SKU: CL.093-0054-20
Eb Alto Saxophone duet with piano accompaniment.
SKU: FJ.B1189S
English.
This 4-movement multicultural suite provides a wealth of teaching and performance opportunities, especially at the beginning level. Each movement is based on a Smithsonian National Museum in Washington D.C. (Natural History, American Indian, African Art, and Air and Space). These movements can easily be performed separately. In addition to cross-curriculum teaching, the opening theme is slightly altered in each movement, teaching the concept of variations. Strongly consider this new work.
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: BT.WHMF521
Før Søndagen.
SKU: CL.013-0899-00
SKU: CL.083-0054-22
Eb Alto Saxophone solo with piano accompaniment.
SKU: CL.093-0054-51
Baritone B.C. duet with piano accompaniment.
SKU: CL.093-0054-33
Trumpet duet with piano accompaniment.
SKU: CL.083-0054-38
Trombone solo with piano accompaniment.
SKU: CL.083-0054-33
Trumpet solo with piano accompaniment.
SKU: CL.083-0054-20
SKU: CL.074-6026-43
CONTENTS: * As The Moon Rose * Call of the Sea * Darby and Joan * Italiana Valse de Concertanta * Liebestraum * Massa's In the Cold, Cold Ground Air Varie * Milady's Pleasure Valse Caprice * Silver Threads Among the Gold Theme and Variations * Smithsonian Concert Polka * The Wayfarer * Through Shadowed Vales * Where South Winds Blow *.
SKU: CA.1632607
ISBN 9790007108120. Language: all languages.
Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II lineaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it. This impression was the starting point for a creative work which has since become a kind of a project to which I will dedicate myself throughout my life. Since that time of my first discovery (in which hundreds of pages of sketches and a published excerpt of a score of a syntagma have been composed, namely << monstrueuse vecut dans le cadre >> la memoire) I have attempted to develop a new musical system that encompasses all the parameters of composition. All of these works which I have composed are independent from this enormous project, but at the same time they form the experimental laboratory for the all-encompassing musical system towards which I am working and developing: a new system of determining pitches, metre, dynamics, musical diction, manner of performance, etc. With << monstrueuse vecut dans le cadre >> la memoire it appears that the research for this project has been concluded. After the two large cycles << Les Georgiques >> on texts from Claude Simon and << Tristram Shandy >> from Laurence Sterne, both employing techniques from my work with Albiach's texts, I could finally compose this work, which was originally conceived for voice and 6 instrumental groups - the system was mastered, so to speak. Anne-Marie Albiach's establishes the genetic code for the piece, without the words having to be spoken.. Her text is, in the true sense of the word, measured from one syntagma (syntactical element), from one void (space) to another, and this results in temporal structures of ensemble texture. This is opposed to another texture, which is the temporal measurement of a recitation of the text by the author: her voice, using the range of her voice, is the viola solo - a recitation, in its unique individuality, on which the cold, typographical structure of the ensemble superimposed. Every time I read a text of Anne-Marie Albiach, it seems to me that she is saying that which I do. An extremely rare coincidence, like that with the violist Odile Auboin, the soloist, who I think works in the same manner and has the same approach to things. Score available separately - see item CA.1632600.
SKU: GH.N05981
ISBN 9790070032650. 185 x 262 mm inches.
Evangeliemotett pa sondagen fore Domsondagen.
SKU: BT.DHP-0970954-030
The many sided and productive Michael Praetorius (1571-1621) is knwon as a composer of dance music, sacred music and music for the advent and Christmas time. He worked as Kapelmeister to the court at Wolffenbuttel, but he was also asked to serve in other places, includin Dresden. Praetorius was valued for the new impulses he gave to music by means of his use of instrumental accompaniment. His main contribution is his theoretical work Syntagma Musicum, one of the most important musical refernce books, in connection with instruments and instrumentation in the early 17th Century. Es ist ein ros entsprungen is a well known ancient melody which has inspired numerous composers andarrangers througout the Centuries. Otto M. Schwarz has made a choral arrangement. Es ist ein Ros entsprungen von Michael Praetorius ist eines der Lieder, die auf keinem Weihnachtsfest oder -konzert fehlen dürfen. Die signalartige Gegenstimme in dieser gelungenen Bearbeitung von Otto M. Schwarz verkörpert Weihnachtsstimmung pur! Bei diesem Werk kann auch mitgesungen werden.
