Scarlatti Domenico - Sonatas Volume 1 - Piano

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

Sonates K306 a K357 LP37-The seventh volume of the series of twelve Sonatas - Volume VII LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma this edition still contains some of the annotations initially suggested by Kirkpatrick whose book can be considered as an essential guide for this series.

Consid?r? aujourd?hui comme l?un des grands compositeurs de clavier de l?histoire de la musique Domenico Scarlatti est ?galement le tout premier virtuose du clavier. Comme les deux volumes pr?c?dents d??uvres choisies de Scarlatti (HN 395 451) cette s?lection contient 24 sonates issues de diff?rentes p?riodes cr?atrices de son ?uvre et offre ainsi une vision globale des multiples facettes du talent de ce compositeur italien qui travaillait ? la cour d?Espagne. Gr?ce ? ses th?mes caract?ristiques ? des m?lodies naturellement chantantes et ? des motifs dansants Scarlatti parvient ? d?passer toute forme de lourdeur baroque. Dans ces sonates en un seul mouvement latechnique de jeu devient un ?l?ment formel structurant. Pour la premi?re fois dans l?histoire du r?pertoire pour clavier l?interpr?te doit y ma?triser de grands sauts et des croisements de mains. La pr?face du grand pianiste Bengt Johnsson revient sur le parcours de Scarlatti et sur les diff?rentes sources sur lesquelles se fonde notre ?dition. Quelques sonates paraissent ici pour la premi?re fois en version imprim?e. Petit cadeau suppl?mentaire une pr?face originale parue initialement dans une ?dition de 1738 en pr?ambule ? 30 sonates pour clavier de Scarlatti est reproduite ici et fournit de nombreuses informations utiles ? la compr?hension de la musique pour clavier de ce compositeur.

talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel

Volume II of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas from Sonata XXXI to Sonata LX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation save for the addition of accidentals and the inversion of treble and bass clefs in accordance with modern practices and ease of playing.Reprint of the Zen-On Music Company Ltd. 2000 edition.

Volume III of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas from Sonata LXI to Sonata XC. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation save for the addition of accidentals and the inversion of treble and bass clefs in accordance with modern practices.Reprint of the Zen-On Music Company Ltd. 2002 edition.

Par SCARLATTI DOMENICO. Ce volume contient une sélection de vingt-cinq des sonates de plus de 550 de Domenico Scarlatti, choisis non seulement pour leur diversité et leur esthétique, mais aussi pour leur valeur pédagogique et l'accessibilité aux pianistes de fin des niveaux avancés élémentaires au début de l'étude. Les oeuvres sont imprimées dans l'ordre dans lequel Ralph Kirkpatrick, a noté que l'érudit avant tout de Scarlatti, a catalogué eux. Avec Claire nouvelles gravures édités par l'éminent pédagogue piano Lee Ann House, cette collection avec ses précieux commentaires sera venu un aliment de base du répertoire de l'enseignement./ Répertoire / Piano