SATB Recorder Ensembles

for an ensemble of recorders-An attractive arrangement for SATB recorder ensemble.

Roll up roll up for all the fun of the fair with this fantastic suite of short pieces for recorder ensemble (SATB).

Shawn Crouch's The Light Of Common Day for SATB choir with Piano accompaniment. This beautiful choral work features a text excerpted from the poignant and insightful Wordsworth poem. ComposerShawn Crouch has crafted music that flows as if one long line or brushstroke of continuous sound. The Light Of Common Day was commissioned by Tom Cunningham and the Manhattan Choral Ensemble andis dedicated to Kathleen Lockwood. The piece has been recorded by Seraphic Fire on their album Reincarnation: A Century of American Choral Music.

This is a moving cantata for Chorus Piano Ensemble and Tape.Passionate heartbreaking and of our time the music includes recordings of songs and voices made in the field by the composer. Blackford's music itself calls on poetry and writings from thireen different languages- set in English- of the politically alienated and dissenting the prisoner of conscience from Africa Asia Europe and the Americas vivid emotional pictures emerge of loneliness loss exile and grief.

French and Spanish Music-The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

With the Ravel 'Pavane' Bonsor's genius as a recorder arranger shines clear. (The American Recorder)Whenever a score or more players are gathered together put this in the programme. (The Recorder)

Arrangeur: Christian Falkenberg. Par DEBUSSY CLAUDE. SATB- Flûte à Bec -/ Répertoire / Ensemble de Flûtes à Bec

Penny Lane , recorded in the 'Sgt. Pepper' sessions at Abbey Road Studios, details the goings on of the bustling Liverpool lane as punctuated by a lively brass ensemble. The punchy liveliness is injected into this arrangement for mixed voice SATB choir with piano accompaniment. Arranged by simon foxley, this version is a great starter piece for an amateur choir wanting to explore The Beatles grand repertoire. / Choeur Mixte (SATB) Et Piano

Sydney Carter (1915-2004) was a British poet songwriter and folk musician best known for his iconic song “Lord of the Dance.” This spritely song was arranged by Craig Hella Johnson and recorded on the A Company ofVoices - Conspirare in Concert CD. For mixed voices soloists piano soprano recorder and handbells this delightful song will be especially good for community choirs and other adult ensembles. Duration: ca. 2:40.

Recorder Quartets - Volume 1 - Vocal Music of the Renaissance   Contents:   Now o now I need must part - John Dowland (SATB)   Fair Phyllis I saw sitting alone - John Farmer (SATB)   Come lovers follow me - Thomas Morley (AATB)   I will no more come to thee - Thomas Morley (AATB)   Motet 'Ecce iam venit plenitudo' - Gioseffo Zarlino (ATTB)   Si el pastorcicos es neuvo - Juan Vásquez (ATTB)   Dizen a mi que los amores é - Jaun Vásquez (ATTB)   Par amores lo maldixo - JuanVásquez (SATB)   Zagaleja de lo verde - Juan Vásquez (SATB)   Quando? quando? - Juan Vásquez (SATB)   Il est bel et bon? - Passereau (SATB)   Allon gay gay gay bergerès - Guillaume Costeley (SATB)   Orsus orsus vous dormez trop - Clement Jannequin (AATB)   El grillo - Josquin des Préz (AATB)

Rebecca Clarke's Come oh come my life's delight for SATB.for unaccompanied SATB to words by Thomas Campion.This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies exquisitely tempered with modal effects.Rebecca Clarke was born in Harrow in 1886 and died in New York City in 1979. She was one of the finest Viola players of her day and a skilful composer who studied with Stanford at the Royal College of Music in London. Her output as a composer was small comprising about 90 works but all these pieces are brilliant and powerful. Her Piano Trio and Viola Sonata are often playedand recorded and are now widely regarded as masterpieces. However her songs are perhaps her finest body of works and embrace a variety of styles from Blakean simplicity to brutal tragedy and outright farce. Rebecca Clarke's choral music was virtually unknown until Oxford University Press began to publish these works for the first time. She wrote for chorus and other vocal ensembles throughout virtually her whole career from her earliest attempts at composition around 1906 to her final flowering in the 1940s revising and recomposing until as late as 1976.