Der Barbier von Sevilla Akt II - Part I Harmoniemusik - Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik - music for wind instruments -was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik. It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnifi cent melodies of this opera into a contemporary musical setting via saxophone quartet. Nombre de pages :68
SKU: AP.1-ADV7473
ISBN 9783892218531. UPC: 805095074734. English.
Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7472
ISBN 9783892218524. UPC: 805095074727. English.
SKU: AP.1-ADV7471
ISBN 9783892218371. UPC: 805095074710. English.
Dating back to 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7470
ISBN 9783892218364. UPC: 805095074703. English.
SKU: M7.DOHR-12638
ISBN 9790202026380.
Beim der Cavatine Du Barbier de Séville de Rossini (erschienen 1878) besteht die Leistung von Louis Mayeur in der tongetreuen Übertragung der berühmten Cavatine der Rosina aus dem ersten Akt von Gioachino Rossinis (1792-1868) Oper Il barbiere di Siviglia (Der Barbier von Sevilla; 1816). Lediglich die Melodie der Coda überträgt Mayeur - abweichend vom Original - zusätzlich dem Saxophon.
SKU: BT.DHP-1084435-140
9x12 inches. English-German-French-Dutch.
Italian composer Gioacchino Rossini is undoubtedly best known forhis opera The Barber of Séville. This opera features the sopranoaria ‘Una voce poco fa’, which has been performed by many divasincluding Maria Callas, Teresa Berganza and Kathleen Battle. Thistranscription by Gerard Posch has been written for alto saxophoneand concert band, however the saxophone solo can also be sungby a soprano - as in the original aria Una Voce Poco Fa ist eine der großen Soloarien aus Der Barbier von Sevilla, Rossinis wohl berühmtester Oper, die er in nur 19 Tagen schrieb und der er doch bis heute den meisten Ruhm verdankt. In der Originalversion der Oper von der weiblichen Hauptfigur im Mezzosopran gesungen, verhilft Gerard Poschs Bearbeitung der Arie für Blasorchester dem Altsaxophon zu einem glanzvollen Soloauftritt. Alternativ kann anstelle des Saxophonsolos auch die Originalarie von einem Sopran gesungen werden.Le Barbier de Séville est l'opéra le plus célèbre de Rossini. Écrit en peine treize jours, Rossini y mène le genre de l’opéra bouffe la perfection avec, au passage, quelques joyaux comme la cavatine Una voce poco fa, affectionnée par les divas telles que Maria Callas, Kathleen Battle ou Teresa Berganza. Cette version de Gerard Posch est écrite pour Saxophone alto solo (ou voix de soprano) et Orchestre d’Harmonie.
SKU: BT.DHP-1084435-010
