SKU: HL.48015098
UPC: 073999936759. 9.0x12.0x0.181 inches.
Contents: I. Krakowiak * II. Mazurek * III. Mazurek * IV. Mazurek * V. Krakowiak * VI. Polonaise.
SKU: HL.191946
ISBN 9788361142829.
The Polonaises, Op. 40 belong to that later group. They comprise two works: a Polonaise in A major and a Polonaise in C minor. These two works comprise the second opus of piano polonaises to be published by Chopin, and they form a powrful contrastwith one another, representing two varietes of the heroic polonaise: the triumphant and the tragic. They also mark a further stage in the evolution of the polonaise: on the hand, in the direction of monumentalisation; on the other, towards a gradualweakening of its dance features, so that the dance in transformed into a kind of dance fantasy.
SKU: BT.PWM9386
ISBN 9788322432846.
W polonezach Chopin podejmuje tradycj gatunku wie o obdarzonego funkcj ta ca narodowego. Trzy polonezy dzieci ce stanowi replik wzoru ta ca u ytkowego, natomiast ka dy z po niejszych utworow tego gatunku posiada odr bnycharakter: liryczny, dramatyczny czy heroiczny. W interpretacjach czone by y z tematyk walki o wolno , z tradycj rycersk i powsta cz i nieraz spe nia y symboliczne funkcje w polskiej historii.
Wydanie rodowo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisow, kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie tworczo ci Chopina w autentycznymkszta cie.
SKU: HL.132303
UPC: 884088971373.
All of the Polonaises included in this volume were written during Chopin's childhood and youthful years, through to the earliest of the Polonaises prepared personally for printing by the composer (op. 22 and 26). This strict division into two groups has no correlation with other Chopin categories: Mazurkas or Waltzes not published by Chopin came into being during his entire period of creative activity at the same time as those he made for publication. Both groups of Polonaises complement each other in a particular way, together giving an understandable cross-section of the whole of Chopins creativity from Polonaise B WN1, being his first surviving compositional attempt for the Polonaise-Fantasy op.61, which belongs to the group of masterpieces crowning his last creative period. The collective publication of his Polonaises till now, which present them in the order of finding and publication gives, from this perspective, a totally chaotic impression. [from source commentary]. Includes Polonaises: in B flat major, G minor, A flat major, G sharp minor, D minor, F minor, B flat minor, G flat major.
SKU: BT.SLB-00599500
English.
This edition edited by pianist Alfred Cortot includes some of Chopin's most beloved etudes, mazurkas, nocturnes, Polonaises, preludes, and waltzes. Contents: Etudes: Op. 10, No. 3 Op. 10, No. 12 Op. 25, No. 9 Fantasie-ImpromptuOp. 66 Mazurkas: Op. 6, No. 1 Op. 7, No 1 Op. 17, No. 4 Op. 30, No. 2 Op. 68, No. 4 Nocturnes: Op. 9, No. 1 Op. 9, No. 2 Op. 15, No. 3 Op. 27, No. 1 Op. 32, No. 1 Op. 37, No. 1 Op. 37, No. 2 Op. 48, No. 1 Op. 55, No. 1 Op. 72, APolonaises: Op. 26, No. 1 Op. 40, No. 1 Op. 40, No. 2 Preludes: Op. 28, No. 2 Op. 28, No. 4 Op. 28, No. 6 Op. 28, No. 9 Op. 28, No. 13 Op. 28, No. 15 Op. 28, No. 17 Op. 28, No. 20 Op. 28, No. 21 Op. 28, No. 22 Waltzes: Op. 34, No.2 Op. 64, No. 1 Op. 64, No. 2 Op. 64, No. 3 Op. 69, No. 1 Op. 69, No. 2 Op. 70, No. 1 Op. 70, No. 2.
SKU: BT.MUSACF017408
French.
This Notebook For Anna Madgalena Bach contains 20 short pieces that J.S.Bach presented to his second wife. This edition contains selections from the 1722 and 1725 notebooks, featuring pieces composed by Bach himself. Featuring Minuets, Rondeaux, Polonaises and Marches, the Notebook For Anna Magdalena is both a collection of wonderful music and a fascinating insight into Bach's personal life and his relationship with his wife.
SKU: BT.DHP-0960684-010
The year 2004 marked the 100th anniversary ofthe death of Antonin Dvorák. In 1879 Dvorákwrote this Polonaise as a commission for thecommittee organising the festivities for theirfamous national dance festival. Many famousCzech composers wrote dances specially for thisevent. This Polonaise in three movements, with itsfine melody lines, deserves to be more than just anoccasional work, however. Wil van der Beek’sconcert band arrangement does justice to theoriginal piece.In 1879 schreef Antonin Dvoøák zijn Polonaise in opdracht van het comité dat de festiviteiten voorbereidde voor de toentertijd beroemde ‘vaderlandse danspartijen’. De bekendste Tsjechische componisten werden gevraagd om hiervoordansen te schrijven. Deze driedelige Polonaise met haar fraaie melodielijnen is echter meer dan een gelegenheidswerkje. De bewerking van Wil van der Beek doet het origineel beslist eer aan.Antonin Dvorák, dessen Todestag sich im Jahr 2004 zum 100. Mal jährt, schrieb 1879 die Polonaise im Auftrag des Komitees, welches die Festlichkeiten zu der damals weithin berühmten Veranstaltung, die Vaterländischen Tanzfeste, vorbereitete. Nur die besten und bekanntesten tschechischen Komponisten wurden um einem Beitrag gebeten. Die dreiteilige Polonaise mit ihren schönen melodischen Linien ist weit mehr als nur eine Gelegenheitskomposition. Wil van der Beeks Bearbeitung für Blasorchester macht dem Original alle Ehre und wird auch Ihr Publikum überzeugen!
SKU: BT.DHP-0960684-040
SKU: HL.44002509
UPC: 073999025095. 6.75x10.5 inches.
In 1879 schreef Antonin Dvooak zijn Polonaise in opdracht van het comite dat de festiviteiten voorbereidde voor de toentertijd beroemde 'vaderlandse danspartijen'. De bekendste Tsjechische componisten werden gevraagd om hiervoordansen te schrijven. Deze driedelige Polonaise met haar fraaie melodielijnen is echter meer dan een gelegenheidswerkje. De bewerking van Wil van der Beek doet het origineel beslist eer aan.Antonin Dvorak, dessen Todestag sich im Jahr 2004 zum 100. Mal jahrt, schrieb 1879 die Polonaise im Auftrag des Komitees, welches die Festlichkeiten zu der damals weithin beruhmten Veranstaltung, die Vaterlandischen Tanzfeste, vorbereitete. Nur die besten und bekanntesten tschechischen Komponisten wurden um einem Beitrag gebeten. Die dreiteilige Polonaise mit ihren schonen melodischen Linien ist weit mehr als nur eine Gelegenheitskomposition. Wil van der Beeks Bearbeitung fur Blasorchester macht dem Original alle Ehre und wird auch Ihr Publikum uberzeugen!
SKU: BT.DHP-0960684-140
In 1879 schreef Antonin Dvoøák zijn Polonaise in opdracht van het comité dat de festiviteiten voorbereidde voor de toentertijd beroemde ‘vaderlandse danspartijen’. De bekendste Tsjechische componisten werden gevraagd om hiervoordansen te schrijven. Deze driedelige Polonaise met haar fraaie melodielijnen is echter meer dan een gelegenheidswerkje. De bewerking van Wil van der Beek doet het origineel beslist eer aan.Antonin Dvorák, dessen Todestag sich im Jahr 2004 zum 100. Mal jährt, schrieb 1879 die Polonaise im Auftrag des Komitees, welches die Festlichkeiten zu der damals weithin berühmten Veranstaltung, die Vaterländischen Tanzfeste, vorbereitete. Nur die besten und bekanntesten tschechischen Komponisten wurden um einem Beitrag gebeten. Die dreiteilige Polonaise mit ihren schönen melodischen Linien ist weit mehr als nur eine Gelegenheitskomposition. Wil van der Beeks Bearbeitung für Blasorchester macht dem Original alle Ehre und wird auch Ihr Publikum überzeugen!
SKU: HL.44002508
UPC: 073999025088.
SKU: HL.14025816
Richard Wagner's Polonaise for Piano, edited by Arthur D. Walker.
Editorial note:
This Polonaise and Trio in D major for Piano solo was probably written as an excercise when Wagner was studying under Theodor Weinlig in 1830.
Wagner described to Edward Dannreuther much later in his life the teaching methods of Weinlig (Grove I, iv, 347; Musical Times, January 1973, Page 26) The pencil corrections on the autograph, part of which is reproduced in the above-mentioned issue of The Musical Times, may be in Weinlig's hand. The Polonaise was rejected by Wagner, the Trio transformed into a Piano duet, and a new Polonaise for Piano duetwas composed.
SKU: MH.1-59913-020-3
ISBN 9781599130200.
Program Notes: Festival in Russia is a transcription for concert band of Anatoli Liadov's dazzling orchestral work, Polonaise (Op. 49). Written at the turn of the century, its energetic dance rhythms and melodic expressiveness will bring a delightful Old World charm to today's audiences. Liadov (1855-1914) was a student of Rimsky-Korsakov at the St. Petersburg Conservatory, and succeeded him as the composition teacher. (One of Liadov's most notable students at the Conservatory was Sergei Prokofiev.) At the time the Polonaise was written (1899), Liadov was at the height of his profession and one of his era's most respected and widely-known composers. The first performance of this transcription for concert band was given by the West Virginia University Wind Symphony at the Kennedy Center for the Performing Arts on February 24, 1988, Don Wilcox conducting. Ensemble instrumentation: 1 Piccolo, 4 Flute I, 4 Flute II, 1 Oboe I, 1 Oboe II, 1 English Horn, 1 Bassoon I, 1 Bassoon II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 1 Eb Alto Clarinet, 1 Eb ContrabassClarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 3 Eb Alto Saxophone I, 3 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Cornet I, 3 Bb Cornet II, 3 Bb Cornet III, 2 Bb Trumpet I, 2 Bb Trumpet II, 2 F Horn I & III, 2 F Horn II & IV, 2 Trombone I, 2 Trombone II, 2 Bass Trombone, 3 Euphonium, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Bells & Vibraphone, 3 Chimes, Triangle & Cymbals, 2 Xylophone & Marimba, 2 Snare Drum & Bass Drum.
