Raincheck

These Christmas spirituals from North America and the Caribbean have been arranged in the Gospel style by Daryl Runswick. This collection is perfect both for the well-seasoned gospel choir and for choirs looking to extend their repertoire and try something new. Daryl Runswick has included some hints on singing in the gospel style for those who are attempting this for the first time.

Daryl Runswick's Follow Follow for Piano and String Quintet.Follow Follow is so-called because it contains canons (or rounds) where the players quite literally follow one another. The piece begins with a gentle melody played first by one person then after a dreamy piano ripple by everyone as a round. A second melody is given the same treatment after which a third is played first by the strings then by the piano. Finally the very first melody returns with a hint of regret. - Daryl RunswickCommission made possible by Robert and Diana Justham to celebrate their first wedding anniversary.

Par RHEINECK CHRISTOPH. / Date parution : 2021-11-03/ Répertoire / 2 Hautbois, 2 Cors et Ensemble à Cordes

Par RANNANMAKI JUSSIPEKKA. Colourstrings Guitar ABC is designed primarily for young beginner students as their first introduction to the world of guitar playing. This material can be adapted for teaching children of any age and used either on its own or combined with other beginner learning materials. In this book, the different elements of music and the music staff are introduced as simply as possible. The book is suitable for both private and group instruction. The repertoire is a collection of children\'s songs and folksongs from different countries. A teachers\' guide is included in the publication. The Guitar ABC is based on the famous Colourstrings string instrument methodology./ Méthode / Guitare

Fakten Und Know-How. Par RUNSWICK DARYL. Langue: German, Format: Oktav/ Recueil / Divers

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Romanesqua de Faillenot Maurice . Idéale pour les musiciens pratiquant Flûte Traversière et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence FAIL03515. / Flûte Traversière / niveau : Cycle 2 / Partition

Trumpet Solos in a jazzy style by Daryl Runswick. This is an enjoyable and expressive suite for aspiring jazz/rock Trumpeters. Goose the Goose is a slow groove with lots of smears and bluesy bits. Crushed Velvet is a rock ballad which gets quite passionate in the middle section. Three-Six-Nine is a perky jazz waltz.

The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin ? All the Things You Are ? Almost like Being in Love ? Bouncing with Bud ? Doxy ? Ev'ry Time We Say Goodbye ? I'll Remember April ? Just in Time ? Namely You ? Oleo ? On a Slow Boat to China ? St. Thomas ? Solid ? Sonnymoon for Two ? Vierd Blues ? Woodyn' You ? and more.
Airegin
All The Things You Are
Almost Like Being In Love
Blue Seven
Bouncing With Bud
But Not For Me
Compulsion
Dance Of The Infidels
Dig
Down
Doxy
Ev'ry Time We Say Goodbye
52nd Street Theme
I Know That You Know
I Remember You
I Want To Be Happy
I'll Remember April
I'll Take Romance
In Your Own Sweet Way
Just In Time
The Last Time I Saw Paris
Mambo Bounce
Moving Out
Namely You
No Moe
Old Devil Moon
Oleo
On A Slow Boat To China
Out Of The Blue
Pent Up House
Raincheck
St. Thomas
The Scene Is Clean
Scoops
The Serpent's Tooth
Solid
Sonnymoon For Two
Strode Rode
Tenor Madness
There Will Never Be Another You
Toot, Toot, Tootsie! (Good-bye!)
Tune Up
Valse Hot
Vierd Blues
Wail
What Is This Thing Called Love?
When Your Lover Has Gone
Whispering
Woodyn' You
You Stepped Out Of A Dream
/ Partitions jazz

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano

Composer : Mozart, Wolfgang Amadeus Edition : Score Editor : Reinisch, Frank Separate Parts available on demand