Format : Set of Parts
SKU: BR.EOS-522-16
ISBN 9790004785379. 8.5 x 11.5 inches.
The Sinfonia in E-flat major was probably written by Johann Christian Bach in his first decade in London, around 1765-70. Because of its small instrumentation and ease of performance, this E-flat major symphony enjoyed great popularity even during Bach's lifetime.
SKU: BR.EOS-522-30
ISBN 9790004785409. 8.5 x 11.5 inches.
SKU: BR.EOS-522-26
ISBN 9790004785393. 8.5 x 11.5 inches.
SKU: BR.EOS-522-12
ISBN 9790004785355. 8.5 x 11.5 inches.
SKU: BR.EOS-522-19
ISBN 9790004785386. 8.5 x 11.5 inches.
SKU: HL.48187720
Wolfgang Amadeus Mozart: Sinfonia concertante KV364 in E flat major (PH117) (Orchestra).
SKU: HL.51485011
ISBN 9790201850115. UPC: 884088947569.
Complete Edition with Critical Report. Includes: Sinfonia in D Major Hob. I:15,Sinfonia in G Major Hob. I:3, Sinfonia in E-flat Major Hob. I:36, Sinfonia in C Major Hob. I:33, Sinfonia in B-flat Major Hob. I:108, Sinfonia in A Major Hob. I:14, Sinfonia in B-flat major Hob. I:16, Sinfonia in D Major Hob. I:34, Sinfonia in D Major Hob. I:72,Sinfonia in G minor Hob. I:39.
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: HL.50510046
ISBN 9790080400050. UPC: 073999711769. 5.5x8.0x0.324 inches. Ludwig van Beethoven; Gabor Darvas.
The original manuscript of the work has been lost, but a copy with corrections in the composer's hand, dating presumably from 1804, has come down to us. Beethoven added the following comment on the title page: 'geschrieben auf Bonaparte', which lends authenticity to the familiar story that oroginally the composer had named the symphony after Napoleon Bonaparte, but when he learnt that the revolutionary whom he idolized had let himself crown emperor, he tore off the cover page of the score in disillusion and rage, and changed both its title and dedication in the following way: 'Sinfonia EROICA, composta per festeggiare il sovvenire d'un grand' uomo, e dedicata a Sua Altezza Serenissima il Principe di Lobkowitz.'.
SKU: BR.PB-14613
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004214886. 10 x 12.5 inches.
The Eroica according to the Complete EditionExploring the Eroica is the name of the essay with which the editor made herself known back in 1998 and which contributed decisively to the research into the complex transmission. Written in 1803, the autograph of the work is lost today. The title Sinfonia Eroica is already found in the first edition (but only there as well). The main source of the edition is the copy of the score, which was carefully examined and emended by Beethoven, and into which he made corrections even after the appearance of the first printed set of parts. In addition, the copies of the parts used for first performances (before publication) as well as the extremely error-filled first edition of the instrumental parts are also relevant; more so, however, is another printed set that Beethoven personally revised. Thanks to the new performance material, the musical text of the new Beethoven Complete Edition can now also be heard alternatively to the Breitkopf Urtext edition by Peter Hauschild (PB/OB 5233).
SKU: HL.49002125
ISBN 9790001022644. UPC: 842819105954.
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a finale La tempesta del mare.
SKU: BR.OB-14613-23
ISBN 9790004342619. 10 x 12.5 inches.
SKU: BR.OB-14613-16
ISBN 9790004342596. 10 x 12.5 inches.
SKU: HL.49002124
ISBN 9790001022637.
SKU: BR.OB-14613-19
ISBN 9790004342602. 10 x 12.5 inches.
SKU: BR.OB-14613-30
ISBN 9790004342633. 10 x 12.5 inches.
SKU: BR.OB-14613-27
ISBN 9790004342626. 10 x 12.5 inches.
