Organ Music

A collection of popular favourites folk waltzes standards etc. arranged by Nelson Varon. Easy arrangements for all organs with chord names and lyrics.

Musician?s Union Practice Diary is a must-have practice diary for all instrumental and singing teachers based on Paul Harris? renowned Simultaneous Learning strategy (which develops musical insight by making connections between all aspects of musicianship). Diary pages for a teaching year feature Focus for the week What we did in the lesson and Practice connections boxes. In addition there are inspiring Practice Starter pages and Holiday projects ? plenty of fun and inspiring ideas to get students practicing the Paul Harris way! The Musicians? Union is the representative organisation for musicians working in every area of the progression. Thisdiary is one of a series of resources provided to assist members in their work.

Celebrating the 100th birthday of one of America's greatest church musicians Fred Bock Music Company is privileged to release this second volume of works from Leo Sowerby. The excellence of this revered composer's music has long been recognized as a treasure for lovers of good sacred literature. Titles include: A Joyous March · Comes Autumn Time · Prelude on 'The King's Majesty' · Sonatina.

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early Organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

The Organ Music Of Diane Bish: Lenten/Easter - Volume 1 is a songbook featuring five seasonal pieces for Organ arranged by Diane Bish. Sheet music is included for songs such as Alas! And Did My Savior Bleed? Thine Is the Glory and more.