Piano (1922) 8. Dizzy Fingers (1923) 9. Nickel in the Slot (1923) 10. High Hattin' (1924) (from African Suite) 11. Kinda Careless (1924) (from African Suite) 12. Mississippi Shivers (1924) (from African Suite) Composed: 1921-1924 Published by: BachScholar.
SKU: BA.BA06862
ISBN 9790260105300. 34.2 x 27.3 cm inches. Text Language: Church Slavic.
The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.The recently published scholarly-critical edition presents two different versions of the work in two separate volumes: the “September 1927” version (BA 6863) which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928 (BA 6862). This second version was then revised further and published after Janácek’s death by Universal Edition Wien in 1930. Known as the “final authorised version”, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janácek’s regular copyist Václav Sedlácek. The “final authorised version” is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TI.TR00633
SKU: BA.BA04013-04
ISBN 9790006562077. 33 x 26.5 cm inches. Text Language: English, German. Preface: Bernard Rose. Anonymus.
