Select Transcripts Volume 1 for the Solo Classical Guitarist

This volume spanning the composer's output from 1835 to 1879 presents a selection of his paraphrases and fantasies on operas written chiefly in the French and Italian traditions. His masterful transcriptions and fantasies reveal his exceptional ability to transform the essence of an operatic theme into unforgettable music for the piano. Selected and with an introduction by Charles Suttoni. Published in association with the American Liszt Society.

Selections from The Elusive Light and Sound - Volume 1-Selections from The Elusive Light and Sound - Volume 1 contains 32 tunes from all of Vai's work for film and TV soundtracks - including transcriptions of the searing duel scene in Crossroads between Vai and Ry Cooder. This is definitely one selection that really demonstrates the breadth of his skill and the depth of his versatility a must for any serious Vai fan or guitar aficionado. Tracks include: Air Guitar Hell Amazing Grace The Battle The Dark Hallway Don't Sweat It Eugene's Trick Bag Fried Chicken Head Cuttin' Duel What! and more!

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

Seven inspirational arrangements transcriptions and compositions covering traditional Christian melodies from several centuries. These selections appear on the Parkening album Sacred Music for the Guitar. Includes: Preludium (Bach) - Our Great Savior - God of Grace and God of Glory (2 guitars) - Brethren We Have Met to Worship - Deep River - Jesus We Want to Meet - Evening Prayer.

Music critics and performers alike have hailed Joe Pass as one of the finest jazz musicians to have ever lived.Complete Joe Pass effectively combines five previously published books by JoePass in a single comprehensive volume including his insights on harmony melody and phrasing as well as transcriptions of recorded solos and Joe Pass/Herb Ellis duets. The transcribed solos are Bay CityBlues Foxy Chick and a Cool Cat Time In Blues in G Dante's Inferno and Grete. The duet selections are: Bonnie Jazz Waltz Some of These Days G Blues Hot Stuff and Ballad. All selections appear instandard notation only with chord symbols written over the staves. The solo and duet selections are intermediate to advanced in difficulty.

Par FAURE GABRIEL. The Trumpet?s powers of expression are not limited to the pompous accents and ringing tones of the Triumphal March of Verdi?s Aida. To all doubters, we strongly recommend opening Volume 2 ofMélodies Et Pièces Diverses by Gabriel Fauré, transcribed for Trumpet and Piano by internationally acclaimed soloist Guy Touvron. In this volume,gentleness and express­iveness prevail. With its slow tempo and dolce opening indication, the well-known melody Après un rêve floats a legato song that goes straight to the heart, asdoesTristesse with its fluid, subtle melodic gesture. While Le Papillon et la Fleur still bow to the aesthetics of the romance, the Absent (also based on Hugo?s verse) erects a vast dramaticnarrative with very simple means. Au Cimetière completes this selection of melodies that is enhanced by two originally instrumental pieces, the Berceuse Op. 16 for Violin and Piano and the Romance sansparoles No. 3 for Piano. Faithful to the Faurian spirit as defined by Jankelevitch, these transcriptions ?whisper into the ear of those who deserve to hear?. / Date parution : 2022-02-26/ Recueil / Trompette et Piano