SKU: GI.G-9033S
ISBN 9781622773947.
With its commitment to creating independent musical thinkers through the use of folk songs, Conversational Recorder is a visionary approach to recorder that builds music literacy and independence. This highly anticipated component of John M. Feierabend’s Conversational Solfege is a dynamic and engaging method that seamlessly coordinates with Levels 1 and 2 of the curriculum, an innovative 12-step “ear-before-eye” approach to teaching music literacy. Central to Conversational Recorder are two hundred online audio tracks with coordinating Guided Practice Activities at the beginning of each unit. The online tracks walk students step by step through decoding patterns and songs and are perfectly suited for at-home assignments and virtual instruction. Each of the thirteen units in this resource presents a new rhythm or melody challenge that is reinforced using a series of short musical patterns and songs. To ensure aural mastery before instrumental application, students follow a three-step procedure: (1) sing first, (2) sing while fingering on recorder, and (3) play on recorder. The teacher’s manual includes dozens of recorder activities (techniques) along with an overview of the method, instructions for how to use the online tracks, and tips for teaching fingering, tonguing, and breathing. The appendices also contain sample lesson plans, resources for assessment, fingering charts, and information for teaching recorder to students with disabilities. Conversational Recorder is an ideal program for incorporating recorder instruction into the elementary music classroom. John M. Feierabend, PhD, has spent decades compiling songs and rhymes from the memories of the American people in hopes that these treasures will be preserved for future generations. He is a leading authority on child development in music and movement and served as Professor and Chair of the Music Education Department of the Hartt School of the University of Hartford. Rachel Grimsby is an Assistant Professor of Music Education at Illinois State University and has over fifteen years of experience teaching elementary general music. She is a co-author of First Steps in Music with Orff Schulwerk and Feierabend Fundamentals, and her research interests include professional development for in-service teachers and paraprofessionals as well as teaching music to students with disabilities.
SKU: GI.G-9033
ISBN 9781622775606.
SKU: TA.TSPB-40
Ralph Hicks and Eric Rath, co-authors of the popular Five Minute Drill, Nine Minute Drill, and Beyond Basic Percussion are partners in crime yet again bringing this charming collection of xylophone solos to the world of percussion. The Golden Age of Ragtime features some of the most quintessential pieces of American music like Maple Leaf Rag by Scott Joplin and Funny Folks by W.C. Powell. These authentic ragtime xylophone solos can be played with piano accompaniment, four-part marimba ensemble, or both! Going one step further, Hicks and Rath have provided supplemental content in an effort to give an educational experience to performers. They've provided a brief history of ragtime, a full page of tips for more unique performances, suggested mallets for performance, and each solo is accompanied with a list of historical facts pertaining to the year the solo was written. This book is a must for any percussion educator! Included in this collection: 1. Funny Folks by W.C. Powell (Med-easy - 3'15) 2. The Nonpareil by Scott Joplin (Medium - 3'10) 3. Colonial Glide by Paul Pratt (Medium - 2'50) 4. Eugenia by Scott Joplin (Med-Advanced - 3'00) 5. Maple Leaf Rag by Scott Joplin (Med-Advanced - 3'00) The Golden Age of Ragtime ships as a fully-bound book with a sleek cover design by Jaime Crowley. It also comes with recordings of each solo, practice tracks, parts for printing or tablet viewing, and assignment charts.Soloist:/ xylophone/ Accompaniment:/ 2 marimbas* -- low A/ Piano -- can be used with soloist only, or optionally in conjunction w/ marimba quartet accompaniment./ * One of the low A marimbas can be swapped with a low F marimba (4.5 octave) allowing extended range parts to be performed if a larger instrument is available.
SKU: AP.1-ADV14721
UPC: 805095147216. English.
Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book/mp3 set features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments.See and hear how a well known soloist phrases and articulates and play along with or without the soloist on the audio recordings.Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book/mp3 set for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the audio recordings (then check against the book) or for just having fun playing along with a great jazz rhythm section.Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception series is also perfectly suited for the class room. It can be used to develop younger students' jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.
SKU: AP.1-ADV14720
UPC: 805095147209. English.
Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book/audio set features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments.See and hear how a well known soloist phrases and articulates and play along with or without the soloist on the audio recordings.Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book/audio sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the recordings (then check against the book) or for just having fun playing along with a great jazz rhythm section.Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students' jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.
