SKU: HL.48182235
UPC: 888680908676. 0.211 inches.
French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire..
SKU: BT.AMP-145-140
9x12 inches. English-German-French-Dutch.
There are just over twenty secular cantatas in Bach's prolific output, which include The Coffee Cantata (No 211), The Wedding Cantata (No 202), Phoebus and Pan (No 201) and the Hunt Cantata (No 208) which contains the famous aria Sheep May Safely Graze. Written for four vocal soloists it was originally scored for a relatively large orchestra (including flutes (recorders), oboes and horns) and mixed choir. Although secular in character, the words describe how well a faithful shepherd keeps watch over his flock and hence has obvious allusions to the teachings of the Christian church. Bring a bit of the Baroque era to your concert with this first class arrangement by Philip Sparke.Bach schreef zijn Jachtcantate (BWV 208) - met daarin de aria Schafe können sicher weiden (Sheep May Safely Graze) - in 1713, ter gelegenheid van de verjaardag van hertog Christian van Sachsen-Weißenfels. Later volgdenbewerkingen voor vergelijkbare verjaardagsfeesten en naamdagen. De cantate is geschreven voor vier solisten (Diana, Pales, Endymion en Pan), een relatief groot orkest (met (blok)fluiten, hobo’s en hoorns) en koor. Sheep MaySafely Graze wordt gezongen door Pales, de godin van kudden en weiden, begeleid door een paar blokfluiten of dwarsfluiten. Deze bewerking van Philip Sparke betekent een verrijking voor elk repertoire.Bachs produktives Schaffen brachte nur etwa zwanzig weltliche Kantaten hervor, darunter auch die Jagd-Kantate (BWV 208),welche die berühmte Arie Schafe können sicher weiden enthält. Geschrieben für vier Solisten, ist die Kantate für ein relativ großes Orchester instrumentiert, das neben Flöten, Oboen und Hörnern auch einen gemischten Chor vorsieht. Bringen Sie mit dieser gelungenen Bearbeitung etwas barocke Atmosphäre in Ihr Konzert! L’immense production de Jean-Sébastien Bach ne contient qu’une vingtaine de cantates profanes dont la Cantate du café (BWV 211), la Cantate du mariage (BWV 202), Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208), dont est extrait l’air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu’il accepta, en 1713, une invitation Weißenfels pour l’anniversaire du duc Christian de Saxe-Weißenfels. cette occasion, il composa la Cantate de la chasse, une cantate de félicitations l’adresse du duc, passionné de chasse. Par la suite, Bachremania cette cantate pour célébrer d’autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane, Pales, Endymion et Pan), un ensemble orchestral assez large (incluant des fl tes/fl tes bec, des hautbois et des cors) et un Chœur mixte. Le texte, chantant les vertus de la chasse, est un panégyrique peine déguisé du duc régnant. Accompagnée par deux fl tes (fl tes bec), Palès, déesse des troupeaux et des p tures, entonne l’air Sheep May Safely Graze. Bien que de caractère profane, le texte utilise l’image du berger comme l’image même de la gr ce en référence une parole fondamentale de Jésus. L’immenso lavoro di Johann Sebastian Bach contiene una ventina di cantate profane tra le quali la Cantata della Caccia (BWV 208) dalla quale è estratta Sheep May Safely Graze (Schafe können sicher weiden). Accompagnata da due flauti dolci, Pales, Dea dei greggi e dei pastori, intona l’aria Sheep May Safely Graze. Pur se di carattere profano, il testo utilizza l’immagine del pastore come l’immagine della grazia riportata ad una parola fondamentale di Gesù.
SKU: BT.AMP-145-010
There are just over twenty secular cantatas in Bach's prolific output, which include The Coffee Cantata (No 211), The Wedding Cantata (No 202), Phoebus and Pan (No 201) and the Hunt Cantata (No 208) which contains the famous aria Sheep May Safely Graze. Written for four vocal soloists it was originally scored for a relatively large orchestra (including flutes (recorders), oboes and horns) and mixed choir. Although secular in character, the words describe how well a faithful shepherd keeps watch over his flock and hence has obvious allusions to the teachings of the Christian church. Bring a bit of the Baroque era to your concert with this first class arrangement by Philip Sparke.Bach schreef zijn Jachtcantate (BWV 208) - met daarin de aria Schafe können sicher weiden (Sheep May Safely Graze) - in 1713, ter gelegenheid van de verjaardag van hertog Christian van Sachsen-Weißenfels. Later volgdenbewerkingen voor vergelijkbare verjaardagsfeesten en naamdagen. De cantate is geschreven voor vier solisten (Diana, Pales, Endymion en Pan), een relatief groot orkest (met (blok)fluiten, hobo’s en hoorns) en koor. Sheep MaySafely Graze wordt gezongen door Pales, de godin van kudden en weiden, begeleid door een paar blokfluiten of dwarsfluiten. Deze bewerking van Philip Sparke betekent een verrijking voor elk repertoire.Bachs produktives Schaffen brachte nur etwa zwanzig weltliche Kantaten hervor, darunter auch die Jagd-Kantate (BWV 208), welche die berühmte Arie Schafe können sicher weiden enthält. Geschrieben für vier Solisten, ist die Kantate für ein relativ großes Orchester instrumentiert, das neben Flöten, Oboen und Hörnern auch einen gemischten Chor vorsieht. Bringen Sie mit dieser gelungenen Bearbeitung etwas barocke Atmosphäre in Ihr Konzert! L’immense production de Jean-Sébastien Bach ne contient qu’une vingtaine de cantates profanes dont la Cantate du café (BWV 211), la Cantate du mariage (BWV 202), Phébus et Pan (BWV 201) et la Cantate de la chasse (BWV 208), dont est extrait l’air Sheep May Safely Graze (Schafe können sicher weiden - Que les brebis paissent en paix). Bach était depuis peu au service du duc de Weimar lorsqu’il accepta, en 1713, une invitation Weißenfels pour l’anniversaire du duc Christian de Saxe-Weißenfels. cette occasion, il composa la Cantate de la chasse, une cantate de félicitations l’adresse du duc, passionné de chasse. Par la suite, Bachremania cette cantate pour célébrer d’autres fêtes et anniversaires. La Cantate de la chasse est orchestrée pour quatre voix solistes incarnant des figures mythologiques (Diane, Pales, Endymion et Pan), un ensemble orchestral assez large (incluant des fl tes/fl tes bec, des hautbois et des cors) et un Chœur mixte. Le texte, chantant les vertus de la chasse, est un panégyrique peine déguisé du duc régnant. Accompagnée par deux fl tes (fl tes bec), Palès, déesse des troupeaux et des p tures, entonne l’air Sheep May Safely Graze. Bien que de caractère profane, le texte utilise l’image du berger comme l’image même de la gr ce en référence une parole fondamentale de Jésus. L’immenso lavoro di Johann Sebastian Bach contiene una ventina di cantate profane tra le quali la Cantata della Caccia (BWV 208) dalla quale è estratta Sheep May Safely Graze (Schafe können sicher weiden). Accompagnata da due flauti dolci, Pales, Dea dei greggi e dei pastori, intona l’aria Sheep May Safely Graze. Pur se di carattere profano, il testo utilizza l’immagine del pastore come l’immagine della grazia riportata ad una parola fondamentale di Gesù.
SKU: HL.48022495
ISBN 9781476871486. UPC: 884088669676. 6.75x10.5 inches.
Texts: Latin and EnglishPublisher: Boosey & HawkesDifficulty level: 3The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompanied plainsong and, at the end, processing out again to the same chant. These movements can also be accompanied but strictly only if the voices do not process. The final Alleluia can be repeated as many times as necessary to get the singers to and from their destination.The carols are for three-part children's voices (though, of course they can be sung by female adults as well) and they form a two-part work around a central Interlude for harp which is based on the plainsong from the Procession. Variety is the key word here as all the carols have such individual identities. The forthright Wolcum Yole!, the deliciously lyrical There is no Rose, the swinging Balulalow, the fiery and dramatic This little Babe all contribute to a work which is a feast of discovery throughout. Lovely solos and duos add further colour and the harp part, an inspired choice of accompaniment, enriches, colours and surrounds the voices with its pictorial musical imagery. If anything shows Britten's genius for writing for voices it must be this work.The challenges here are in creating a real equality between voice parts, fielding a confident pair of soloists, and making the most of the wonderfully colourful poems Britten has chosen to set. Pronunciation is not really an issue, but when I recorded this work with the Finzi Singers I decided to follow the example of Sacred and Profane and use authentic medieval pronunciation for which an expert coach was necessary. It brings an added element of colour to a familiar aural experience.Duration: 22 minutesPaul Spicer, Lichfield, 2011.
SKU: SU.00220112
The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 61 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 2: Debussy, Mahler and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BIZET Carmen Suites 1-2, L'Arlesienne Suites 1-2, Symphony No. l; BRUCH Violin Concerto No.1, Kol Nidrei, Scottish Fantasy; BRUCKNER Symphonies 1-9, Te Deum; BUSONI Turandot Suite; DEBUSSY Images 1-3, Jeux, La Mer, Nocturnes, Petite Suite, Prelude to the Afternoon of a Faun, Printemps, Sacred and Profane Dances, Clarinet Rhapsody; FAURÉ Pavane, Pelleas and Melisande, Requiem; GRIEG Piano Concerto in A Minor, Peer Gynt Suites 1-2, Symphonic Dances, Holberg Suite; MAHLER Symphonies 1-9, Kindertotenlieder, Das klagende Lied, Das Lied von der Erde, Lieder; REGER Variations and Fuge on a Theme by Mozart; SAINT-SAËNS Carnival of the Animals, Danse Macabre, Symphony No. 3, Cello Concerto No. 1, Piano Concerto No. 2, Christmas Oratorio, Introduction and Rondo Capriccioso Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220083
The complete Oboe and English Horn parts [CD-ROM] for the 61 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 2: Debussy, Mahler and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BIZET Carmen Suites 1-2, L'Arlesienne Suites 1-2, Symphony No. l; BRUCH Violin Concerto No.1, Kol Nidrei, Scottish Fantasy; BRUCKNER Symphonies 1-9, Te Deum; BUSONI Turandot Suite; DEBUSSY Images 1-3, Jeux, La Mer, Nocturnes, Petite Suite, Prelude to the Afternoon of a Faun, Printemps, Sacred and Profane Dances, Clarinet Rhapsody; FAURÉ Pavane, Pelleas and Melisande, Requiem; GRIEG Piano Concerto in A Minor, Peer Gynt Suites 1-2, Symphonic Dances, Holberg Suite; MAHLER Symphonies 1-9, Kindertotenlieder, Das klagende Lied, Das Lied von der Erde, Lieder; REGER Variations and Fuge on a Theme by Mozart; SAINT-SAËNS Carnival of the Animals, Danse Macabre, Symphony No. 3, Cello Concerto No. 1, Piano Concerto No. 2, Christmas Oratorio, Introduction and Rondo Capriccioso Visit for more information
SKU: PR.514048480
UPC: 680160248544.
SKU: FG.55011-527-9
ISBN 9790550115279.
Italy, Rome particularly, has been unfathomed source of inspiration for several compositions by Kai Nieminen (1953-), starting from his neo-impressionistic orchestral piece Vicoli in ombra (1995). Some twenty years later, in 2016 he wrote Frammenti dal buio... (inspirazioni Caravaggesche) for Trio la Rue. Basically, the work is combination of sacred and profane. Caravaggio, short story by Antonio Tabucchi and three paintings, Saint Francis in Prayer (1610), Saint Francis of Assisi in Ecstasy (1595), and Medusa (1597), all by Caravaggio, church bells, and a puppet theater near Villa Lante in Rome gave inspiration to the composer during the composition process. Trio la Rue gave the first performance on 26th October, 2016 at Villa Lante.
SKU: CL.012-1486-01
Winner of the ABA Ostwald Award! An exciting three movement work that alternates highly dissonant contemporary sounds with allusions to archaic modes and dance forms. Solo sections for flute, clarinet and trumpet. I. May Danse II. Danse Macabre III. Estampie.
SKU: SU.00220084
The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 61 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 2: Debussy, Mahler and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BIZET Carmen Suites 1-2, L'Arlesienne Suites 1-2, Symphony No. l; BRUCH Violin Concerto No.1, Kol Nidrei, Scottish Fantasy; BRUCKNER Symphonies 1-9, Te Deum; BUSONI Turandot Suite; DEBUSSY Images 1-3, Jeux, La Mer, Nocturnes, Petite Suite, Prelude to the Afternoon of a Faun, Printemps, Sacred and Profane Dances, Clarinet Rhapsody; FAURÉ Pavane, Pelleas and Melisande, Requiem; GRIEG Piano Concerto in A Minor, Peer Gynt Suites 1-2, Symphonic Dances, Holberg Suite; MAHLER Symphonies 1-9, Kindertotenlieder, Das klagende Lied, Das Lied von der Erde, Lieder; REGER Variations and Fuge on a Theme by Mozart; SAINT-SAËNS Carnival of the Animals, Danse Macabre, Symphony No. 3, Cello Concerto No. 1, Piano Concerto No. 2, Christmas Oratorio, Introduction and Rondo Capriccioso Visit for more information
SKU: CL.012-1486-00
SKU: HL.49002702
ISBN 9790220108761. 9.0x12.0x0.095 inches. English.
The Advent No sudden thing of glory and fear * Hymne for a child Flocking to the Temple * My Fair My Fair, no beauty of thine * The Salley Gardens Down by the Salley gardens * The soldier's return Jump through the hedge, lass! * The scapegoat See the scapegoat, happy beast.
