Six Études for Piano, op. 52

Note du compositeur: <br>En janvier 1999, Tomoko Mukaiyama m'a demandée de lui écrire un nouveau morceau pour piano. A l'origine, elle souhaîtait que ce morceau soit synchronisé avec une musique techno choisie par ses soins et qui serait pré-enregistrée sur une bande. En discutant de ce morceau, nous nous sommes aperçues qu'une oeuvre pour piano solo aurait plus de substance. Mais l'idée d'un son techno restait présente. Finalement j'ai écrit un ensemble de trois morceaux, appelés "Techno Etudes". L'idée derrière cette oeuvre était de résumer trois mots-clés : techno, rythme et vitesse." <br>Karen Tanaka / [Karen Tanaka: Techno Etudes For Piano] / Classique / Partition / agrafé /

Chopin was the only great composer who wrote almost entirely for the piano and his works are of such a uniformly high quality that they are all absolutely essential in the repertoire of any aspiring pianist. The Preludes and Etudes are exquisitely beautiful examples of his genius. They are reproduced here from the authoritative Mikuli edition and available in this one-volume publication.

for Pianoforte Solo-Mis à jour le 18.01.19 Alexander Scriabine The Complete Preludes And Etudes Partition - Piano Dover Référence: DP10406 PIANO

Including the Transcendental Etudes Ed. Busoni-Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the Romantic reportoire. The first volume Series 1 include many of Liszt's most inspired piano works and are edited by the great pianist composer and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Hartel in Leipzig in 1910-11. Each set of Etudes is a highly successful work in its own terms and are all fiendishly difficult. The separate ' Mazeppa' isyet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of 'Feux Follets' to the startling bravura of 'Wilde Jagd' (both from Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality

This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form - notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer.Unit listing: Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords. / Piano

Purpose:â?¢ To enhance the foundational musicianship of each student and aid in the development of technique theory and sight reading skills.â?¢ These etudes were selected through Dr.Hagueâ??s extensive study of all available Czerny etudes. Her goal was to find musically interesting and pianistically satisfying pieces at this level. The editors have found that the study of Czerny etudes is enjoyable for students and yields enormous benefits for pianistic and musical development. Czerny is one of the great piano pedagogues and has provided us with a rich legacy that we are privileged to share with future generations of pianists.

All the preludes and études including many perfectly spun miniatures. Edited by K. N. Igumnov and Y. I. Mil'shteyn. Content : PRELUDES Op. 2, No. 2 in B Major For the Left Hand, Op. 9, No. 1 in C Sharp Minor 24 PRELUDES, OP. 11 Part I No. 1 in C Major No. 2 in A Minor No. 3 in G Major No. 4 in E Minor No. 5 in D Major No. 6 in B Minor Part II No. 7 in A Major No. 8 in F Sharp Minor No. 9 in E Major No. 10 in C Sharp Minor No. 11 in B Major No. 12 in G Sharp Minor Part III No. 13 in G Flat Major No. 14 in E Flat Minor No. 15 in D Flat Major No. 16 in B Flat Minor No. 17 in A Flat Major No. 18 in F Minor Part IV No. 19 in E Flat Major No. 20 in C Minor No. 21 In B Flat Major No. 22 in G Minor No. 23 in F Major No. 24 in D Minor SIX PRELUDES, OP. 13 No. 1 in C Major No. 2 in A Minor No. 3 in G Major No. 4 in E Minor No. 5 in D Major No. 6 in B Minor FIVE PRELUDES, OP. 15 No. 1 in A Major No. 2 in F Sharp Minor No. 3 in E Major No. 4 in E Major No. 5 in C Sharp Minor FIVE PRELUDES, OP. 16 No. 1 in B Major No. 2 in G Sharp Minor No. 3 in G Flat Major No. 4 in E Flat Minor No. 5 in F Sharp Major SEVEN PRELUDES, OP. 17 No. 1 in D Minor No. 2 in E Flat Major No. 3 in D Flat Major No. 4 in B Flat Minor No. 5 in F Minor No. 6 in B Flat Major No. 7 in G Minor FOUR PRELUDES, OP. 22 No. 1 in G Sharp Minor No. 2 in C Sharp Minor No. 3 in B Major No. 4 in B Minor TWO PRELUDES, OP. 27 No. 1 in G Minor No. 2 in B Major FOUR PRELUDES, OP. 31 No. 1 in D Flat Major/C Major No. 2 in F Sharp Minor No. 3 in E Flat Minor No. 4 in C Major FOUR PRELUDES, OP. 33 No. 1 in E Major No. 2 in F Sharp Minor No. 3 in C Major No. 4 in A Flat THREE PRELUDES, OP. 35 No. 1 in D Flat Major No. 2 in B Flat Major No. 3 in C Major FOUR PRELUDES, OP. 37 No. 1 in B Flat Minor No. 2 in F Sharp Major No. 3 in B Major No. 4 in G Minor FOUR PRELUDES, OP. 39 No. 1 in F Sharp Major No. 2 in D Major No. 3 in G Major No. 4 in a Flat Major Op. 45, No. 3 in E Flat Major FOUR PRELUDES, OP. 48 No. 1 in F Sharp Major No. 2 in C Major No. 3 in D Flat Major No. 4 in C Major Op. 49, No. 2 in F Major Op. 51, No. 2 in A Minor Op. 56, No. 1 in E Flat Major Op. 59, No. 2 TWO PRELUDES, OP. 67 No. 1 No. 2 FIVE PRELUDES, OP. 74 No. 1 No. 2 No. 3 No. 4 No. 5 ETUDES Op. 2, No. 1 in C Sharp Minor TWELVE ETUDES, OP. 8 Part 1 No. 1 in C Sharp Major No. 2 in F Sharp Minor No. 3 in B Minor No. 4 in B Major No. 5 in E Major No. 6 in A Major Part II No. 7 in B Flat Minor No. 8 in A Flat Major No. 9 in G Sharp Minor No. 10 in D Flat Major No. 11 in B Flat Minor No. 12 in D Sharp Minor EIGHT ETUDES, OP, 42 No. 1 in D Flat Major No. 2 in F Sharp Minor No. 3 in F Sharp Major No. 4 in F Sharp Major No. 5 in C Sharp Minor No. 6 in D Flat Major No. 7 in F Minor No. 8 in E Flat Major Op. 49, No. 1 in E Flat Major Op. 56, No. 4 THREE ETUDES, OP. 65 No. 1 No. 2 No. 3

This collection of etudes for late intermediate to early advanced pianists includes pieces by Cramer, MacDowell, Czerny, Moscheles and Moszkowki. The etudes provide an enjoyable way to develop technique, thereby preparing the student for more challenging repertoire. The book contains concise biographies of each composer and features carefully thought out fingering for each etude.

This volume contains several of Debussy's best known and most-admired compositions including some of his most brilliant works for piano: the technically challenging 'Etudes' the witty and appealing 'Children's Corner' and the sparkling 'Images Book II' as well as other intriguing lesser-known works. Pianists will enjoy the extraordinary diversity of these pieces and their rare often surprising musical effects. All of the works included have been reprinted from authoritative French editions.

Ecoles de Musique, Conservatoires, Médiathèques, Etablissements Scolaires, Professeurs de Piano, Pianistes débutants ou confirmés, Concertistes...
désormais, vous pouvez imprimer, utiliser et faire circuler librement un grand répertoire de partitions sans que ce soit considéré comme une photocopie pour les cours, les examens, les auditions, les concerts, le travail chez soi?

Voici les plus grand répertoire de partitions pour Piano libre de droit et sans restrictions sur un seul DVD-Rom comprenant :
- 630 Oeuvres Majeures doigtées avec soin et classées par niveau de difficulté
- 2 500 Pages de Musique à imprimer dans une qualité irréprochable
- 26 heures d'écoute au format MP3 à exporter et à utiliser sans limitation

Quelques exemples d?utilisation

Installé dans une salle de cours, chaque professeur aura le loisir de faire écouter à son élève chaque morceau enregistré par des pianistes virtuoses. Puis le professeur imprimera naturellement la partition que l?élève emportera avec lui pour travailler à la maison.
Pour les cours de musique collectifs, cours d?initiation dans les Ecoles primaires, Collèges, Lycées, Conservatoires?, une solution ludique et inépuisable pour faire découvrir la musique des grands compositeurs. Le professeur imprime pour chaque élève la partition qu?il aura choisi de faire travailler, déchiffrer, expliquer, avec l?aide de l?Audio.
Quoi qu?il en soit, même pour les bibliothèques, vous disposez d?un répertoire complet à imprimer à l?infini sans que ce soit considéré comme du « photocopillage » puisque les oeuvres contenues dans Piano Score Unlimited appartiennent au domaine public.
Imprimez des partitions d?une qualité graphique exceptionnelle ! Doigtée avec soin, chaque partition est tirée de la première édition ou de l?oeuvre originale du compositeur. Pour vous aider dans vos choix, les pièces ont été classées par compositeur et par niveau de difficulté.
Exportez le fichier MP3 qui a été interprété par des pianistes virtuoses pour l?utiliser sans restriction et libre de droit, agrémenter vos DVD, élaborer des programmes d?écoute pour vos élèves ou vous-même...

Débutez en travaillant les exercices du recueil « Le Premier Maître du Piano Opus 599 », « Les Cinq Doigts Opus 777 », « Les Etudes » de Czerny ou de Burgmuller, le célèbre « petit livre » d?Anna Magdalena BACH?
Déchiffrez les partitions de l?incontournable répertoire de Piano : « Le Clavecin bien tempéré » de JS BACH ou les « Sonatines » de Clémenti ?
Interprétez les « Nocturnes », « Préludes », « Mazurkas »,Grandes « Valses » de Chopin, les airs les plus connus (« Fantaisie », « Marche turque », « Petite Sonate`) et `Sonates` de Mozart, les « Petits Préludes » ou les fameuses « Fugues », les « Inventions à 2 et 3 voies » de J.S.Bach, les « Romances sans Paroles » de Mendelssohn, l? « Album pour la jeunesse », « Scènes d?enfants » de Schumann, les « Moments Musicaux », les « Impromptus » de Schubert, « Les Arabesques », le « Children?s Corner » ,« Le Petit Nègre» de Debussy, les « Ragtimes » de Scott Joplin, pour ne citer qu?eux... De Haendel, Schubert, Beethoven, en passant entre autres par Tchaïkovski ou Purcell, Couperin, Gounod, Scarlatti?. / DVD /

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano