SKU: PR.514050610
UPC: 680160250172.
Four movements, top part advanced. Several recordings and many broadcasts. Duration c.13'.
SKU: BT.YE0036
Four movements, top part advanced. Several recordings and many broadcasts. Duration c.13'.Programme Notes:The Swiss composer Joseph Lauber was born at Ruswil near Lucerne in 1864. After studying with Heger in Zürich and Rheinberger in Munich, Lauber worked with Diémer and Massenet in Paris. With Massenet he learnt a great deal about orchestration, a subject that he subsequently taught until the end of his life at the Geneva conservatoire as well as piano and composition. He died in 1952.Lauber's 193 catalogued works are many and varied. He wrote for all instruments and in every genre except oratorio and opera. Among his output areseveral works for double bass, most written for Prof. Hans Fryba, a personal friend with whom he worked as a double bass and piano recital duo. Fryba was one of the leading players in Europe in his day and was principal of the Berlin Philharmonic Orchestra. First was Theme and Variations (1936-7) and a Rhapsodie with orchestra (1937). Three Walzes followed in 1939, a Gavotte and Gigue, a Sonata and then in 1943 Fantasie de Concert, written for the Geneva Competition. Four Caprices appeared in 1942, the same date as the Quartet for double basses which was dedicated to Fryba and written for the Berlin Philharmonic Double Bass Quartet, one of the first ever such ensembles to exist. The Quartet for double basses was revived by Klaus Stoll in the 1970s for the Philharmonic Double Bass Quartet at that time to play. It was subsequently published in 1975 by Yorke Edition by kind permission of the composer's son Edmund Lauber. Rodney Slatford 2004
SKU: ST.YE0036
ISBN 9790570590360.
SKU: ST.YE0028
ISBN 9790570590285.
SKU: BT.YE0055
For 4 double basses. A very short quartet suitable as an encore. Only the top part is advanced. Recorded Berlin Philharmonic Quartet (Camerata). 2 solo DB with 2 Orchestra DB.
Grade: Varying.
SKU: BT.YE0046
A quartet of medium difficulty by one of Australia's leading composers. The first part is sometimes difficult, but the others are moderately easy. The writing is low, sonorous and effective.
Grade: Medium.
SKU: BT.YE0073
'This delightful divertimento is a typically excellent production of Yorke Edition'. Notes. Bravura, three movements. Recorded New Colophonium Bass Quartet (MusicaViva).
Grade: Moderate.
SKU: ST.YE0055
ISBN 9790570590551.
SKU: ST.YE0063
ISBN 9790570590636.
SKU: BT.YE0075
Four Double Basses. Eight well-known Christmas carols in a new guise. Score and parts.The Programme of Christmas Carols was first performed in New Orleans in 1976. In its original version, the players were required to wear Dickensian costume and a seasonal narrative preceded each of the carol arrangements. The texts appear below.Duration without text: c.20 minutesDuration with text: c.45 minutesIntroduction by Robert RoheThe introductory text, assembled with the kind assistance of Father Peacock of Loyola University of New Orleans, was designed for use where the receptivity of the audience warrants. So little is known about thebeloved Christmas carols, it is fitting that a brief sketch of the carols' past be used to enhance the familiar music.If desired, the introductory text may be omitted at the discretion of the performers.The brief text preceding each carol should be used to acquaint the audience with what to expect, from a quartet that will be playing the unexpected. The text also will pace the program and will extend performance time to around 45 minutes.In performance, the bass viol quartet of New Orleans wore peaked caps, and turtle necked sweaters to simulate the street performers of Dickens' time. The choice of four string basses for this program was to bring the closest relatives of the true viol into play.History and development of the Christmas CarolThe celebration of the birth of Jesus Christ has been observed for nearly 2,000 years, through the ritual of the Christian Church, with part of that ritual being devoted to celebration in song. In those early days, church music was sung only, no musical instruments taking part in the service.The type of song used by the church had the name 'plain-song'. It was a single line of melody, plain and unadorned, sung by one or more voices. By the year 1660 A.D., it had developed a second name, 'The Gregorian Chant', after Pope Gregory, who encouraged the use.
SKU: BT.YE0063
Four Double Basses. 'A marvellous piece for inculcating good intonation in the young'. The Strad. A short lyrical quartet of medium diffilty showing the cantabile of the instrument to good advantage. Everyone has something to do, but the first part is more challenging.
SKU: BT.YE0028
'Opens a new perspective in solo bass playing'. Das Orcher. A virtuoso work with rhythmic complexities.
Grade: Advanced.
SKU: BT.YE0050
'Nursery Grind/Strauss in the Doghouse/American Basses Humour in abundance... fun for a quartet of expert bass players. Lovely stuff!' The Strad. A successful joke (Neue Musiktung). This advanced quartet has had immense success ontelevision, radio and in the concert hall.
SKU: UM.19665
ISBN 9790224419665. A4 inches.
SKU: HL.48014811
UPC: 073999668698.
Two or more Double Basses.
SKU: BR.EB-9243
ISBN 9790004185438. 9 x 12 inches.
It was the practice of Khoomii (throat singing) - following several workshops with Michael Ormiston - that first attracted me to Tuvan music. Composing this Songbook, the first in a series commissioned by the Ligeti Quartet, I took the chance to reflect on compositional questions around transcription and arrangement of existing music, and frequently found myself asking: where is the boundary between the source material and the new substance? Of course the relationship varies from piece to piece, and moment to moment: sometimes we seem to glimpse the pure source, but most of the time there are differing degrees of distance, working towards or away from it. This new version for string orchestra corresponds closely to the original quartet version, with an additional part for double basses.The traditional Tuvan songs that I have transcribed and recomposed are all known to me from the Ay Kherel CD The Music of Tuva: Throat Singing and Instruments from Central Asia (2004, Arc Music). According to the notes from that CD, this is what the songs are about:1. Dyngylday: If you have come on a horse in blue, it doesn't mean that you are the best. My heart tells me something else: my sweetheart doesn't have such a beautiful horse, but he is my darling.An alternative interpretation from Alash Ensemble (alashensemble.com): The word dyngylday is a nonsense term with no translation. The song makes good-humored fun of somebody for being a good-for-nothing.2. Eki Attar (The Best Steeds): The horse is the basis of our life. It is a magic creature. Even its step is full of music and rhythm. You may not be a horse rider, but when you hear this song you will always remember horses.3. Kuda Yry: This wedding song glorifies the strength of the groom and the beauty of his Horse.4. Ezir-Kara ('Black Eagle'): This was the name of a horse, who became a legend through his remarkable strength and speed.It is not just overtones that abound here: there are galloping rhythms aplenty, and though I am no horse rider I tried to keep the horses galloping in my imagination while composing these pieces.Christian Mason (with quotes from Ay Kherel and Alash Ensemble)World premiere of the original version: London/UK, May 10, 2016, World premiere of the string orchestra version: Clermont-Ferrand/France, October 8, 2020.
SKU: BR.EB-9244
ISBN 9790004185445. 9 x 12 inches.
SKU: HL.49017708
ISBN 9790001156981. UPC: 884088452476. 9.5x12.0x0.4 inches.
This four-movement piece was designed as a double quartet and, as the title implies, is like a little symphony. The varied sound is the result of harmonics, glissandos, pizzicatos, fingerboard and instrument body tapping, solo and ensemble playing. The musical palette ranges from lyrical to jazz, from pathos to absurdity.'Sinfonia piccola' was premiered by students of the Wurzburg Music Academy at the First International Double Bass Competition and Workshop in 1978 on the Isle of Man.* This work is part of the Hummel Bass Ensemble Project.