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Schumann R. - Concerto For Violin And Orchestra In D Minor Woo 1 - Violon
20.60 EUR
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Schumann R. - Concerto For Violin And Orchestra In D Minor Woo 1 - Violon
20.60 EUR
- Shipped from France
Arrangement of the solo part by Paul Hindemith / violin and orchestra
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Brahms, Schumann and More - Volume III (Violin)
Violin
[CD Sheet Music]
Hal Leonard
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For viol...
(+)
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For violin I and violin II. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
(1)
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Concerto for Violin and Orchestra in D minor, WoO 1
Violin and Piano
[Score and Parts]
Schott
(Violin and Piano Reduction). By Robert Schumann. Edited by Christian Tetzlaff a...
(+)
(Violin and Piano Reduction). By Robert Schumann. Edited by Christian Tetzlaff and Reinhard Kapp. Score and Parts. String. Softcover. 92 pages. Schott Music #ED20871. Published by Schott Music
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Robert Schumann - Concerto for Violin and Orchestra in D minor
Violin
[Softcover]
Schott
(Solo Violin Part). By Robert Schumann. Arranged by Paul Hindemith. For Violin. ...
(+)
(Solo Violin Part). By Robert Schumann. Arranged by Paul Hindemith. For Violin. String. Softcover. 24 pages. Schott Music #ED21388. Published by Schott Music
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Brahms, Schumann and More - Volume III (Flute)
Flute
[CD Sheet Music]
Hal Leonard
(Complete Flute and Piccolo Parts to 74 Orchestral Masterworks on CD-ROM) For fl...
(+)
(Complete Flute and Piccolo Parts to 74 Orchestral Masterworks on CD-ROM) For flute and piccolo. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Bassoon)
Bassoon
[CD Sheet Music]
-
Intermediate/advanced
Hal Leonard
(Complete Bassoon Parts to 74 Orchestral Masterworks on CD-ROM) For bassoon. Inc...
(+)
(Complete Bassoon Parts to 74 Orchestral Masterworks on CD-ROM) For bassoon. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Horn)
French horn
[CD Sheet Music]
-
Intermediate/advanced
Hal Leonard
(Complete Horn Parts to 74 Orchestral Masterworks on CD-ROM) For french horn. In...
(+)
(Complete Horn Parts to 74 Orchestral Masterworks on CD-ROM) For french horn. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Cello)
Cello
[CD Sheet Music]
Hal Leonard
(Complete Cello Parts to 74 Orchestral Masterworks on CD-ROM) For cello. Include...
(+)
(Complete Cello Parts to 74 Orchestral Masterworks on CD-ROM) For cello. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Viola)
Viola
[CD Sheet Music]
Hal Leonard
(Complete Viola Parts to 74 Orchestral Masterworks on CD-ROM) For viola. Include...
(+)
(Complete Viola Parts to 74 Orchestral Masterworks on CD-ROM) For viola. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Harp, Keyboard and Others)
Harp and Piano
[CD Sheet Music]
Hal Leonard
(Complete Harp and Keyboard Parts to 74 Orchestral Masterworks on CD-ROM) For ha...
(+)
(Complete Harp and Keyboard Parts to 74 Orchestral Masterworks on CD-ROM) For harp and keyboard. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Trumpet)
Trumpet
[CD Sheet Music]
Hal Leonard
(Complete Trumpet Parts to 74 Orchestral Masterworks on CD-ROM) For trumpet. Inc...
(+)
(Complete Trumpet Parts to 74 Orchestral Masterworks on CD-ROM) For trumpet. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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Brahms, Schumann and More - Volume III (Clarinet)
Clarinet
[CD Sheet Music]
Hal Leonard
(Complete Clarinet Parts to 74 Orchestral Masterworks on CD-ROM) For clarinet. I...
(+)
(Complete Clarinet Parts to 74 Orchestral Masterworks on CD-ROM) For clarinet. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
$19.95 - See more - Buy online
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Brahms, Schumann and More - Volume III (Oboe)
Oboe
[CD Sheet Music]
Hal Leonard
(Complete Oboe Parts to 74 Orchestral Masterworks on CD-ROM) For oboe. Includes ...
(+)
(Complete Oboe Parts to 74 Orchestral Masterworks on CD-ROM) For oboe. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
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J.S. BACH Concerto for 2 Pianos C minor, BWV1060; SCHUMANN Andante and Variations for 2 Pianos, Violoncelli and Horn
Piano solo
[Sheet music + CD]
-
Intermediate
Music Minus One
For Piano. Includes a high-quality printed music score and a compact disc contai...
(+)
For Piano. Includes a high-quality printed music score and a compact disc containing a complete version of each composition with soloist (1st piano), in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.
$19.99 - See more - Buy online
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Concerto D Minor
Violin and Piano
[Reduction]
Schott
Violin and Orchestra, Piano Reduction. By Robert Schumann. Schott. Size 9x12 inc...
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Violin and Orchestra, Piano Reduction. By Robert Schumann. Schott. Size 9x12 inches. 38 pages. Published by Schott.
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Robert Schumann: Klavierquintett Op. 44: Piano Quartet: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
[Score and Parts]
G. Henle
The composition cost him his sleep. In October 1842 when Schumann had finished ...
(+)
The composition cost him his sleep. In October 1842 when Schumann had finished his Piano quintet in a short period of time he was physically and emotionally drained. The work in no way reflects this quite thecontrary. ?Full of strength and freshness? said Clara Schumann of the new composition as well as ?extremely brilliant and effective?. Even Richard Wagner added his voice to the great wave of admiration. Thus Op.44 soon became one of Schumann?s most successful compositions which today is still a jewel in chamber music literature. If the quartet reminds one of a Piano concerto with Orchestra in String quartet format attimes this is explained by the fact that it was intended for Clara?s repertoire. The work was also dedicated to this brilliant pianist.
38.25 GBP - Sold by Musicroom UK
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Test Pieces For Orchestral Auditions
Trumpet
Music Partner
(4CD set) CDs only. (These orchestral recordings present the complete excerpt, a...
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(4CD set) CDs only. (These orchestral recordings present the complete excerpt, and the specific instrument is not omitted.) For corresponding sheet music anthology see EP 8664 / Trompette
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The Greatest Orchestral Masterworks Vol.51-75 Box Set
Concert band
Eulenburg
The most important concert and orchestral works from the Baroque era to the Roma...
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Robert Schumann: Concert D: Violin: Score and Parts
Orchestra, Violin
Schott
‘You were often on my mind when I was writing’ wrote Robert Schumann ...
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‘You were often on my mind when I was writing’ wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness however Joachim began to have his doubts about the value of the work. In his will Joachim prohibited the rst performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’) the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version ofSchumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Test Pieces For Orchestral Auditions
Divers
Music Partner
(2CD set) CDs only. (These orchestral recordings present the complete excerpt, a...
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(2CD set) CDs only. (These orchestral recordings present the complete excerpt, and the specific instrument is not omitted.). For corresponding sheet music anthology see EP 8661 / Divers
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David Dutkanicz: dov231925: Piano: Instrumental Album
Piano solo
-
Easy
Dover Publications
Beginning pianists of all ages will cherish this excellent compilation of classi...
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Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composersâ??J. S. Bach Beethoven Brahms Mendelssohn Mozart Rimsky-Korsakov Rachmaninoff Tchaikovsky and othersâ??are represented by several pieces each some newly adapted for the piano. Composers and works not usually featured in beginner's books include pieces by Borodin Gluck Rameau and Tallis.Well-known classics include Bach's Brandenburg Concerto No. 3 Debussy's Claire de Lune Moussorgsky's Pictures at an Exhibition Satie'sGymnopedie No. 1 Schumann's Child Falling Asleep and 'Spring' from Vivaldi's Four Seasons. Several orchestral pieces have been newly adapted for the piano including 'Dance of the Swan' from Swan Lake 'Aquarium' from Carnival of the Animals 'Largo' from Xerxes and 'Waltz of the Flowers' from The Nutcracker.Dover Original.
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88 PIANO CLASSICS FOR BEGINNERS
Easy Piano
[Sheet music]
-
Beginner
Dover Publications
Par . Beginning pianists of all ages will cherish this excellent compilation of ...
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Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano
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Classics Meet Jazz Vol. 2 - Piano
Piano solo
[Sheet music + CD]
Schott
14 famous classical pieces, original version + jazzy arrangement Instrument : p...
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14 famous classical pieces, original version + jazzy arrangement Instrument : piano Type : edition with CD Nombre de Pages : 80 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted. Content : Schubert, The Trout - Korn, Fish Rag - Grieg, Kobold - Korn, Coolbold - Grieg, Piano Concerto a Minor (Beginning of 1st Movement) - Korn, Tango Concertante - Brahms, Hungarian Dance No. 1, Korn, Hungarian Salsa No. 1 - Schubert, Symphony in B Minor Unfinished (Beginning of 1st Movement) - Korn, Endless - Händel, Halleluja (from Messiah) - Korn, Halleluja Rock - Paganini, La Campanella (Rondo-Thema from 2nd Violin Concerto) - Korn, Campanella Swing - R. Schumann, Knecht Ruprecht - Korn, Santa Claus in Bobby's House - J. S. Bach, Air (from Orchestral Suite No. 3) - Korn, Air in Blue - Mozart, A little Night Music (Excerpt from 4th Movement) - Korn, A Clack Night Music - Offenbach, Cancan - Korn, Nacnac - J. Strauss jr., The Blue Danube - Korn, On the Beautiful Blue Mississippi - Beethoven, Grande Sonate Pathétique (Introction to the 1st movement) - Korn, Echoes of the Pathétique - Chopin, Valse op. 69 Nr. 2 - Korn, Senor Siminor
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Concerto For Violin And Orchestra In D Minor Woo 1
Orchestra, Violin
Schott
/ Violon Et Orchestre
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Camille Saint-Saëns: Romance opus 37: Flute and Accomp.: Score & Parts
Flute and Piano
Durand
pour flûte ou violon et piano-Camille Saint-Saëns completed the Romance in D...
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pour flûte ou violon et piano-Camille Saint-Saëns completed the Romance in D Flat Major on 25 March 1871. If in his concertos for solo instrument and orchestra Saint-Saëns freed himself from the Viennese classical model (reconfiguring it with originality but in the light certainly of the formal experimentations of Schumann and of Biedermeier virtuosity) in the Romance opus 37 and other works of similar form (opus 27 36 and 48) he adopted the Romantic ternary Liedform (A–B–A) – in particular that of Schumann’s Stücke and Mendelssohn’s Lieder ohne Worte – and transcended the idiomaticity of the respective solo instruments nowinterchangeable ad libitum (Flute or Violin in the case of opus 37) thereby making the pieces more widely usable and emphasizing their cantabile quality.
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