Format : Score and Parts
SKU: CA.622800
ISBN 9790007011802.
SKU: HL.346022
UPC: 840126921625. 6.75x10.5x0.036 inches.
SKU: HL.346023
UPC: 840126921632. 6.75x10.5x0.036 inches.
SKU: HL.346021
UPC: 840126921618. 6.75x10.5x0.036 inches.
SKU: HL.14022412
ISBN 9788759858646. English-Danish.
MUSICAL GRAFITTI(II)In Musical Grafitti(II), virtuoso drawings for amplified piano, large ensemble and tape with cosmic sounds, von den herrn Asberion Ska-tune (1983-84), Schaathun is particularly concerned about investigating the relationship between various kinds of compositional techniques and their actual influence on the sound image, and therebye on the musical language. Thus is Musical Grafitti about different settings of the same musical gesture, which are presented in the initializing Formula. At the same time Formula serves as a model for the progression of the entire piece on various levels.The computer-program SCHAATON, written especially for this work by Swedish composer Bo Rydberg, governs the relative intervallic relationship in the first extensive piano exposition. In this part of the piece, the computer establishes the chordal focal points of the work, thus rather paradoxically making itself redundant.The brief tape interpolations and the long ending consist of cosmic noise recorded by a satelite. This noise symbolizes the outermost edge of the musical continuum Schaathun is seeking to describe: from white noise to music characterized by an advanced syntax. To compose is to control a defined continuum of sound. In this piece the control is represended by the Formula.The piece may also be read as a big prelude to Luciano Berios points on the curve to find... At one point Schaathun's curve crosses Berios curve, and the contours become directly involved in Berio's instrumentation before passing through and the soloist disappears into the coloured noise into which the piece fades away.(+ Fransk versjon NMI).
SKU: HL.14001122
ISBN 9788759855669. Danish.
ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.
SKU: HL.14009913
ISBN 9788759856093. Danish.
Eclogue is a work from 2002 for Guitar, by Asbjorn Schaathun.
SKU: HL.14028934
ISBN 9788759881880. English.
SKU: CA.3602413
ISBN 9790007053444. Key: D minor. Language: German.
Score available separately - see item CA.3602400.
SKU: HL.14030384
ISBN 9788759809334. Danish.
Haefte med becifrede noder, sangtekster og fortaelletekst velegnet til oplaesning. Indeholder alle sangene fra Sebastians Skatteoen.
SKU: CA.3602414
ISBN 9790007053451. Key: D minor. Language: German.
SKU: CA.3602411
ISBN 9790007053420. Key: D minor. Language: German.
SKU: CA.3013111
ISBN 9790007039622. Language: German/English.
We possess few examples of Johann Bachs's music. Three choral works are currently associated with his name, but none of these attributions are considered to be certain. Score and part available separately - see item CA.3013100.
SKU: HF.B-114
ISBN 9790203458555. 8.27 x 5.59 inches.
Ukarainisches Volkslied, In der Wolga breitem Bette, Halmchen kann am grossen Halme nicht hinauf..., Ukrainisches Volkslied, Auch du meine Herbstnacht, Das Dreigespann (Troika), Helle Frostnacht, Schliesse dich, Bin ins Erntefeld gegangen, Der Kuckuck, Tritt das Magdlein aus dem Tor, Ei, wir haben Korn gesat, Nicht der Wind rauscht, Auf der Kasanka, Nachbar hat ein weisses Huttchen, Stand im Feld ein Birkenbaumchen, Reiterlied, Ukrainisches Volkslied, Freiheit, Die Nachtigall, Abendglocken, Zwischen steilen Ufern, Gartnerlied, Durch die Gasse, Wiegenlied, Ukrainisches Volkslied, Gehe Hrycio nicht zum Tanzfest, Schmiedelied, Ziehet feste an!, Ukrainisches Volkslied, Dicht am Flusschen, Tanzlied, Nun sind wir heut zum letzten Male, Als ich noch bei der Post, In der Schmiede, Trotzig starrt des Kerkers Mauer, Das Scheiden machtdas Herz so schwer, Sonne wandert auf und nieder, Ukrainisches Volkslied, Warum sitzt du bis um Mitternacht, Du mein Bauernland, Auf der Wolga kommt von Nischny Nowgorod, Ach, warum war so schon, Stenka Rasin, Du geh nach Hause, meine kleine Kuh, Was ich alles hier im Kasten hab', Balalaika, Das Ratsel, Der Vogelbeerbaum, Katjuscha, Die Sonne geht unter, Ein Eichbaum steht auf kahler Hoh', Schneegestober, Schone Minka, Leb' wohl, mein Sohn, Georgisches Volkslied, Eintonig klingt das Glockchen, Kalinka, Grusinisches Volkslied, Stille Nacht umhullet rings die Erde, Wie hat mich die Mustter gehutet.
SKU: HL.49019415
ISBN 9790001187251. 9.0x12.0x0.068 inches.
Tris skatieni is an extraordinary work in every respect. It has no fixed instrumentation, the instruments can be chosen freely from orchestral, folk or old musical instruments. It requires a minimum of four players but there can be as many as you like. As the performance does not cause any technical difficulties, the piece offers performers, from beginner or amateur to professional musician, interesting possibilities to experiment with tones and rhythms. Unforeseeable and unrepeatable in detail, the result is, a fascinating tonal world dazzling in many different ways.
SKU: HL.49025795
ISBN 9790001013130. Hungarian - German.
SKU: BR.PB-3761
ISBN 9790004201527. 9 x 12 inches.
There can be no doubt about it: The Bachs were a family of musicians. One of them was Johann Bach, who lived from 1604 to 1673 and experienced the turbulent times of the Thirty Years' War. When he - as the first in the family - found joy and fulfillment not only as an organist, but also as a composer, he would certainly never have imagined what historically great steps his successors were to take, especially his great nephew Johann Sebastian.Johann Bach's motet Unser Leben ist ein Schatten was published in 1821, but was erroneously attributed to Johann Michael Bach. Unusual is the scoring with one six-part main chorus and one three-part off-stage chorus (Chorus latens) which gives the piece a spatial sound depth and thus a very particular atmosphere.
SKU: HL.14075914
SKU: M7.AV-5889
ISBN 9790203917625.
SKU: VD.978-3-936655-96-4
ISBN 9783936655964. 9.65 x 6.89 inches.
SKU: HL.49026638
ISBN 9790001019729. German.
SKU: VD.ED97478
ISBN 9790202004784. 11.69 x 8.26 inches.
