SKU: GI.G-10430C
UPC: 785147043003.
** This is the saddle-stitched choral edition for SAB voices. The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA??s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) ? Away in a Manger (G-10432) ? Hark! The Herald Angels Sing (G-10434) ? It Came Upon a Midnight Clear (G-10435) ? We Three Kings of Orient Are (G-10443) ? O Little Town of Bethlehem (G-10439) ? Joy to the World (G-10436) ? Once in Royal David??s City (G-10440) ? What Child Is This? (G-10444) ? O Come, All Ye Faithful (G-10437) ? The First Nowell (G-10442) ? O Come, O Come Emmanuel (G-10438) ? Good Christian Friends, Rejoice (G-10433) ? Silent Night (G-10441).
SKU: GI.G-9922
UPC: 785147992202.
Revival and Revival II comprise a resource that provides fresh, accessible arrangements of classic hymns for contemporary piano- and guitar-based ensembles. Compatible with the texts found in GIA’s most recent hymnals, each SAB arrangement is intended to inspire and support the sung prayer of the assembly. For added texture, the final stanza of each hymn includes an optional soprano descant. This special edition contains only the SAB choral parts and optional descants for the 30+ hymns of Revival and Revival II. Make a home in your choir folders for a volume that will have continued use throughout the church year.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: GI.G-9911
UPC: 785147991106. English. Text Source: Based on Psalm 23, Issac Watts, 1674–1748, alt. Text by Isaac Watts. Scripture: Psalm 23.
From the second installment of the best-selling Revival series (Revival II: octavo collection, G-9900, spiral edition, G-9900S), Tony Alonso’s arrangement of the ever-popular RESIGNATION offers a fresh treatment for contemporary ensembles with guitar- and piano-based bands. What a great way to invite your community into the tradition of hymn singing! (The first volume of Revival is also available: octavo collection, G-9405, spiral edition, G-9538.).
SKU: GI.G-9904
UPC: 785147990406. English. Text Source: William W. How, 1823&ndash,1897, alt. Text by William Walsham How.
From the second installment of the best-selling Revival series (Revival II: octavo collection, G-9900, spiral edition, G-9900S), Tony Alonso’s arrangement of the ever-popular SINE NOMINE offers a fresh treatment for contemporary ensembles with guitar- and piano-based bands. What a great way to invite your community into the tradition of hymn singing! Listen to the recording and see the score in the video below:.
SKU: GI.G-9456
UPC: 785147945604. English. Text Source: Liturgy of St. James, 5th c., para. Gerard Moultrie, 1829-1885, alt. Text by Gerard Moultrie. Scripture: Habakkuk 2:20.
This arrangement of the ethereal tune PICARDY provides a fresh treatment for contemporary ensembles with guitar- and piano-based bands. As with all of the Revival arrangements, this piece is a great way to invite your community into the tradition of hymn singing. (Revival: octavo collection, G-9405, spiral edition, G-9538).
SKU: CA.3116205
ISBN 9790007172251. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score available separately - see item CA.3116200.
SKU: BA.BA08857
ISBN 9790006558209. 33.5 x 25.7 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
The opera “Naïs” was premiered on 22 April 1749 at the Acadmie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau’s death and achieved great success as the “opera of peace,” even though it did not appear in print during the composer’s lifetime.In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis of the new critical edition by Pascal Dencheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.50297
UPC: 038081574677. English. Words by Bob Merrill.
Hello, gorgeous! Fans of Lea Michelle rejoiced when the Glee star joined the first-ever Broadway revival of this Streisand star vehicle, which introduced the showbiz score to a whole new generation. Lisa DeSpain's pizzazy arrangement includes three beloved songs in just four minutes.
SKU: LP.DC-9318PK
UPC: 765762056404.
Bulk pack of ten performance demo CDs, each in a paper sleeve; useful as an aid for choir members learning music. Value-priced.
SKU: LP.765762104020
UPC: 765762104020.
In his first major work for Lillenas Publishing Company, arranger Mike Lawrence brings us a power-packed collection of inspirational and gospel arrangements specifically suited for the smaller choir. Higher Ground features a stellar song selection including hits from the Singing News charts, classic inspiration songs, and gospel hymns we all love. A generous amount of unison, 2-part and easy 4-part writing places this collection firmly within the Easy 2 Excel parameters you appreciate. Since these arrangements are both musically interesting and technically achievable (not to mention loads of fun!), the whole book will find usefulness for revival choirs, summer choirs, or in those instances when something quick, easy and great is needed.
SKU: CA.4012902
ISBN 9790007187828. Language: German/English.
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.
SKU: GI.G-9453
UPC: 785147945307. English. Text Source: Veni Creator Spiritus, attr. Rabanus Maurus, 776-856, tr. Edward Caswall, 1814-1878, alt.; Translation: Edward Caswall. Text by Rabanus Maurus.
Inspire your congregation with this favorite Pentecost text in a beautiful rendering of the traditional tune. With the aim of providing fresh arrangements for contemporary ensembles, this edition from Revival (G-9405, G-9538) provides parts for SAB choir, optional parts for C instrument and cello, and an optional harmonization with descant on the final stanza.
SKU: LP.765762083103
UPC: 765762083103.
Southern gospel enthusiasts rejoice! Here is an outstanding collection of your gospel favorites. These are songs of testimony fellowship and the hope of heaven - vital components for each of us in our walk of faith. Features Easy 2 Excel Flexible choral format for choirs of all sizes; Includes a complete Keyboard Accompaniment Edition; Pieces from today's most trusted (and revered) gospel arrangers. Choirs will find this book to be a staple in their choral diet and a refreshing addition to their customary worship collection. Southern Gospel Favorites is an ideal resource for summer choirs revivals camp meetings or any gathering place where southern gospel music is loved!
SKU: LP.OR-2644
UPC: 765762078109.
A vibrant medley sure to please choirs and congregations alike. Particularly appropriate for revivals and services of testimony. Trusting God Medley includes: I Will Say of the Lord; Leaning on the Everlasting Arms; 'Tis So Sweet to Trust in Jesus.
SKU: GI.G-10430INST
UPC: 785147043096.
** This is the spiral-bound edition for instruments other than keyboard and guitar. The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA’s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This? (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G-10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441).
SKU: GI.G-10430G
UPC: 785147043072.
** This is the spiral-bound guitar edition. The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA’s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This? (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G-10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441).
SKU: GI.G-10430S
UPC: 785147043027.
** This is the complete music collection in a spiral-bound music book format. The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA’s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This? (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G-10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441).
SKU: CA.4012905
ISBN 9790007186524. Text language: German/English.
SKU: BA.BA10172-91
ISBN 9790006491513. 27 x 19 cm inches. Key: C major.
Erschallet, ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant, it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch, corresponding to D major in chamber pitch), and the first number was intended to be repeated at the end of the work.
SKU: CA.3116214
ISBN 9790007208936. Text language: German/English.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.
SKU: CA.3116211
ISBN 9790007208905. Text language: German/English.
SKU: CA.3116219
ISBN 9790007172244. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200.
SKU: CA.3116249
ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14.
