Format : Sheet music + CD
With 30 fabulous favourites from classic pop hits and the world of TV and film Pops You Know will be enjoyed by instrument players of all ages and abilities. So find a pianist or play along with the CD accompaniment and you will find it here.
SKU: HL.4492583
UPC: 840126924077. 9.0x12.0x0.048 inches.
This is the pivotal song from 2019's Frozen II, when the heroine Elsa realizes that she will have to leave her comfortable surroundings to seek her higher purpose. Requiring third position for the first violin, this string quartet arrangement by Larry Moore will propel your students into the next stage of their success!
SKU: BT.DHP-1196190-070
ISBN 9789043157971. English-German-French-Dutch.
1982 saw the publication of a melody for written for bagpipes by the name of Highland Cathedral—a name that draws its inspiration from a famous neo-Gothic church in Glasgow, Scotland. Since its first appearance, Highland Cathedral has enjoyed a triumphant tour around the globe, often acknowledged as an enthusiastic tribute to the nation of Scotland. Anthony Gröger’s version for string quartet combines this passionate character with unmistakeable echoes of the Scottish feel of the original work. Here then is this true classic, especially popular at wedding ceremonies, now arranged for string quartet.In het jaar 1982 werd een voor doedelzak geschreven melodie gepubliceerd, waarvan de titel Highland Cathedral was ge nspireerd op een beroemde neogotische kerk in het Schotse Glasgow. Sindsdien heeft het stuk gaandeweg de wereld veroverd en wordt het vaak ten gehore gebracht als enthousiast eerbetoon aan Schotland. Anthony Grögers versie voor vier strijkers combineert dat gepassioneerde karakter met onmiskenbare echo’s van de Schotse sfeer van het origineel. Een geliefde klassieker, veelvuldig gespeeld op bruiloften, is nu dus ook verkrijgbaar in een arrangement voor strijkkwartet.Im Jahre 1982 wurde eine für Dudelsack geschriebene Melodie erstmals veröffentlicht, deren Name Highland Cathedral auf einen berühmten neogotischen Kirchenbau im schottischen Glasgow anspielt. Seitdem hat sie ihren Siegeszug um die Welt angetreten und wird oft als enthusiastisches Bekenntnis zur schottischen Nation aufgefasst. Anthony Grögers Version für Streichquartett verbindet diesen leidenschaftlichen Charakter mit unverkennbaren Anklängen an das schottische Klangidiom des Originals. Ein beliebter Klassiker, vor allem auf Hochzeitsfeiern, steht somit nun auch Streichquartett-Formationen zur Verfügung.Publiée pour la première fois en 1982, la mélodie pour cornemuse « Highland Cathedral » fait référence une célèbre église de style néogothique de Glasgow, en Écosse. Souvent perçue comme un hommage enthousiaste la nation écossaise, cette mélodie entama dès lors une marche triomphale travers le monde. La version pour quatuor cordes d’Anthony Gröger allie ce même caractère passionné aux sonorités écossaises, indissociables du langage sonore caractéristique de l’original. Un classique très populaire, notamment lors des mariages, désormais disponible pour quatuor cordes.
SKU: BT.DHP-1175850-070
ISBN 9789043153904. English-German-French-Dutch.
Moon River was written especially for Audrey Hepburn to sing and originally featured on the soundtrack for the movie Breakfast at Tiffany’s. The song has been covered by many other artists and has remained well-known for many years. This love song to a river also makes a wonderful instrumental work, especially so on stringed instruments. Nico Dezaire’s sensitive arrangement for string quartet gives each member of the ensemble the opportunity to play the wistful melody.Het speciaal voor Audrey Hepburn geschreven nummer Moon River maakte oorspronkelijk deel uit van de soundtrack voor de film Breakfast at Tiffany’s. Al snel werd het echter door vele zangers en zangeressen gecoverd en ontpopte het zich blijvend tot een wereldwijde hit. Dit liefdesliedje voor een rivier is ook een heerlijk instrumentaal werkje, vooral voor strijkinstrumenten. Nico Dezaires gevoelige arrangement voor strijkkwartet geeft elk lid van het ensemble de gelegenheid om de weemoedige melodie te spelen.Moon River war ursprünglich Teil des Soundtracks zum Hollywood-Klassiker Breakfast at Tiffany's und der jungen Audrey Hepburn auf den Leib geschrieben. Schon bald wurde der Song von zahlreichen Sängern gecovert und trat so seinen Siegeszug um die Welt an, der bis heute anhält. Diese musikalische Liebeserklärung an einen Fluss lässt sich natürlich auch bestens instrumental darstellen, besonders schön auf Streichinstrumenten. Nico Dezaire lässt in seinem einfühlsamen Arrangement für Streichquartett jeden der vier Musiker an der sehnsuchtsvollen Melodie teilhaben.Moon River a été écrit spécialement pour Audrey Hepburn et figure sur la bande originale du film Diamants sur canapé. Peu après, la chanson s’est vue reprise par de nombreux artistes, et est ainsi devenue le succès mondial qu’elle reste toujours. Cette chanson d’amour pour une rivière se prête aussi une interprétation instrumentale, particulièrement par des instruments cordes. Cet arrangement délicat de Nico Dezaire pour quatuor cordes permet chaque membre de l’ensemble de jouer la mélodie mélancolique.
SKU: BT.DHP-1185965-070
ISBN 9789043154505. English-German-French-Dutch.
Queen are known not only for their stylistic diversity, but also for their over-the-top theatrics during concerts and in videos. This helped give them the staying power to have hit songs for over twenty years! One of their biggest, instantly recognised hits is the rock-anthem We Are the Champions, written by Freddie Mercury. This monster hit is now available in an energetic string quartet arrangement by Anthony Gröger. Queen is niet alleen gekend om hun muziek in diverse stijlen, maar ook om hun theatrale uitvoeringen tijdens concerten en in videoclips. Een van hun grootste hits is het rocknummer We Are the Champions, geschreven door Freddie Mercury. Deze monsterhit is nu beschikbaar in een meesleepend arrangement voor strijkkwartet bewerkt door Anthony Gröger. Neben der stilistischen Vielseitigkeit ist das Theatralische und Pompöse eines der Erkennungsmerkmale der Musik von Queen und zwar offensichtlich durchaus im positiven Sinne, wie der zeitlose Erfolg ihrer Hits beweist! Ein Paradebeispiel dafu r ist die Rockhymne We Are the Champions aus der Feder von Freddie Mercury, die nun in einer mitrei?enden Streichquartettbearbeitung von Anthony Gröger vorliegt. Emmené par le charismatique Freddie Mercury, le groupe Queen a marqué et marquera encore de nombreuses générations. We Are the Champions connaît un immense succès dès sa sortie, en 1977. Aujourd??hui, on ne compte plus le nombre de références ce titre dans les championnats sportifs mais également au cinéma, la télévision, dans des spots publicitaires etc. Anthony Gröger a ecrit un arrangement énergique de cet hymne rock pour quatuor cordes.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,” for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.