SKU: BT.MUSM570205608
English.
Published 1978. First performance: Jeremy Brown, Wigmore Hall, 4th September 1978.
SKU: HL.49003366
ISBN 9790001033121. 9.0x12.0x0.066 inches.
SKU: BR.EB-8508
ISBN 9790004178010. 9 x 12 inches.
Breitkopf Urtext on the basis of the Reger Complete Edition ed. by Hans Klotz, critically examined by Martin Weyer with an introduction by Hans Haselbock Die Melodie wird ohne jede Arabeske klar in Diskant Mittelstimme oder Bass gebracht die Fuhrung der anderen Stimmen gibt eine ungezwungene harmonische Deutung subjektiver und doch zugleich allgemein gultiger Haltung. (Guido Bagier uber Regers op. 135A 1923).
SKU: HL.48184697
UPC: 888680840747. 9.0x12.0x0.083 inches.
“Marcel Dupré: 3 Préludes et Fugues Op.36, No.1 in E minor (Organ)”.
SKU: BR.OB-4738-23
Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.
ISBN 9790004319949. 10 x 12.5 inches.
What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.
SKU: CA.5287700
ISBN 9790007183134. German/English.
The Thirty Short Chorale Preludes op. 135a were first published in 1915 by N. Simrock-Verlag. Any trace of the engraver's manuscript owned by the publisher's family was lost in 1929 with the disbanding of the company. It only resurfaced in 2019 in the Archive of the Prague Conservatory. It has therefore been possible to use Reger's autograph as a second primary source in preparing this revision of the musical text of the Reger Complete Edition.
SKU: IS.CM6457EM
ISBN 9790365064571.
SKU: LM.C05822
ISBN 9790230358224.
SKU: IS.G6763EM
ISBN 9790365067633.
This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-?V-?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weiss??s middle ??productive?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather ??rudimentary?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weiss??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: IS.G6761EM
ISBN 9790365067619.
This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-?V-?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather ??rudimentary?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weiss??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.
SKU: M7.RMP-3403
ISBN 9790352034037. UPC: 854004008032. English Russian.
A must for the meticulous study of Rachmaninoff's preludes!Volume 3 of the practical urtext editions of the complete works for piano by Sergei Rachmaninoff for the first time also contains in its appendix first versions and variants of entire preludes as well as original variants by the composer of individual text fragments.Based on the unreduced musical text from the Rachmaninoff Critical Edition, the edition also contains a detailed preface, information on the history of the compositions and colour facsimile reproductions of autograph manuscripts.For the first time, Rachmaninoff's complete works for piano solo are published in eight volumes. The practical urtext editions with unreduced musical text from the Rachmaninoff Critical Edition contain detailed information on the history of the compositions, world premieres and publications as well as notes on the editorial principles and the characteristic features of Rachmaninoff's piano notation.A must for the meticulous study of Rachmaninoff's preludes!Volume 3 of the practical urtext editions of the complete works for piano by Sergei Rachmaninoff for the first time also contains in its appendix first versions and variants of entire preludes as well as original variants by the composer of individual text fragments.Based on the unreduced musical text from the Rachmaninoff Critical Edition, the edition also contains a detailed preface, information on the history of the compositions and colour facsimile reproductions of autograph manuscripts.