Romantic Spirit, The - Book 2

Repertoire by both well-known and lesser-known composers from the Romantic period are included in these performance editions, with commentary relating to the composers' lives and social changes in the era. These well-edited editions give students an overall view of the period through an integrated arts approach. This library-quality edition is a complete version of The Romantic Spirit Books 1 and 2 by Nancy Bachus, and is conveniently packaged with CDs in one book .

Repertoire by both well-known and lesser-known composers from the Romantic period are included in these performance editions, with commentary relating to the composers' lives and social changes in the era. These well-edited editions give students an overall view of the period through an integrated arts approach. Book 2 spans the early intermediate to late intermediate levels.

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin Claude Debussy and Gabriel Fauré the works represented heretruly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume arranged for solo Piano for your sheer playing pleasure. Like the Baroque and Classical periods before it Romantic music existed within a broader artistic intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical spiritual legendary andsupernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era including: Albéniz Berlioz Bizet Brahms Chopin Dvorák Debussy Elgar Fauré Grieg Mahler Liszt Mendelssohn Puccini Ravel and so many more. Spanning the 19th century the Romantic movement was a reaction to what had come before. Music proved to be aparticularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created the period proved to be a very broadchurch indeed. This makes The Library Of Romantic Music?particularly exciting because the extraordinarily rich and expressive music is collected here in a single volume that is durable convenient and issure to be a mainstay of your music stand. For a simply stunning compendium of some incredible pieces of music composed by the masters The Library Of Romantic Music?is essential. Thegreatest compositions from such a fantastically rich period have been collected in this single volume perfect for pianists looking for beautiful additions to their repertoire.

Selected and edited by Jeremy Dibble this collection brings together twelve richly varied carols by six British composers well known in the Edwardian era. Here are simple strophic carols with elegant melodies and rich in harmonic interest typical of the 'High Victorian' style. Here too are 'partsong' carols by Stanford Parry and Elgar a style highly popular in Edwardian England where the part-writing is more intricate and varied. There are two contrasted settings of Ben Johnson's I Sing The Birth: Elgar's hauntingly beautiful setting which fuses archaism and romanticism and Parry's spirited version fully expressive of the text's joy. And in John Stainter's The ChildJesus In The Garden there is a poignant and extended carol with organ accompaniment the text of which gently weaves together the message of Christmas and Passiontide with delicated imagery of flowers. With a fascinating introduction to the carols and notes on sources and editorial policy this collection restores a range of highly attractive carols to the repertoire and as such will be welcomed by all mixed-voice choris looking to refresh their Christmas programs.

Wald for Ensemble was composed by Hans Abrahamsen in 2008-09. Co-commission by the Schönberg Ensemble and BBC for Birmingham Contemporary Music Group.Programme NoteWald is in a way a series of variations from the beginning of my woodwind quintet Walden (1978). This thematical idea is very simple - a rising call of a fourth and the response in other voices. This idea is repeated several times but because the call has a slower pulse than the responses the process leads to them changing order.In Walden I borrowed the title from the Americanphilosopher Henry David Thoreau who in the middle of the eighteenth century in a little wooden hermit house at the bank of the lake Walden pond wrote the book Walden of his life and time in the forests. Here he experimented living for two years in order to come closer to nature and to see if it was possible to live simply without all the unnecessary needs created by society. The book is filled with poetry but is also cutting and critical of society. In my piece Walden I tried to search for the same simplicity handling the most simple material but at the same time trying not to lose the poetry.Wald is a twin piece to Walden but also to my former piece Schnee.Robert Schumann wrote in 1848-49 a wonderful piano piece Waldszenen. He wrote this collection of short pieces with beautiful titles like Einsame Blumen Vogel als Prophet and also Jäger auf der Lauer just a few years before Thoreau wrote his book Walden. For them the forest is the magical romantic place that gives a spiritual insight to man but also from where we get our food through hunting. For me the forest still has this magical quality and Wald has scenes with a hunting horn that calls (I many years ago played the magical 'Waldhorn' and remember playing in the forest near my home) flocks of birds that when agitated take

The New International Edition of Suzuki Piano School, Volume 3 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly to include a new Romantic piece by Gurlitt and a 20th-century piece by Bartok as well as the Bach Minuet in G Minor (from Notebook for Anna Magdalena Bach), formerly in Volume 2. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Sonatina in C Major, Op. 36, No. 1 (Allegro, Andante, Vivace) (M. Clementi) * Minuet in G Minor, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in C Major, Op. 55, No. 1 (Allegro, Vivace) (F. Kuhlau) * Theme, from Symphony No. 3 (Eroica), Op. 55, 4th Movement (L. van Beethoven, Arr. Unknown) * The Wild Rider, from Album for the Young, Op. 68, No. 8 (R. Schumann) * Little Waltz, from Little Flowers, Op. 205, No. 10 (C. Gurlitt) * Ecossaise, K. WoO 23 (L. van Beethoven) * Sonatina in C Major, Op. 36, No. 3 (Spiritoso) (M. Clementi) * Teasing Song, from For Children, Sz. 42 (Bela Bartok).