SKU: BR.OB-4480-30
ISBN 9790004311332. 9 x 12 inches.
SKU: BR.OB-4480-15
ISBN 9790004311288. 9 x 12 inches.
SKU: BR.OB-4480-27
ISBN 9790004311325. 9 x 12 inches.
SKU: BR.OB-4480-19
ISBN 9790004311301. 9 x 12 inches.
SKU: BR.OB-4480-23
ISBN 9790004311318. 9 x 12 inches.
SKU: HL.44010949
UPC: 884088611842. 9x12 inches. English-German-French-Dutch.
In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte—who also made the libretti of Mozart's opera's Don Giovanni and Cosi fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancee of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart—at times in a humorous way—reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. De muziek van Mozarts Cosi fan tutte werd door tijdgenoten meteen bejubeld. Deze luisterrijke opera is vandaag de dag nog steeds geliefd en wordt wereldwijd veel uitgevoerd. Het is heel goed mogelijk dat de vrij korte ouverture vanCosi fan tutte is bedoeld als sfeerbeschrijving van een koffiehuis waarin heftig gedebatteerd wordt. De herhaalde en stijgende melodieen zouden lachen en discussieren kunnen suggereren. Deze suggestie wordt nog versterktdoor de dynamische contrasten in het stuk.Cosi fan tutte ist eine der spaten Opern Mozarts und sicherlich auch eine seiner besten. Cosi fan tutte bedeutet so viel wie so sind sie alle und bezieht sich auf die Unzuverlassigkeit des weiblichen Geschlechts in Liebesdingen. Dies war ein ziemlich heikles Thema zu Mozarts Zeiten und es ist daher kaum verwunderlich, dass die Oper als unmoralisch galt, dennoch von Beginn an sehr beliebt war. Wil van der Beek setzte die eher kurze, dynamisch kontrastive Ouverture fur Blasorchester um.
SKU: HL.44010948
UPC: 884088611835. 9x12 inches. English-German-French-Dutch.
In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte?who also made the libretti of Mozart's opera's Don Giovanni and Cosi fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancee of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart?at times in a humorous way?reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. De muziek van Mozarts Cosi fan tutte werd door tijdgenoten meteen bejubeld. Deze luisterrijke opera is vandaag de dag nog steeds geliefd en wordt wereldwijd veel uitgevoerd. Het is heel goed mogelijk dat de vrij korte ouverture vanCosi fan tutte is bedoeld als sfeerbeschrijving van een koffiehuis waarin heftig gedebatteerd wordt. De herhaalde en stijgende melodieen zouden lachen en discussieren kunnen suggereren. Deze suggestie wordt nog versterktdoor de dynamische contrasten in het stuk.Cosi fan tutte ist eine der spaten Opern Mozarts und sicherlich auch eine seiner besten. Cosi fan tutte bedeutet so viel wie so sind sie alle und bezieht sich auf die Unzuverlassigkeit des weiblichen Geschlechts in Liebesdingen. Dies war ein ziemlich heikles Thema zu Mozarts Zeiten und es ist daher kaum verwunderlich, dass die Oper als unmoralisch galt, dennoch von Beginn an sehr beliebt war. Wil van der Beek setzte die eher kurze, dynamisch kontrastive Ouverture fur Blasorchester um.
SKU: FH.VC7
ISBN 978-1-55440-543-5.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Level 7:Il barbiere di Siviglia: Overture - Rossini, GioachinoCarmen: Prelude to act 1 - Bizet, GeorgesCoriolan Overture, op. 62 - Beethoven, Ludwig vanSymphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz JosephRuslan and Ludmilla: Overture - Glinka, MikhailPeer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, EdvardLevel 8:Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, FelixSymphony No. 8, op. 88: I,IV - Dvorak, AntoninThe Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yichSymphony No. 8 (Unfinished), D 759: I,II - Schubert, FranzDie Zauberfloete, K 620: Overture - Mozart, Wolfgang AmadeusSymphony No. 40, K 550: I,IV - Mozart, Wolfgang AmadeusLevel 9:Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig vanSymphony No. 8, op. 93: III - Beethoven, Ludwig vanSerenade for Strings, op. 22: III,IV,V - Dvorak, AntoninPiano Concerto No. 2, op. 83: III - Brahms, JohannesSerenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, FelixSymphony No. 3, op. 90: III,IV - Brahms, JohannesSymphony No. 35 (Haffner), K 385: I,IV - Mozart, WolfgangLe nozze di Figaro, K 492: Overture - Mozart, Wolfgang AmadeusLevel 10:Group 1:Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, EdvardDichter und Bauer: Overture - Suppe, Franz vonMessa da Requiem: III - Verdi, GiuseppeGuillame Tell: Overture - Rossini, GioachinoGroup 2:Symphonie fantastique: II,III,V - Berlioz, HectorSymphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 5, op. 67: I,II,III - Beethoven, Ludwig vanSymphony No. 4, op. 98: I,II,III,IV - Brahms, JohannesSymphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yichSymphony No. 2, op. 73: I,II,IV - Brahms, JohannesAssociate:Group 1:Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, SergeiLa mer: I,II - Debussy, ClaudeThe Bartered Bride: Overture - Smetana, Bed_ichSymphony No. 5, op. 47: I,II,III - Shostakovich, DmitriGroup 2:Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann SebastianDon Juan, op. 20 - Strauss, RichardEin Heldenleben, op. 40 - Strauss, RichardVerklaerte Nach1, op. 4 - Schoenberg, Arnold.
SKU: BR.MR-32022
Beyer schafft es, mit seinen Bearbeitungen die Moglichkeiten des Streichquartetts eindrucksvoll auszunutzen und dabei den Charakter der Werke Mozarts in einem stimmungsvollen Klangbild zu beschreiben, dass dem des Originals in jeder Weise gerecht wird. Overture; Classical. Score and parts. 32 pages. Breitkopf and Haertel #MR 32022. Published by Breitkopf and Haertel (BR.MR-32022).
ISBN 9790004489437. 9 x 12 inches.
Christian Beyer (*1977), who is himself an active orchestra and chamber musician as well as a sought-after arranger and conductor, presents with this arrangement an edition that speaks from the heart of many musicians. Mozart's overtures, established as individual works in almost all concert halls worldwide, can now also be performed in programs of chamber music concerts.The difficulty level of these editions ranges from semi-professional to professional, but also ambitious amateur musicians will find the arrangements easy to master.With his arrangements, Beyer succeeds in impressively exploiting the potentials of the string quartet and, at the same time, presenting the character of Mozart's works in an atmospheric sound image that does full justice to that of the original in all respects.