SKU: M7.BP-1202
ISBN 9790015120206.
Ein in Anlage und Tonsprache sich würdig den berühmten Sextetten von Brahms und Dvorak zugesellendes, in der Beherrschung der Satztechnik und im Erfindungsreichtum ebenbürtiges Werk.
SKU: BR.PB-33002-07
ISBN 9790004216927. 6.5 x 9 inches.
Eduard Franck's two string sextets, op. 41 in E-flat major, published in 1882/84, and op. 50, in D major, completed in December 1884 but published posthumously in 1894, fall mysteriously outside of their era. They are a significant addition to the rather concise repertoire for string sextet, joining the two works in this genre by Johannes Brahms. Eduard Franck was one of the very few private students of Felix Mendelssohn Bartholdy, who was himself a close friend of the Franck family, so that Eduard was firmly rooted in the Mendelssohn tradition. But what is particularly exciting in the sextets, is how he consistently further developed Mendelssohn's immanent genre-defining tendencies, thus founding a conservative alternative to the Schumann-Brahms course.
SKU: GI.G-4188INSTB
SKU: GI.G-5044INSTA
Text source: Psalm 100.
SKU: GI.G-5383INSTB
SKU: HL.51487082
ISBN 9790201870823. UPC: 888680908126. 6.5x9.5x0.246 inches.
The Sextet in B-flat major was already judged to be “one of the most beautiful works by this young composer” after its initial performances in early 1861. It was popular with both public and press, and has retained this status to the present day. The publisher Simrock was so impressed by it that he accepted Brahms's suggestion that he should publish a score of it alongside the individual parts - something that was by no means usual at the time. The numerous differences between these two first editions of 1861 continue to present problems to Brahms researchers today. Brahms specialist Katrin Eich has already taken on the task of editing the work for the Brahms Complete Edition, and this new Urtext edition provides the best possible musical text for performance. Naturally, it is available in both score and parts.
SKU: HL.51481082
ISBN 9790201810829. UPC: 888680907808. 9.0x12.0x0.292 inches.
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SKU: CA.5023100
ISBN 9790007090319.
Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger's time: The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould ... and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger's chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions.
SKU: BA.BA05334
ISBN 9790006502677. 30 x 23.2 cm inches. Key: E-flat major.
The Serenade in E-flat, K.375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextet with the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CY.CC2622
Children's Corner arranged for Brass Sextet by Keith Terrett is a four-movement suite for 2 Trumpets in B-flat, Horn, 2 Trombones and Tuba. Debussy's original six movement suite was written and first performed in 1908 on the Piano.It was dedicated to Debussy's daughter, Claude-Emma who was only three at the time.The four movements for brass are:1. Jimbo's Lullaby (about an elephant)2. Serenade for the Doll (about an Oriental porcelain doll)3. The Little Shepherd (a shepherd with his flute)4. Golliwogg's Cakewalk (they were stuffed black dolls with red pants & wild hair.This 11 minute suite is suitable for advanced performers and is the only arrangement published of this work for brass.
SKU: BA.BA08809
ISBN 9790006568970. 31 x 24.3 cm inches. Key: B-flat major. Preface: Gudula Schutz.
Mozart composed his two ??Lodron Serenades? for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright ??al fresco? character is immediately recognisable. Alfred Einstein considered these two divertimentos to be ??among the purest, gayest, most satisfying, and most perfect that ever assumed musical form?.For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However, the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale with its almost ironic recitative and an exhilarating passage on the folk song ??D??Bäurin hat d??Katz verlorn?. Mozart himself played first violin in the 1777 performance. Later he wrote, ??They all opened their eyes! I played as though I were the finest fiddler in all Europe?.
SKU: BT.SCHEE5240
Arranged for Violin, Cello, Piano.
SKU: BT.PWM12848
