Piano Quartet In C Minor, Parts

Josef Suk’s Piano Quartet (1874 1935) quickly became a standard work not least as a result of the extensive concerts given by the Bohemian Quartet in which Suk was second violinist. This is however the first scholarly-critical edition of this work. It is based largely on a revision of the first edition which contains Suk’s alterations of 1914 and appeared in 1924 on the first copy as well as on newly discovered copies of the parts. Valuable information has also been extracted from printed parts of which the original copies are now no longer extant.

Piano Quartet g minor op. 25-Johannes Brahms' Piano Quartet In G Minor for Violin Viola Cello and Piano.

This work composed in 1878/79 alternates between chamber music intimacy and symphonic opulence and marks the beginning of a series of significant late works by César Franck. Its composition was partly prompted by the successfulperformance of Franck?s youthful piano trios at the ?Société nationale de musique? (founded in 1871) and probably also by a composition competition for works using this instrumental combination whose deadline Franck then went onto miss. The Quintet was received coolly at its first performance in January 1880 and it was performed just a few more times during the composer?s lifetime. It was only in the 20th century that audiences and critics came torecognise this work as a major milestone in the history of French chamber music and it now adorns the Henle catalogue in a new Urtext edition.

Pariser Quartette-Nouveaux Quatuors en Six Suites II for Flute Violin Viola da Gamba or Violoncello and Basso Continuo 'Paris Quartets'.Volume 2:Quartets 4-6 (B minor A major E minor) TWV 43: h2 A3 e4.Telemann’s chamber music is historically unique in its range of instrumental settings. From his huge output these new editions present the six quartets for Flute Violin Viola da Gamba or Violoncello and Basso Continuo that he wrote in Paris in the 1730s.Published with the title Nouveaux Quatuors en Six Suites by Le Clerc in Paris in 1738 these six pieces are suites with various sequences of movements each introduced by aprelude.Here Telemann shows himself committed to the French style. The works are of special interest not only for their high quality but also because of the variable scoring of the third part for Viola da Gamba or Violoncello.Our edition consists of a full score with preface (German/English) and separate instrumental parts including a Keyboard with figured bass.