SKU: M7.BRP-1598
SKU: HL.48187672
UPC: 888680844448. 5.5x7.5x0.239 inches.
Ludwig van Beethoven: Quartet Op.132 in A minor (PH68) (Quartet-Strings).
SKU: BT.AMP-384-400
ISBN 9789043135825. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.ALHE31456
French.
Ludwig van Beethoven: Quartet Op.18, No.3 in D major (PH56) (Quartet-Strings).
SKU: BR.EB-8939
ISBN 9790004186084.
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.
SKU: HL.49006697
ISBN 9790001072427. 9.0x12.0x0.289 inches.
Den wachsenden Trend zur Kammermusik vor allem junger Spieler kommt diese Sammlung einzelner leichter Quartettsatze aus Vorklassik, Klassik, Romantik und neuerer Musik entgegen. Partitur und Stimmen enthalten Spielhilfen. Eine nutzliche Ausgabe fur den Kammermusikunterricht.
SKU: BR.PB-5622-07
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.
ISBN 9790004215197. 6.5 x 9 inches.
SKU: BR.CHB-16002
ISBN 9790004413296. 7.5 x 10.5 inches. German.
The Four Quartets op. 92 were composed in 1884 during Brahms' summer's stay in Murzzuschlag (Styria). The opening piece, however, was a revision of an earlier vocal quartet composed in 1877. Brahms had announced this to his friend Elisabeth von Herzogenberg on 13 November 1877 as a bad joke on music paper with which he was reacting to her reproach regarding an earlier lied (op. 71 No. 4) with an ironic text insertion before the beginning of the reprise. In the revision of 1884, Brahms significantly changed the C-major middle section especially. In the present edition's appendix, the early version of O schone Nacht! is disclosed for rediscovery in comparison with the version published as op. 92 no. 1. The quartets were published on 1 December 1884 by Simrock, one week later, the first public performance of the work took place in the Large Gurzenich Hall in Cologne. The pieces found their primary target audience, however, in private performances as domestic music. Even today, they recommend themselves for smaller choral scorings or ensembles with piano accompaniment. The night-time melancholic text selection with works by Daumer, Hebbel and Goethe seems fit for these.