Greatest Hits Scores Tab

10 Full Score Transcriptions-10 full score transcriptions of Santana's greatest hits for bands. Contents: 'Black Magic Woman' 'Everybody's Everything' 'Everything's Coming Our Way' 'Evil Ways' 'Hope You're Feeling Better' 'Jingo (Jin-Go-Lo-Ba)' 'OyeComo Va' 'Persuasion' 'Samba Pa Ti' and 'Se A Cabo'. This book is a full score song book so it contains transcriptions of all the instruments heard on the album. The following is a list of the instrumentsthat have been transcribed for this volume: Black Magic Woman - Guitar I Bass Organ Congas Bongo/Cowbell Timbales/Cymbal Drums.Everybody's Everything - GuitarI Bass Tenor Sax Baritone Sax Trumpet Trombone Organ Cowbell Shekere Drums.Everything's Coming Our Way - Guitar I Guitar 3 Bass Organ Bongo Drums.Evil Ways - Guitar I Bass Organ Timbales Drums Guiro.Hope You're Feeling Better - Guitar I Bass Organ Timbales Drums.Jingo (Jin-go-lo-ba) - Guitar I Bass Organ Conga I Conga II Timbales Torredo/Guiro Drums.Oye Como Va - Guitar I Bass Organ Congas Timbales Guiro Drums.Persuasion - Guitar I Guitar II Bass Organ Congas Drums.Samba Pa Ti - Guitar I (electric) Bass Organ Congas Maracas Drums.Se A Cabo - Guitar I Bass Organ Conga I Conga II Timbales Hand Percussion Drums.

Who says the greatest hits have to be for advanced guitarists? Now favorite songs from the '60s and the '70s are at every guitarist's fingertips. Pick up both of these books filled with classic hits and start playing songs from your favorite artists and bands of the '60s and '70s now. Titles: American Woman (The Guess Who) * Bad Company (Bad Company) * Hotel California (Eagles) * Layla (Derek and the Dominos) * Lola (Kinks) * Lonely Days (The Bee Gees) * Long Train Runnin' (The Doobie Brothers) * Maggie May (Rod Stewart) * Melissa (The Allman Brothers) * Nights in White Satin (The Moody Blues) * Whipping Post (The Allman Brothers) * Wish You were Here (Pink Floyd). / Instrumental Music, Miscellaneous, Scores, Songboo / Tablatures / Guitare et Voix

Transcribed Scores-All sixteen songs from the album fully transcribed for vocals guitars bass and drums. Includes Scar Tissue Under The Bridge Californication Suck My Kiss and Give It Away. Guitar and Bass parts given in both notation and tablature.

A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth?s themes for any instrument but the piano is to separatethe melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregardingthe other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from thetransposition of a piece originally written for the piano a very rich instrument regarding the expressive recourses to the more 'modest' guitar we always kept in mind our principal intention: to preserve at the most all themelodic dialogues of the scores in special the ones between the melody and the bass line both the elements that form the soul of Nazareth?s compositions. We obviously had to do some changes. Thus for instance in somearrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectlyunderstandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite thefact that those 28 pieces are only a little portion of Nazareth?s work this group of arrangements represents a good and representative panel. Among them there are some of Nazareth?s greatest hits ('Apanhei-te Cavaquinho' 'Odeon' 'Brejeiro' 'Ameno Resedá' etc.) as well as other not so known compositions but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible