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Skrjabin, Alexander : Piano Works V
Format : Sheet music
Instrumentation :
Piano solo
Publisher :
Peters
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Piano Works Vol.5 (SCRIABINE ALEXANDER)
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Sonaten N°1-5 / Classique / Partition / Cartonné / Plat de carton / Urtext
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Alexandr Skrjabin : Samtliche Klaviersonaten, Band I
Piano solo
[Sheet music]
Barenreiter
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...
(+)
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). Text language: German, English. 123 pages. Published by Baerenreiter Verlag
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Skrjabin, Alexander : Piano Works II
Piano solo
[Sheet music]
Peters
Préludes, Poème
Opus 11, 27, 32, 47, 56, 72, 73, 74 / Classique / Partition...
(+)
Préludes, Poème
Opus 11, 27, 32, 47, 56, 72, 73, 74 / Classique / Partition / Cartonné / Plat de carton / Urtext
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Skrjabin, Alexander : Piano Works I
Piano solo
[Sheet music]
Peters
Etudes Opus 8, 42, 65 / Classique / Partition / Cartonné / Plat de carton / Urt...
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Etudes Opus 8, 42, 65 / Classique / Partition / Cartonné / Plat de carton / Urtext
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Skrjabin, Alexander : Piano Works VI
Piano solo
[Sheet music]
Peters
Sonaten N°6-10 / Classique / Partition / Cartonné / Plat de carton / Urtext
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Skrjabin, Alexander : Piano Works III
Piano solo
[Sheet music]
Peters
Préludes, Poèmes
Opus 13, 16, 38, 45, 46, 48, 49, 51, 52, 57-59, 61, 63, 67...
(+)
Préludes, Poèmes
Opus 13, 16, 38, 45, 46, 48, 49, 51, 52, 57-59, 61, 63, 67, 69, 71 / Classique / Partition / Cartonné / Plat de carton / Urtext
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Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30: Piano: Instrumental
Piano solo
G. Henle
Opus 30-Skrjabin ten complete Piano sonatas offer a fascinating insight into the...
(+)
Opus 30-Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer?s stylistic development. While his first works still fully reflect the late-romantic tradition the late works keep bursting thebounds of tonality. The boldly outlined two-movement Fourth Sonata marks a turning point for it evokes the world of the ?Poème de l?extase? with its mystical atmosphere hovering between ethereal raptureand ecstatic flight. The publication of opus 30 means that all of Skrjabin?s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow an invitation to all pianists to plungeinto this unique cosmos.
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Alexander Skrjabin: Sämtliche Klaviersonaten I: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate
Barenreiter
Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of ...
(+)
Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of Alexander Scriabin’s compositional output. No other composer after Beethoven reshaped this genre so radically thereby reinvigorating the tradition of the sonata. Scriabin’s desire not simply to continue the existing tradition but to surpass it is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Scriabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.Thisvolume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6 No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.The editor Christoph Flamm draws on autograph manuscripts first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Scriabin made in 1908 on paper rolls for the Hupfeld company Leipzig are also taken into account.- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account.- Includes all fragmentary works some published for the first time.- Detailed foreword Ger/Eng) and critical commentary (Eng).
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Alexander Skrjabin: Sämtliche Klaviersonaten IV: Piano: Instrumental Album
Piano solo
Barenreiter
Complete Piano Sonatas IV-Volume IV of Scriabin?s ?Complete Piano Sonatas? unite...
(+)
Complete Piano Sonatas IV-Volume IV of Scriabin?s ?Complete Piano Sonatas? unites Sonata No. 9 op. 68 (nicknamed ?Black Mass? but not by Scriabin) and Sonata No. 10 op. 70. These two works originated virtually at the same time in 1911-13 and 1912-13 respectively.Christoph Flamm has given both sonatas a fundamentally fresh look in this new Urtext edition. Exploiting all the autograph sources including Scriabin?s sketches and drafts he has arrived at surprising new readings. His foreword sheds informative light on the genesis and significance of these pieces; the many variants are documented in detail in the Critical Commentary. The higheditorial standards are complemented by spacious engraving and practical page-turns.- Scholarly-critical Urtext edition including the latest research findings.- All autograph sources consulted including sketches and drafts.- For students pianists and teachers.- Detailed foreword (Ger/Eng) and Critical Commentary (Eng).
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Alexander Skrjabin: Piano Sonata No.10 Op.70 - Henle Urtext: Piano: Instrumental
Piano solo
[Sheet music]
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Advanced
G. Henle
Piano Sonata no. 10 op. 70-Scriabin's Tenth Sonata was composed at the same time...
(+)
Piano Sonata no. 10 op. 70-Scriabin's Tenth Sonata was composed at the same time as the two Sonatas Nos. 8 and 9 in winter 1912/13. It was probably finished at the latest in June 1913. According to Leonid Sabanejev's reminiscences Scriabin had alreadyperformed parts of the sonata to friends in spring 1913 saying that 'he had succeeded in simplifying the harmonies without destroying the Sonata's psychological complexity.' Following the first performance in Moscow a reviewerwrote: 'The Tenth Sonata must be counted amongst Scriabin’s most inspiring works [...] It is as if it were hewn out of a piece of granite: one can neither leave out a stroke nor add one - it is so strict and logical in itsentirety.'
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