Second Gavotte

Edition : Paris, C. Ballard, 1697.Présentation par le Département de musique ancienne du CNSMDP, classes d'Irène Ginger et de Jean Saint-Arroman : Danse et musique - Composition et instrumentation - Notation - Mesure - Terminologie - Basse continue. - Trois parties instrumentales séparées : premier dessus, second dessus, basse continue - L'instrumentation est généralement précisée.D'après le titre donné par Montéclair, ces pièces conviennent à la danse. Elles sont écrites pour dessus et basse ou en trio. De facture simple et claire, ce sont des modèles de pièces à danser. / Ensembles Instrumentaux / 116 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

Création mondiale au Wharton Center Great Hall, Michigan University, USA le 27 mai 2009 par le Trio Verdehr.Capriccio (Durée : 2 minutes 30 secondes) - Menuet lent (Durée : 2 minutes 15 secondes); Gavotte (Durée : 2 minutes 30 secondes) - Air (Durée : 3 minutes) - Fuga diatonica (Durée : 2 minutes) / Clarinette / Durand

Italian Concerto Fench Concerto-Published by Bach in 1735 as a sequel to his Clavierubung 1. It was the second in the great series of keyboard publications by which Bach chose to represented before the musical public of his time. He described it as ...consisting in a Concerto after the Italian taste and an Overture after the French Manner. This edition is an authoritative performing edition prepared from original sources by leading scholars including informative introductions and performance notes. ... beautifully edited and annotated. Classical Piano.

The early music specialist and flautist, Annabel Knight, presents the second in a series of four volumes dedicated to flute music from the Baroque period. Featuring a variety of interesting pieces scored for flute and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Annabel Knight and Robin Bigwood. / Flûte

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

Bienvenue à la flûte cirque! Le long du volume attendu troisième comprend le 'Circus flûte' manuel éprouvée: Près de 80 chansons avec des mélodies familières et nouvelles pour la flûte à nouveau fournir un répertoire magnifique et mixtes pour les leçons de l'enregistreur. Comme dans les volumes précédents est toujours un second vote pour permettre l'interaction avec l'enseignant ou les autres élèves de l'Ensemble Recorder. Nouveaux sons et traite jusqu'à c'' 'joue beaucoup de morceaux populaires permettent. Soit dit en passant est élargi de manière ludique la connaissance de la musique: de nouveaux personnages musicaux, les concepts, les échelles et les triades. Dans une petite excursion à certains joueurs plus avancés de l'appoggiature et l'art de Trillerns est présenté. / Flûte A Bec Soprano

Edition : Paris, l'Auteur, Foucault, 1719.Présentation de Jean Saint-Arroman : la liste des titresDeux parties instrumentales séparées : partie de viole - partie de basse continue.Un des grands classiques de la littérature musicale pour viole de gambe. Les pièces, de longueurs et de difficultés très variables, s'adressent tantôt à de jeunes musiciens, tantôt à des solistes confirmés. / Viole De Gambe Et Basse Continue / 232 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

Piano Sonata D major K. 284 (205b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold The Sonata in D major is the last of the Six Sonatas K. 279-284 that Mozart had in his luggage when he set off for Paris in September 1777. He had already successfully performed this music in Munich, Augsburg and Mannheim, a fact he proudly told his father back at home. He gave the works particularly rich dynamic markings and also found unusual solutions concerning their formal aspect, for instance having a slow Rondeau en Polonaise as the middle movement of the Sonata in D major. The six sonatas, which were previously only published together in the complete volumes (HN 1 and 3), are now all available as single editions with new prefaces. Mozart dedicated this Sonata to a Freiherr Thaddäus von Dürnitz - which is why it has often been called the Dürnitz-Sonata. It is undoubtedly the best, the most brilliant and the most technically demanding of these six early Sonatas. Understandably, Mozart retained a special affection for it and continued to perform it himself. It was this Sonata of which he said that it sounded incomparable on Stein's new fortepianos. FIRST MOVEMENT A first version of the beginning of the first movement, written on one and a half pages, was cancelled by Mozart. On the same page, he started anew to write the final version underneath. The thematic material of this opening movement (and to a lesser degree also that of the following movements) is laid out on a more ample, nearly orchestral scale, a departure from the intimacy of the early sonatas. The tremolo effect in measures 13-16 and the unison announcements of the first subject read very much like a piano reduction of an orchestral tutti. The second subject, a supple melodic line, unaccompanied in its opening bar, incorporates a descending chain of first inversions a favourite harmonic formula of the baroque and classical periods. (There are analogous passages in the subsidiary themes in Gluck's overture Iphigénie en Tauride and the first movements of J. S. Bach's Italian Concert). This functions as a solo passage in contrast to the ensuing tutti entries in m.30. The development moves through a circle of minor keys before the recapitulation begins in measure 72. SECOND MOVEMENT Mozart called the second movement a Rondeau en Polonaise, so it is a dance. The opening four measures from a kind of dialogue (like the theme of the first movement of the preceding G major Sonata), and Mozart subjects them to felicitous counter-statement is heightened by Mozart's meticulous dynamic markings. THIRD MOVEMENT The last movement of the Sonata is a pianistically rewarding, cheerful set of variations, which, up to the adagio variation, has the character of a gavotte. It shows Mozart's special gift for writing variations at its most brilliant. The superficial impression of a diffuse form does not stand up to a closer inspection: it would not be at all easy to omit one of the twelve variations, or to add an extra one. The adagio variation is on special interest to Mozart scholars, for it gives us some insights into his concept of impromptu ornamentation. The autograph is only modestly ornamented, and Mozart presumably embellished it in performance as his fancy dictated. But a richly ornamented version survived in the first edition, published during Mozart's lifetime, and undoubtedly this embellished version is Mozart's own work. Who else could embellish in such an ingenious way? It illuminates Mozart's ideas on ornamentation in general and in particular. Paul and Eva-Badura-Skoda

A new approach to Bach drawn from his compositions! With this collection that was conceived adapted and performed by Bob Zottola on the provided CD you can play first or second parts for: Two-Part Invention 4 in D minor · Minuet in F major · Minuet 3 in D minor · Little Prelude in C major · Gavotte in G minor · Minuet in A minor · Minuet in D minor · Gavotte in E-flat major · Minuet in E major · Minuet in C minor · Two-Part Invention 1 in C Major.

Paris, l'Auteur, Boivin, Leclerc, 1729 / Instruments Divers Et Basse Continue / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7