Pablo de Sarasate: Carmen Fantasy, Opus 25

George Bernard Shaw once remarked that although there are many composers of music for the Violin there are only a few composers of Violin music. But where Pablo de Sarasate (1844-1908) is concerned Shaw declared that the Spanish musician's talents as both a performer and composer 'left criticism gasping miles behind him.' Famous for his fiery forceful and passionate playing Sarasate was equally renowned for the sweetness and purity of his tone and his impeccable technique. As a composer steeped in the colorful music of his native land he was well known for his many Violin works inspired by Spanish airs and dances written to display the instrument'scapabilitie. Carmen Fantasy Op. 25 is Sarasate's much-loved Violin fantasy based on Bizet's Carmen. It includes excerpts of different movements from the Carmen suite including the familiar Habanera and opening movement. Sarasate's popular arrangement and variations on the opera's themes are staples of the Violin repertoire. This full-score version stands as the most affordable available and it offers both performers and listeners extra insights into a celebrated work.Reprint of an early authoritative edition.

Famous for his fiery forceful and passionate playing Spanish violinist Pablo de Sarasate (1844 1908) was equally renowned for the sweetness and purity of his tone and his impeccable technique. His works are steeped in the colorful traditions of his native land drawing upon Spanish airs and dances to display the depth and richness of the violin's capabilities. This practice and performance edition with a separate removable violin part contains three of the composer's best and most challenging pieces for violin and piano: Zigeunerweisen (Gypsy Airs); Carmen Fantasy Op. 25 based on the opera by George Bizet; and the exhilaratingIntroduction and Tarantella. Reproduced from authoritative editions these works are essential to the repertoire of all serious violinists.

by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Quite early in his career Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral or Piano accompaniment. The appeal of the Carmen fantasy with which this collection opens has remained the most enduring but perhaps reflecting the varying fortunes with audiences of the operas themselves settings of Gounod?s Faust and Roméo et Juliette or Weber?s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique.As an example of Sarasate?s equally successful and more purely lyrical ?salon? style of composition his Rêverie Op.4 is alsoincluded here.

Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.