| Serenity Choral SATB SATB, Piano - Intermediate Walton Music
SATB choir, piano reduction - Late intermediate SKU: GI.WW1726 Composed b...(+)
SATB choir, piano reduction - Late intermediate SKU: GI.WW1726 Composed by Daniel Elder. Concert, School. Andrew Crane Choral Series. Classical. Octavo. 16 pages. Walton Music #WW1726. Published by Walton Music (GI.WW1726). UPC: 785147015369. English. Text by Daniel Elder. Serenity seeks to inspire peace from within using the sound of spoken word and the sound of music. A challenge for more advanced choirs, and incorporates strong melody and rich harmonies. $3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Path to Serenity - Accompaniment Book Piano solo Jackman Music Corporation
Piano - intermediate/advanced SKU: JK.01976 Composed by Various. Arranged...(+)
Piano - intermediate/advanced SKU: JK.01976 Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01976. Published by Jackman Music Corporation (JK.01976). UPC: 093285019768. Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.
The series includes three books (SOLD SEPARATELY): Piano Accompaniment Book - #01976 C Instrument - Treble Clef - #01977 C Instrument - Bass Clef - #01978
Arrangements found in this book: Be Still, My Soul Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books) Where Can I Turn for Peace? If You Could Hie to Kolob I Need Thee Every Hour More Holiness Give Me Jesus, the Very Thought of Thee Amazing Grace Our Savior's Love Composer: Various Arranger: Sarah Brough Blomquist Difficulty: Late-Intermediate/Advanced. $15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenity Concert band [Score] - Intermediate/advanced Boosey and Hawkes
Composed by Ola Gjeilo. Edited by J. Eric Wilson. For Concert Band (Score). Wind...(+)
Composed by Ola Gjeilo. Edited by J. Eric Wilson. For Concert Band (Score). Windependence Master Level. Grade 4. 16 pages. Published by Boosey and Hawkes
$12.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenity Concert band - Intermediate/advanced Boosey and Hawkes
Composed by Ola Gjeilo. Edited by J. Eric Wilson. For Concert Band (Score and Pa...(+)
Composed by Ola Gjeilo. Edited by J. Eric Wilson. For Concert Band (Score and Parts). Boosey and Hawkes Concert Band. Grade 4. Published by Boosey and Hawkes
$95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Path to Serenity - C Inst. Bass Clef Jackman Music Corporation
Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced <...(+)
Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced SKU: JK.01978 Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01978. Published by Jackman Music Corporation (JK.01978). UPC: 093285019782. Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.
The series includes three books (SOLD SEPARATELY): Piano Accompaniment Book - #01976 C Instrument - Treble Clef - #01977 C Instrument - Bass Clef - #01978
Arrangements found in this book: Be Still, My Soul Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books) Where Can I Turn for Peace? If You Could Hie to Kolob I Need Thee Every Hour More Holiness Give Me Jesus, the Very Thought of Thee Amazing Grace Our Savior's Love Composer: Various Arranger: Sarah Brough Blomquist Difficulty: Late-Intermediate/Advanced. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenity (GIA Choralworks|Spiritum) GIA Publications
SKU: GI.G-1078 The Music of Paul Mealor. Composed by James Jordan ...(+)
SKU: GI.G-1078 The Music of Paul Mealor. Composed by James Jordan & The Same Stream. GIA ChoralWorks. Classical. Choral score. GIA Publications #1078. Published by GIA Publications (GI.G-1078). The musical prowess of Paul Mealor is brought to life in this new recording by The Same Stream, directed by Grammy-nominated conductor, James Jordan. Mealor’s gift for melody, thick harmonic textures, and subtle dissonances, as performed by a choral ensemble that knows what it means to sing together, lead the listener into a deep and spiritual musical journey. “His music, to quote Ezra Pound, is truly ‘undivided light,’ rooted in deep spiritual places that are there hidden within.†(James Jordan) Serenity is a stunning recording that you will want to add to your listening library. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenity String Orchestra - Easy FJH
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6489 Composed by Bruce W. ...(+)
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6489 Composed by Bruce W. Tippette. Series; String Orchestra. FJH Developing Strings. Score and Part(s). The FJH Music Company Inc #98-ST6489. Published by The FJH Music Company Inc (FJ.ST6489). UPC: 241444411780. English. This expressive work aims to encapsulate the essence of serenity through its calm, moderate tempo and simple rhythms. A beautiful interplay between sweeping melodic lines and a gorgeous harmonic language provides unlimited potential for phrasing and music-making. About FJH Developing Strings Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5 $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Path to Serenity - C Inst. Treble Clef Jackman Music Corporation
Accordion, Flute, Piccolo, Glockenspiel, Oboe, Violin, Xylophone - intermediate/...(+)
Accordion, Flute, Piccolo, Glockenspiel, Oboe, Violin, Xylophone - intermediate/advanced SKU: JK.01977 Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01977. Published by Jackman Music Corporation (JK.01977). UPC: 093285019775. Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.
The series includes three books (SOLD SEPARATELY): Piano Accompaniment Book - #01976 C Instrument - Treble Clef - #01977 C Instrument - Bass Clef - #01978
Arrangements found in this book: Be Still, My Soul Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books) Where Can I Turn for Peace? If You Could Hie to Kolob I Need Thee Every Hour More Holiness Give Me Jesus, the Very Thought of Thee Amazing Grace Our Savior's Love Composer: Various Arranger: Sarah Brough Blomquist Difficulty: Late-Intermediate/Advanced. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenate Boeme, partite e notturni Horn, Bassoon, Oboe [Score] Barenreiter
By A. Kammel / J. Druzecky / F.X. Dusek / V.V. Masek. For wind quintet (2 oboes,...(+)
By A. Kammel / J. Druzecky / F.X. Dusek / V.V. Masek. For wind quintet (2 oboes, 2 horns, bassoon). Wind ensemble. Czech title: Serenate Boeme, partite e notturni. Classical. Full score. Publication language: Czech/German/English
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool is the Valley Now. Composed by Paul David Thomas. Sws. Performance Score. 16 pages. Carl Fischer Music #CM9576. Published by Carl Fischer Music (CF.CM9576). ISBN 9781491153987. UPC: 680160912483. 6.875 x 10.5 inches. Key: G minor. English. Emily Dickinson (1830-1886) , Walt Whitman (1819-1892). The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsons poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees behalf, who would do such a thing? Whitman ponders a trees silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 712. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 3953). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modes lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 910, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, “Who Robbed the Woods?†and “O Cool is the Valley Now,†combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us.The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson’s poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees’ behalf, who would do such a thing? Whitman ponders a tree’s silent majesty and power and its ability to be “yet say nothing at all.â€The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7–12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39–53).O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode’s lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9–10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Art of French Song, Volume 1 (For low voice, piano. ) Low voice, Piano [Sheet music] Peters
Niedermeyer,Berlioz,Gouno d,Viardot,Franck, Masse,Lalo,Saint-Saens, Delibes, Biz...(+)
Niedermeyer,Berlioz,Gounod,Viardot,Franck, Masse,Lalo,Saint-Saens, Delibes, Bizet,Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson,Debussy, Satie, de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For low voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Art of French Song, Volume 1 (For high voice, piano) High voice, Piano [Sheet music] Peters
Niedermeyer, Berlioz, Gounod, Viradot, Franck, Masse, Lalo,Saint-Saens, Delibes,...(+)
Niedermeyer, Berlioz, Gounod, Viradot, Franck, Masse, Lalo, Saint-Saens, Delibes,Bizet, Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson, Debussy, Satie,de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For high voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flexible Meditations Organ Lorenz Publishing Company
By Dorothy Wells. For organ. Level: 2-staff. Sacred Organ. Published by Lorenz P...(+)
By Dorothy Wells. For organ. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company.
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thy Word Handbells [Score] - Easy Hope Publishing Company
By Amy Grant. Edited by Michael Perry. Arranged by Peggy Bettcher. Handbell choi...(+)
By Amy Grant. Edited by Michael Perry. Arranged by Peggy Bettcher. Handbell choir. For 3-5 octave handbells. Contemporary. Contemporary and Sacred. Grade 2 . Handbell Score. Published by Hope Publishing Company
$7.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| The Symphonic Wind Music of David R. Holsinger - Volume 7 Voice [Listening CD] Mark Custom Music
By Rutgers Wind Ensemble. By David R. Holsinger. For wind ensemble. Classical. P...(+)
By Rutgers Wind Ensemble. By David R. Holsinger. For wind ensemble. Classical. Performance CD
$15.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| For It Will Never Return - Intermediate/advanced Chester
Harp; Tenor (Score) - Grade 4 SKU: HL.250604 Tenor Voice and Harp....(+)
Harp; Tenor (Score) - Grade 4 SKU: HL.250604 Tenor Voice and Harp. Composed by Anna Thorvaldsdottir. Music Sales America. Classical. Softcover. Composed 2017. 8 pages. Duration 300 seconds. Chester Music #CH86834. Published by Chester Music (HL.250604). 9.0x12.0x0.062 inches. English. Written for the International Contemporary Ensemble and for Tenor Peter Tantsits. The work was created through ICEs First Page Commissioning Program thanks to the lead support of Frances Kazan. The first performance was given on 3 August 2016 in Hearst Plaza at Lincoln Center, New York City, U.S.A. Performance notes: As a composer I have a tendency to write music in rather low dynamics. The dynamics indicate an atmosphere and the urge to approach the music with a sense of calm rather than merely indicating the dynamic level. I do not intend for the music tobe too quiet but rather projecting a sense of serenity. I would kindly ask that the dynamics be tuned to the location of the performance and subtly dramatized as appropriate with regards to the performance space and/or concert venue. To the accompaniment of everyday lifeindicates an atmospheric approach to the music that suggests fragility and loneliness. The work was commissioned to be premiered outside, so the music was inspired by the notion of hearing the environment accompanyingthe music. - Anna Thorvaldsdottir. Language: English. $10.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cradle Hymn Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.39624S Based on a Kentucky Folk Song<...(+)
Concert Band - Grade 2.5 SKU: AP.39624S Based on a Kentucky Folk Song. Arranged by Earl J. Fox, Jr. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Folk; Hymn; Traditional. Score. 20 pages. Duration 5:00. Alfred Music #00-39624S. Published by Alfred Music (AP.39624S). UPC: 038081449340. English. Traditional. Based upon a Kentucky folk song, this lovely lullaby radiates a feeling of serenity and tranquility. The opening, with a stately, majestic chorale, is followed with an exhilarating rhythmic development of the theme supplemented by energetic percussion. The ending is a re-instatement of the introduction with a quiet and peaceful conclusion. (5:00). $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Calming Piano Solos Piano solo Hal Leonard
Composed by Various. Piano Solo Songbook. Classical Crossover, Contemporary, N...(+)
Composed by Various. Piano
Solo Songbook. Classical
Crossover, Contemporary, New
Age. Softcover. 112 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On a Starry Night Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48120 Composed by Jason A. Spraggins. Co...(+)
Concert Band - Grade 1.5 SKU: AP.48120 Composed by Jason A. Spraggins. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Debut Series. Score and Part(s). 124 pages. Duration 2:05. Alfred Music #00-48120. Published by Alfred Music (AP.48120). UPC: 038081554754. English. Inspired by the painting of the same title by the famed Dutch painter Vincent van Gogh, this work evokes the calmness and serenity of the starry scene while capturing the grandeur of the painting's swirling sky and dramatic moon, providing a sense of abiding warmth, peace, and hope. (2:05) This title is available in MakeMusic Cloud. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dark Passenger 3 Percussions [CD-ROM] - Advanced Tapspace Publications
For percussion trio. Composed by Andy Harnsberger. Score and parts on CD-...(+)
For percussion trio. Composed by Andy Harnsberger. Score and parts on CD-Rom. 26 pages. Duration 8 minutes, 20 seconds. Published by Tapspace Publications (TA.TSPCE15-008).
$40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Noona Comprehensive Piano Complete Performer Level 4 Piano solo Heritage Music Press
By Walter Noona. For piano. Level: Level 4. Piano method. Published by Heritage ...(+)
By Walter Noona. For piano. Level: Level 4. Piano method. Published by Heritage Music Press. (40/1036H)
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Petite Musique D'Ameublement No.4 Piano solo EBR Editions Bourges
Performed by Sandra Magris. By Cyrille Hambli. Arranged by Cyrille Hambli. For p...(+)
Performed by Sandra Magris. By Cyrille Hambli. Arranged by Cyrille Hambli. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 3 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Inner Planets String Orchestra - Intermediate FJH
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6494 Themes from Mercur...(+)
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6494 Themes from Mercury, Venus and Mars. Composed by Gustav Holst. Arranged by Carrie Lane Gruselle. MakeMusic Cloud; String Orchestra. FJH String Orchestra. Masterwork Arrangement. Score and Part(s). The FJH Music Company Inc #98-ST6494. Published by The FJH Music Company Inc (FJ.ST6494). UPC: 241444412534. English. This cleverly titled work includes three famous themes from The Planets. The swooping and fluttering sounds of Mercury, the Winged Messenger give way to the mystical tone clusters and serenity of Venus, the Bringer of Peace. The arrangement closes with the iconic militant ostinato and extreme dissonance of Mars, the Bringer of War. An exceptional arrangement. About FJH String Orchestra More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Deep Peace Choral SATB SATB, Piano GIA Publications
SATB choir, piano accompaniment, violin 1, violin 2, viola, cello SKU: GI.G-E...(+)
SATB choir, piano accompaniment, violin 1, violin 2, viola, cello SKU: GI.G-EH1009 Composed by Elaine Hagenberg. Music Education. Octavo. 12 pages. GIA Publications #EH1009. Published by GIA Publications (GI.G-EH1009). Text source: Gaelic blessing. Beautifully capturing the essence of this traditional Gaelic blessing, Elaine Hagenberg’s setting evokes the natural tranquility of a “gentle night†where the “moon and stars pour their healing light on you.†The gently flowing piano accompaniment supports the rolling legato vocal lines. Optional string quartet parts add serenity and depth to this well loved text. Full Score and Parts version also available. EH1009A. Scroll down for link. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 28 American Art Songs Low voice, Piano Schirmer
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. Vocal. Softcover. 96 pages. G. Schirmer #ED4600. Published by G. Schirmer
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenity Handbells [handbell score] SoundForth
Composed by Jason W. Krug. For handbell choir (3-5 octaves) (with optional 4 oct...(+)
Composed by Jason W. Krug. For handbell choir (3-5 octaves) (with optional 4 octave handchimes). Concert, General. Level 2. Handbell score. SoundForth #20/1835SF. Published by SoundForth
$5.95 - See more - Buy online | | |
| Serenity Kendor Music Inc.
Percussion Mallet Solo - 4.5 SKU: KN.13897 Composed by John Alexander Dur...(+)
Percussion Mallet Solo - 4.5 SKU: KN.13897 Composed by John Alexander Durr. Percussion. Kendor Solo Series. Kendor Music Inc #13897. Published by Kendor Music Inc (KN.13897). UPC: 822795138979. This piece develops many techniques necessary for mallet playing and allows for musical expression and interpretation. The peaceful nature of this piece is fitting for many performance settings. Duration 5:20. $7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Petite Musique D'Ameublement No.3 Piano solo EBR Editions Bourges
Performed by Sandra Magris. By Cyrille Hambli. Arranged by Cyrille Hambli. For p...(+)
Performed by Sandra Magris. By Cyrille Hambli. Arranged by Cyrille Hambli. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 3 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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