Solo Time for Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Beginner Series-Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues.Facebook Twitter Pinterest Google+

Performed by Keith Dwyer clarinetAccompaniment : Cassini String Quartet: Charles Roth 1st violin; Marla Smith 2nd violin; John Madison viola; John Iatzko violoncelloWritten for his friend and fellow Mason inVienna Anton Stadler the quintet was completed in September of 1789 and premiered a few days before Christmas of that year. It is one of Mozart's most perfect accomplishments ? a score of proud serenity transparenttexture and radiant beauty. It is also an example of Mozart's uncanny ability to combine the best parts of chamber music and concerto music. The solo clarinet leads the ensemble but does not subjugate it. There is an infinitevariety of interplay between the performing partners and all five instruments undertake the virtuoso's role at one time or another. 'The result ' says Homer Ulrich 'is a piece of music whose charm and delicacy are difficult toduplicate in the literature of strings and winds.' This deluxe 2-CD set includes the quintet in its original key with printed parts for both A and B-flat clarinets and adds a repitched version for B-flat clarinetists allowingplayers of that instrument easier execution plus the ability to learn the same fingerings as the composer's intended A clarinet for performance purposes.Includes a high-quality printed music score for B-flat clarinet; anda compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the accompaniment minus the soloist. Also includes a second compact disccontaining a recording of the quintet repitched to allow B-flat clarinetists to play the original written part for A-clarinet.

For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the

Santorella Publications est fier de présenter 101 Popular Songs for Clarinet. Après d'innombrables demandes que nous avons tout rassemblé sous un même toit. Il a été depuis des décennies en laiton ou joueur roseau pouvaient trouver tant de chansons reconnaissables de genres variés en une seule collection.Egalement disponible en touches accueillir pour Trompette, Flute, Alto Sax and Trombone à la fois en solo et en duo formes.101 Popular Songs comprend une variété de classiques bien connus originales, classiques de mariage, hymnes sacrés, chants patriotiques, des standards de jazz et chants de Noël. Chaque édition comprend trois (3) Accompagnement Piano CD - avec plus de 100 titres dont des duos classiques et jazz. Chaque joueur de cor aura une occasion unique de jouer avec les plus grands musiciens de studio à Los Angeles. Chaque édition est orientée vers un instrument particulier dans les sections Duets Classique and Jazz, qui est enregistré dans un mode de 'Music Minus One'. / Clarinette

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Grade 1 Clarinet Pieces allows you to learn a diverse range of popular solo works that have all been carefully chosen with the specifications of the major exam boards in mind. This particular bookis perfect for Grade 1 clarinettists including some classic tunes and contemporary pop hits. The included download card also gives you instant online access to full backing tracks for everysong. This fantastic songbook includes valuable supplementary repertoire for beginning Grade 1 clarinettists of any age. These particular Clarinet Pieces will aid with yourtechnique and theoretical skills while also allowing you to play some incredible tunes that will help to enhance your musicality. Including such contemporary pop classics as Taylor Swift's 22 One Direction's BestSong Ever Adele's Make You Feel My Love and Coldplay's Sky Full Of Stars  these familiar tunes will be fun to play for any clarinettist. Not only this but a big collection oftimeless pop tunes are included such as The Beatles' Yesterday Frank Sinatra's My Way and Elvis Presley's All Shook Up such familiar favourites allowing everyone to enjoy Grade 1Clarinet! Each of the tunes features song background notes and brief performance guidance while at the beginning of the songbook is an introductory section featuring an invaluable fingeringchart. With a fantastically diverse collection of old and new pop songs some beautifully crisp engraving and helpful performance tips for each song this is the perfect songbook for Grade 1clarinettists. It will help hone the techniques necessary for major exam boards while enabling you to develop a versatile repertoire and have fun playing some familiar

Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in its wider historical context so that the student can more easily relate the style of the music to its period. Book 1 covers grades 1-2. The solo clarinet part is also included as a separate insert.

Instrumental Play-Along-Hal Leonard Instrumental Play-Along: 12 Smash Hits (Clarinet) is a sheet music/CD pack jam packed with solo arrangements of 12 smash hits from recent artists such as Ed Sheeran Taylor Swift Bruno Mars and more.Read the music from the book and play along with the professionally recorded accompaniment on the CD to songs such as Skyfall Live While We're Young Some Nights and many others.

Big Pop Instrumental Solos (Clarinet) contains 75 of the most popular songs of recent years. An excellent choice for students, amateurs, and professionals alike, it is great for performances at parties and receptions, or just for fun! Includes hits from Madonna, R.Kelly, Alanis Morissette, Elton John and many, many more./ Recueil / Clarinette

Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment for 9 of Billie's biggest hits so far: Bad Guy ? Everything I Wanted ? I Love You ? idontwannabeyouanymore ? Lovely ? No Time to Die ? Ocean Eyes ? When the Party's Over ? You Should See Me in a Crown. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.