3 Pieces (1926)

The fourth volume of a series of books for percussionists by Emmanuel Séjourné 5 pieces for Marimba Vol.4 is a set of 5 works for 4 to 4.5 Marimbas. Written for advanced level players and inspired from African rhythms the three first compositions can be played each after the other or separately. The five pieces are: Balafon Ambira Akadinda Generalife Pretexte The names of these 5 pieces for Marimba Vol.4 were given after different African instruments of wooden blades that can be found in various places. While Pretexte is quite jazzy with itsstrong beat Generalife is more dynamic and should be played with more energy and character. Emmanuel Séjourné (born in 1961) is a French percussionist and composer who was strongly influenced by Western music and popular music. He wrote a series of books for percussionists including 'Keyboard and Percussions Vol. 1'.

Volume Vi - Songs 1923-1926-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the sixth volume focuses upon songs for the Medium Voice from the period 1923-1926. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fourteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

Bartók is regarded as one of the most important composers of the 20th century. He became famous both as a music teacher and as an ethnomusicologist. Being a trained pianist, his relation to the piano certainly was very special and is reflected in numerous piano works.This comprehensive collection of selected piano works by Bartók is a rich source of his most beautiful pieces, including the two complete volumes For Children. / Piano

Description Facsimile of the 1926 limited edition of 'Sports et Divertissements'. Illustrated by Charles Martin. Songlist Colin-Maillard (Blindman's Bluff) La Balançoire (The Swing) La Chasse (Hunting) La Comédie Italienne (Italian Comedy) La Pêche (Fishing) La Pieuvre (The Octopus) Le Bain De Mer (Ocean Bathing) Le Carnaval (Carnival) Le Feu d'Artifice (Fireworks) Le Flirt (Flirting) Le Golf (Golf) Le Pique-nique (The Picnic) Le Réveil De La Mariée (The Awakening Of The Bride) Le Tango (Perpétuel) (The [Perpetual] Tango) Le Tennis (Tennis) Le Traineau (The Sled) Le Water-chute (Shoot-the Chutes) Le Yachting (Yachting) Les Courses (Racing) Les Quatre-Coins (Puss In The Corner)

Virtuoso and Entertaining Pieces for Flute and Piano. À l'occasion du 250e anniversaire, la maison d'édition Schott a fouillé des trésors dans les archives historiques de la maison et les a réédités. Cette anthologie s'adresse aux musiciens professionnels et aux amateurs avancés qui s'intéressent aux nouvelles découvertes intéressantes au-delà du répertoire standard. Elle contient principalement des oeuvres de la période romantique : des pièces rares et des bis virtuoses, des pièces de caractère expressives, des perles de la musique de salon ou des arrangements élaborés de mélodies (d'opéra) connues. Nombre des compositions originales et des arrangements sont des oeuvres d'importants flûtistes du XIXe siècle. / Niveau : 3-4 / Classique / Recueil / Flûte Traversière et Piano

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker one of the twentieth century's leading figures in the field.First published in German between 1925 and 1930 these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation which first appeared in the distinguished Cambridge University Press edition provides a valuable resource for scholars. Editorial annotations and elucidations byDr.William Drabkin and his translators offer additional insights.Volume One includes analyses of keyboard pieces by Bach Scarlatti Chopin and Beethoven along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach Haydn and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's 'Eroica' Symphony and other works.

Brèves Rencontres by Jacques Castérède is a set of three pieces for Bb or C Trumpet and Piano. Written for the Paris Conservatoire contest the pieces are difficult (8° 9°) and last 8 minutes. The three pieces are: - Divertissement Allegro Brillante (tempo 120) - Pavane Andante Sost. (tempo 66) - Scherzo Allegro con spirito (tempo 112) Jacques Castérède (1926-2014) was a renowned composer and pianist. He has won the Grand Prix de Rome in 1953 and has composed numerous melodic pieces including ballets concertos symphonies ensemble andchamber music.

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

22 Organ Pieces From The 19th And 20th Century is a treasure house with Organ pieces by Female Composers ? new edition in the series 'Frauen komponieren'. Contents include Elisabeth Stirling (1819-95) Movement - Elfrida Andrée (1841-1929) Andante and Larghetto - Cécile Chaminade (1857-1944) Marche funèbre - Ethel Smith (1858-1944) Prelude and Fugue on 'O Traurigkeit o Herzeleid' - Nadia Boulanger (1887-1979) Prélude Petit Canon and Improvisation - Elsa Barraine (1910-1999) Prélude et Fugue - Ruth Zechlin (geb. 1926) Laudate - Emma Lou Diemer (geb. 1927) Fiesta - Sieglinde Ahrens (geb.1936) Invocation and many more.

Bartók Béla: Mikrokosmos pour piano 1
New Definitive Edition
Edité par Bartók Péter
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education.
The word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.
Contenu
1.
Mélodie a l'unisson

2.
Mélodie a l'unisson

3.
Mélodie a l'unisson

4.
Mélodie a l'unisson

5.
Mélodie a l'unisson

6.
Mélodie a l'unisson

7.
Notes pointées

8.
Répétition (1)

9.
Rythme syncopé (1)

10.
Mains alternées

11.
Mouvement parallele

12.
Mouvements et reflets

13.
Changement de position

14.
Question et réponse

15.
Chanson villageoise

16.
Mouvement parallele avec changement de position

17.
Mouvement contraire (1)

18.
Mélodie a l'unisson

19.
Mélodie a l'unisson

20.
Mélodie a l'unisson

21.
Mélodie a l'unisson

22.
Imitation et contrepoint

23.
Imitation et inversion (1)

24.
Pastorale

25.
Imitation et inversion (2)

26.
Répétition (2)

27.
Rythme syncopé (2)

28.
Canon a l'octave

29.
Reflet d'imitation

30.
Canon a la quinte inférieure

31.
Danse en forme de canon

32.
En mode dorien

33.
Danse lente

34.
En mode phrygien

35.
Choral

36.
Canon libre / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano

French flautist Louis Fleury (1878-1926) was a pupil of Paul Taffanel at the Paris Conservatoire. As a significant pioneer of the Baroque Flute his collection of is well-informed. Fleury's collection includes works such as Greensleeves and pieces by composers including Vinci and Naudot. Fleury's edits include Piano realisations of figured bass articulation phrasing ornamentation and peformance directions. For all aspiring flautists of the baroque genre Fleury's Original Works Of The 17th And 18th Centuries makes for an essential addition to the repertoire.

Sonatina by Jacques Castérède is a piece for C Tuba or Bb Saxhorn and Piano. This work is quite romantic but it can be difficult and technical to execute. It would be recommended for advanced players.Composed in three distinct parts this Sonatina lasts between 7’15 and 7’30. These three sections are: - Défilé - Sérénade - Final Jacques Castérède (1926-2014) is a renowned composer and pianist. He has won the Grand Prix de Rome in 1953 and has composed numerous melodic pieces including ballets concertos symphonies ensemble and chamber music.

Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano