Format : Sheet music + Audio access
SKU: HL.49016263
ISBN 9783795750589. 8.25x11.75x0.33 inches. German.
Grove, Groove, Groove... uberall groovt es. Groove hat eine packende und mitreissende Wirkung. Aber was ist Groove? Wodurch entsteht er? Wie spiele ich grooviger? Das alles erklart dir dieses Buch. Es zeigt Groove-Techniken wie Choke, Slapped Strings, Ghost Strings oder ungewohnliche Plektrumtechniken. Ausserdem erklart es die Bedeutung von Timing, Mikrotiming, Second Line Beat usw. Dadurch lernst du, auf der Gitarre mit mehr Energie zu spielen, denn Groove Guitar ist eine Mischung aus Rhythmusgitarre und Energie. Unplugged & Plugged. Fur Wester- und E-Gitarre. Fur Anfanger und Fortgeschrittene.Und weil Groove in erster Linie eine Sache des Gefuhls ist, liegt diesem Buch eine CD mit Groove-Playbacks/Play-Along-Songs bei, in die Du Dich zum Mitgrooven einklinken kannst. Die CD ist satte 76 Minuten lang und enthalt alle Gitarren-Grooves auch in einer besonders langsam eingespielten Solo-Version.
SKU: M7.PPV-20046338
ISBN 9783937841984. German.
Anhand von vier Beispielsongs führt dich Victor Smolski durch die Heldengeschichte der Metalgitarre. Vom klassischen Heavy Metal à la Iron Maiden und Judas Priest über Thrash Metal im Stile der frühen Metallica bis hin zu Speed und Progressive Metal findest du die genialsten Licks und Riffs. Du lernst die wichtigsten Stilelemente der Rhythmusgitarre kennen: Metal Chords, Downstrokes, harmonisches Riffing uvm. Anschließend zeigt dir Victor wie Tappings, Flageoletts, Slap-Technik und Special-Effects dafür sorgen, dass den Zuhören bei deinem Solo die Ohren aus dem Kopf fallen. Selbstverständlich erfährst du auch, mit welchen Geheimtricks die großen Helden wie beispielsweise John Petrucci, Dimebag Darrell und Paul Gilbert selbst ihre Performance so richtig abgehen lassen. Damit du richtig Spaß hast, enthält die DVD live eingespielte Playalongversionen der 4 Beispielsongs. Für alle Gitarristen mit Vorkenntnissen, die wissen wollen, wo der Metalhammer hängt!
SKU: MB.96534M
ISBN 9780786686551. 8.75 x 11.75 inches.
Gleaned from years of teaching, performance, and listening experience -bass players at all levels will benefit from studying the numerous exercises, grooves, and musical examples offered in this book. Whether you are into funk, RandB, fusion, jazz, rock, punk, reggae, alternative music, or any other style; the slap technique will find a niche in your bass playing vocabulary. Chapter headings include: Technique, Hammer-Ons and Pull-Offs, Ghost Notes, Left Hand Slap, Open Strings, Double Slap, Double Stops, Double Pops, Other Licks and Tricks, and Advanced Grooves and Solos Using All Techniques. The author strongly advises the student to play each lesson slowly until the exercise or principle being illustrated is thoroughly mastered. Written in notation and tablature. Includes access to online audio and video.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: HL.14047208
ISBN 9788850718887. Italian.
SKU: HL.438835
UPC: 852940000813. 5.5x10.0x2.5 inches.
The Carl Martin Echotone! 1200 milliseconds of vintage echo, foot-switchable Tap or Manual time settings, insert loop and switchable trail function at bypass. Imagine switching from a Manual time setting to a Tap time setting right at your feet, so you can play with your favourite slap-back echo on rhythm to a Tap (tempo) set echo for that massive lead or solo! Combine this with flavouring your echo by installing a chorus, flange or even distortion pedal in the insert loop, and the switchable trail function at bypass, and you have what our test players are calling 'the best echo they have ever heard'! As with all the Danish built Carl Martin effects, the Echotone comes in our low-profile housing, coated in our new stunning off-white colour, with the built-in 12v (+-) regulated power supply.
