Piano Sonatinas (6)

Developing Artist Original Keyboard Classics-A comprehensive and carefully graded introduction to authentic Keyboard Sonatinas selected from the established Piano repertoire and arranged to be suitable for the early-intermediate student.Alongside melodies by composers as celebrated as Attwood Czerny and Gurlitt this anthology of performance pieces includes a guide to help you understand Sonata and Sonatina form itself. You'll also find carefully devised warm-up exercises to help stretch and prepare the hands before tackling these musical challenges.With seven substantial Sonatinas on offer this collection is an ideal source for your first performance repertoire as well as an ideal opportunity togain valuable early experience of the rigours of classical piano playing.

Developing Artist Original Keyboard Classics-A comprehensive and carefully graded introduction to authentic Keyboard Sonatinas selected from the established Piano repertoire and arranged to be suitable for the early-advanced student.Alongside melodies by composers as celebrated as Beethoven Mozart and Haydn this anthology of performance pieces includes a guide to help you understand Sonata and Sonatina form itself. You'll also find carefully devised warm-up exercises to help stretch and prepare the hands before tackling these musical challenges.With ten substantial pieces on offer this collection is an ideal source to expand your performance repertoire as well as an ideal opportunity to gain valuableearly experience of the rigours of classical piano playing.

Easier Piano Pieces 79-Friedrich Kuhlau's piano sonatinas originally intended for his pupils have remained popular for more than 150 years. They have often suffered from the attention of over-zealous editors who have indulged their own ideas about dynamics and even about notes. This edition of Op.88 has been carefully based on the original 1827 publication in Copenhagen the only differencs being the addition of phrasing (which was almost entirely lacking) metronome marks and the revision of fingering.

10 Selections from Sonatas Sonatinas Variations and more-10 pieces at the early advanced level including: Andante in F Major ?Andante Favori ? WoO 57 ? Bagatelle in C Major Op. 33 No. 5 ? Bagatelle in B minor Op. 126 No. 4 ? Fantasie in G minor Op. 77 ? Polonaise in C Major Op. 89 ? Rondo a Capriccio in Hungarian Style ?Rage Over a Lost Penny ? Op. 129 ? Sonata No. 14 in C-sharp minor ?Moonlight ? Op. 27 No. 2 ? Sonatina in F minor WoO 47 No. 2 ? 6 Variations on an Original Theme Op. 34 ? 9 Variations on a March by Dressler WoO 63.

Of the three sonatinas written by Beethoven the Sonatina in G is the most accessible appealing and successful. It is a light-hearted two-movement sonatina which remains almost entirely in the key of G. The B section of the second movement opens in the dominant key of D providing harmonic motion coupled with beautiful melodic motion in the right hand. Beethoven's craftsmanship is evident in the coda to this movement. Here the opening motif is used to settle expressively on the E-minor chord recalling the E-minor harmony of the third measure. This provides structural balance and harmonic interest. The Pianist can accentuate this moment by playing the first section of thecoda softly and unhurriedly.

Series: Simply Series Category: Piano Collection Format: Book Instrument: Piano Level: Easy Piano Simply Classical is a collection of arias, rondos, sonatina movements, string quartet movements, symphonic themes, and other famous works from the Classical period of music history. These selections have been carefully arranged by Mary K. Sallee for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering, pedaling and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: Ludwig van Beethoven: Ecossaise, from The Ruins of Athens * Für Elise * German Dance, from Twelve German Dances, WoO 13 * Minuet in G Major * Moonlight Sonata * Ode to Joy, from Symphony No. 9 * Rondo a capriccio (“Rage over a Lost Penny”) * Theme from the “Pastoral” Symphony * Turkish March, from The Ruins of Athens * Variations on a Theme from the “Eroica” Symphony Muzio Clementi: Sonatina No. 1 (Allegro), from Six Sonatinas, Op. 36 * Sonatina No. 1 (Andante), from Six Sonatinas, Op. 36 Franz Joseph Haydn: Gypsy Rondo * Theme from the Cello Concerto in D Major * Theme from the “Kaiser” String Quartet * Theme from the “London” Symphony * Theme from the “Surprise” Symphony Wolfgang Amadeus Mozart: Ein Mädchen oder Weibchen, from The Magic Flute * Eine kleine Nachtmusik (Allegro) * Là ci darem la mano, from Don Giovanni * Laudate Dominum, from Vesperae solennes de confessore * Menuetto, from Don Giovanni * Rondo alla Turca, from Sonata No. 11, K. 331

The audio compact disc companion to the 152-page collection of 16 early- to late-intermediate sonatinas compiled by Lynn Freeman Olson and edited by Martha Hilley (item #505) that includes works by Haydn, Clementi, Diabelli, Kuhlau, Gurlitt and Bartók. With a helpful introduction that contains practice suggestions, this edition effectively guides students through the important elements of the sonatina, including rapid finger work, varying tempo and the understanding of music construction. The compact disc features performances by pianist Kim O'Reilly. Note: You can purchase the Book and CD together using item #16776. Kim O'Reilly Newman holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Music. Kim is a brain tumor survivor and now specializes in performing music for the left hand. / Piano

The Four Sonatinas Op. 151 and Seven Sonatinas Op. 168 have proved to be the most enduring of Diabelli's compositions because of their importance as study material for pianists in the intermediate grades. Approximately the same difficulty as Clementi's famous Six Sonatinas Op. 36.

Editor: Heinemann, Ernst-Guenter Towards the end of the 18th century, Clementi increasingly advocated the piano as the successor to the harpsichord. He composed expressly for the new instrument and in 1801 published a piano school. His interest in teaching is also shown by the ?Six progressive Sonatinas? op. 36 ? six sonatinas in ascending order of diffi culty, which are still extremely popular with today's piano teachers. Our Urtext edition follows the long established practice of using the musical text of the first edition from 1797. Clementi?s original fingering, which is surprisingly modern, has been included throughout the work.?

A comprehensive collection of sonatinas for Piano by ten composers: Bartók Beethoven Clementi Diabelli Dussek Kuhlau Lichner Mozart Reinecke and Spindler. Includes Clementi's famous Six Sonatinas Op. 36. Earlyintermediate to intermediate level.