Scale Chord Relationships

Adapted by Corey Christiansen Spiral Book and 2 CDs! Why should horn players have all of the fun? Now, the number one selling Jazz Improvisation book in the world has a whole new look! Introducing a new version of Jamey's world famous Volume 1 - How To Play Jazz And Improvise, completely revised and specifically tailored for guitarists by jazz great Corey Christiansen! This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, articulation, note choices, etc. In this special version, however, the text has been carefully edited and rewritten to speak specifically to guitarists. Even non-reading players will benefit, because we've also included TAB and FRAMES for each of the musical examples. The piano track from the original CD has been replaced by Corey on guitar, and many of the chords and voicings are explained and notated in the book. The play-a-long/demonstration CD includes special stereo separation, allowing the guitar on each track to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. This high-quality book is spiral bound, designed to lie flat for ease of use. A complete package! Includes: Scales/Chords Developing Creativity Improv Fundamentals 12 Blues Scales Bebop Scales Pentatonic Scales Time and Feel Melodic Development II/V7s Related Scales and Modes Practical Exercises Patterns and Licks Dominant 7th Tree of Scale Choices Nomenclature Chromaticism Scale Syllabus and more! NOTE FROM JAMEY When I first heard So What on the Kind of Blue record I didn?t think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn?t see for the life of me the beginning of the next 8 bar phrase.

A Pocket Reference for Constructing and Playing Guitar Scales Anywhere on the Fingerboard. This book - featuring Jim Scott's revolutionary rows concept - gives guitarists the tools to really understand scales and to create any type of scale in any position. It covers: major and minor scales; pentatonic and blues scales; the modes; harmonic minor melodic minor whole tone diminished chromatic and harp scales; the relationships between scales and chords; and a unique approach to visualizing patterns that will allow players to learn scales more quickly than they ever thought possible! Includes standard notation and tablature.

The Scale/Mode Approach-Expand the creative breadth of your soloing! Since its original publication in 1974 Improvisation For Saxophone - The Scale/Mode Approach has been a treasured improvisation resource for players worldwide. Thesestep-by-step exercises and explanations will help you develop your ear and improve your soloing technique. You will learn the intimate relationships between modes and chords practising licks and solos that grow out of theirunderlying harmonies and sound natural for the tune.You will learn:How to use the distinctive qualities associated with modes and scales for more expressive soloing Relationships between scales and chordsLickstypical of each mode and scaleSolos built on the different modes and scalesHow to improvise over common Jazz progressionsAndy McGhee has taught at Berklee since 1966 before which he toured with Lionel Hampton andWood Herman. He has taught thousands how to improvise including luminaries such as Bill Pierce Javon Jackson Donald Harrison Antonio Hart Richie Cole Greg Osby Jaleel Shaw and Ralph Moore.

The Ramon Ricker Improvisation Series. Par RICKER RAMON. A new Play along system for learning to play jazz. Each set contains a book with transposed parts for all instruments and a play along CD with Ray playing many of the book examples on his saxophone. Volume one is for the absolute beginning jazz student who knows his/her major scales. Subjects covered in this book include: VOCABULARY: Intervals, Roman Numerals, Scales, Modes, Diatonic Seventh Chords, Major, Minor, Dominant, and Suspended Chords, Chord/Scale Relationships, The Blues Progression, Using Pentatonic Scales with Blues, Pentatonic Chord/Scale Relationships, The II-V-I Progression, Rhythm Changes, The Circle of Fifths, and The Circle of Fourths, and Steps for Playing on Changes. STYLE: Swing Eighth Notes, Use of the Metronome, Scale Practice, and Scat-Singing Solos. EAR TRAINING: Specific examples and suggestions with recorded tracks for practice. REPERTOIRE: A suggested basic repertoire. This improvisation method is more than just another play-along. It is a series of books and CDs that progress step by step, offering concrete suggestions and advise that shows you how and what to practice. Drawing on twenty-five years of teachingexperience at the Eastman School of Music, Ramon Ricker uses text, recorded demonstrations by him and his students, and practice and play-along tracks that present the material in a clear and concise manner. Most of the play-along tracks feature the rhythm section of the 1980 Thad Jones/Mel Lewis Big Band with Harold Danko on piano, Rufus Reid on bass and the late, great Mel Lewis on drums. Since they performed and recorded together consistently over aperiod of several years, they played as a unit - a true jazz rhythm section. The recordings were brought up to meet todays higher CD standards and served as an inspiration for Ramon Ricker to write three entirely new books. In addition, new demonstration, ear training, and play-along tracks were added. / Niveau : Débutant / Jazz / Recueil / Tout Instrument

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

This is an excellent technique study text. It is divided into two sections. The first 'The Art of Single String Soloing ' presents concepts and ideas for improvisation. Chord relationships are explored in each key phrasing andprogressions are discussed and a wealth of single string studies are given. Part two 'Jazz Single String Studies ' presents a thorough grounding in jazz scales and related technique studies. Written in notation with appropriatechord symbols. The aspiring jazz guitarist will gain a wealth of picking technique and linear improvisational ideas by working through and mastering this text.

This if the last book of this 3-volume series which aims to be a practical and comprehensive guitar instruction programme. Intensive instruction in scales arpeggios chord construction rhythm guitar chord-scalerelationships solos and duets.

Open Tunings - a source of inspiration and a way of widening creative options for many guitarists. Open D to Fourth Tuning this book presents over 20 of the most commonly used open tunings. Tuning charts chords and scales for each tuning enable it all to be put into practice straight away. The supplementary appendix also contains a transposing table a list of chord symbols the basic chords in standard tuning and a list of chord/scale relationships.

Intergalactic Bass by Carlo Mombelli is based on the scale types that are necessary to master and understand the chord/scale relationships found in many styles of music. By keeping things simple and uncluttered each page consists of only one scale type illustrated on a bass guitar neck with the correct fingering a vital part of organizing the hands. The more organized the hands the easier it is to play. The arpeggio shape is super-imposed over the corresponding scale in order to create an understanding of the chord/scale relationship. This is better explained with diagrams and not notation. However because it is a goodidea to associate finger positions with their notational equivalents notation is also included. A simple but comprehensive jazz theory section is also included. This will help the student gain a deeper understanding of harmony and further insight into how to apply the scales found in this book.

This practical overview of chords keys and harmonic relationships has been especially designed with the Jazz Rock and Pop Keyboard player in mind. It features a new structure that makes it useful for beginners as well as advanced musicians. This enables you to improve your musical understanding.

Volume 2-Jazz Theory Resources is a jazz theory text in two volumes. Volume I (HL00030458) includes: review of basic theory rhythm in jazz performance basic tonal materials triadic generalization diatonic harmonic progressions and harmonic analysis substitutions and turnarounds common melodic outlines and an overview of voicings.Volume II (HL00030459) includes: modes and modal frameworks quartal harmony other scales and colors extended tertian structures and triadic superimposition pentatonic applications coloring outside the lines and beyond analysis and expanding harmonic vocabulary.Appendices on chord/scale relationships elaborations ofstatic harmony endings composing tips and theory applications are also included.

Expanding Your Soloing for the Guitarist looks at musical devices that expand the guitar player's soloing mastery and fluency. The book takes an extensive look at scale and arpeggio shapes throughout the fingerboard and presentsmusical concepts that enhance and enrich one's knowledge and creativity on the guitar. Visualization of shapes is enhanced through the use of extensive fingerboard diagrams and numerous musical examples are provided. Intervalrelationships and matching chord types are shown for scale types and arpeggios are related to matching scale types to gain the full benefit of the information presented. The material presented not only enhances the guitarist'sknowledge and creativity but helps improve the understanding of other materials such as solo transcriptions. For any guitarist interested in soloing expertise the material here can be applied to any style of music.