Saint-Saëns, Camille : Piano Concerto No.2 in G minor

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Piano Reduction-A talented pianist and composer it stood to reason that Camille Saint-Saëns would engage with the Piano concerto genre early on particularly as in France the 'concerto brilliant' was very popular at that time.Saint-Saëns did indeed begin to compose his own concertos however; he gave a clear renunciation of the 'concerto brilliant' declaring instead that 'the solo part of a concerto must be set out and treated like adramatic role'. He realised this concept of a 'symphonic concerto'; in his Piano Concerto No.2 In G Minor composed in 1868.The solo part is technically very challenging and at the same time closely boundup with the Orchestra. Johannes Umbreit is responsible for the Piano reduction based on the composer's own version for Two Pianos; Pascal Rogé supplies the fingerings for the solo part.

Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the

Par . Cet ample volume contient des ?uvres originales et des transcriptions connues des époques baroque, classique et romantique de Bottesini, Capuzzi, Dragonetti, Eccles, Fauré, Koussevitzky, Lulier, Saint-Saëns, Simandl, Sperger et autres. Le répertoire convient à l'enseignement, aux auditions, aux examens et aux concours. Tous les morceaux sont imprimés en accordage normal de l'orchestre, et des accompagnements de piano pour le jeu en accordage solo sont en outre disponibles en téléchargement. Ainsi, le volume peut être utilisé de manière flexible dans des cours au niveau supérieur des écoles de musique ainsi que dans les études. / Date parution : 2022-05-20/ Recueil / Contrebasse et Piano

Camille Saint-Saëns
Concerto pour piano n° 4 en ut mineur op. 44
Peter Jost (Editeur)
Johannes Umbreit (Réduction pour piano)
Pascal Rogé (Doigtés)
Edition Urtext, réduction pour piano, reliure paperback
Deux partitions sont nécessaires pour une representation
Malgré sa forme inhabituelle - une disposition en deux parties, comprenant chacune deux mouvements à enchaîner sans interruption -, cette œuvre datant de 1875 fut accueillie dès le début avec un grand succès. Avec son équilibre parfait entre la partie soliste et l’orchestre, ce concerto correspond d’une manière véritablement idéale au modèle du «concert symphonique» et fait partie des concertos les plus populaires du compositeur français. Gabriel Fauré lui-même a réalisé l’arrangement pour piano de la partie d’orchestre de la première édition parue en 1877 - une base optimale pour la réalisation par Johannes Umbreit de cette réduction pour piano de cette première édition Urtext de l’œuvre. De même que pour les Concertos pour piano et orchestre n° 2 et n° 5, déjà parus chez Henle, c’est également ici Pascal Rogé, l’un des meilleurs connaisseurs de l’œuvre pianistique de Saint-Saëns, qui assume la responsabilité des doigtés. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)

Compilation de 43 ?uvres Classique de compositeurs français pour piano solo.' Livre de 160 pages.' ?uvres françaises du 17ème au 20ème siècles avec des compositeurs tels que Ravel, Debussy ou encore Bizet.' / Variétés / Partition /