Music for Solemn Moments

SKU: FH.VA0

ISBN 978-1-55440-562-6.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Pieces in a Slower Tempo:
Dreaming - Archer, Violet
Solemn Moments - Archer, Violet
Swing Low, Sweet Chariot - Willis, Wallis arr. Jason Gray
Largo - Corelli, Arcangelo arr. Kathleen Wood
Melodie - Halvorsen, Johan arr. Warren Mould
Cradle Song - Ethridge, Jean
Old French Song (Melodie antique francaise) - Tchaikovsky, Pyotr Il'yich
Pet ze Cat - Teehan, Rob
The Fortune Teller - Donkin, Christine
Pieces in a Faster Tempo:
The Rustic Shepherds (Les bergers rustiques) - Dandrieu, Jean-Francois arr. Jason Noble
Minuet and Trio, K 585, no. 8 - Mozart, Wolfgang Amadeus arr. Jason Noble
Tango - Mackay, Neil
Hurdy-Gurdy - Shostakovich, Dmitri arr. Konstantin Fortunatov
The Dancer - Donkin, Christine
Prelude - Charpentier, Marc-Antoine arr. Kathleen Wood
Tam Lyn's - Traditional Irish reel arr. Zav RT and Christine Donkin
La senorita - Donkin, Christine
Petite gavotte - Aletter, Wilhelm
Marching Through Georgia - Work, Henry Clay.

SKU: CF.SPS95

ISBN 9781491161302. UPC: 680160919895.

Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the date which will live in infamy- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath. The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet. Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished. Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People. You may want to consider using portions of Franklin Delano Roosevelt's famous speech to enhance your performance. The following sections are suggested: Measure 46: Yesterday, December 7th, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan. Measure 83: The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. Measure 105: No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory..
Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the “date which will live in infamy”- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath.The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet.  Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished.Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People.You may want to consider using portions of Franklin Delano Roosevelt’s famous speech to enhance your performance.  The following sections are suggested:Measure 46: “Yesterday, December 7th, 1941 – a date which will live in infamy – the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan.”Measure 83: “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.”Measure 105: “No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.”.

SKU: BT.AMP-029-020

Morning Song features the horn quartet mostly in a soloistic role - indeed there is an accompanied cadenza towards the end of the piece - but there are moments where the horns assume their conventional fanfare band role as harmonic support or playing the counter melody. This expressive composition shows all the versatility of the horn quartet and gives them the chance to be in the spotlight.

In het fraaie Morning Song heeft het hoornkwartet vooral een solistische rol - er is tegen het eind zelfs een begeleide cadens - maar er zijn ook momenten waar de hoorns hun conventionele rol in het fanfareorkest spelen: alsharmonische ondersteuning of in de contramelodie. De veelzijdigheid van het hoornkwartet wordt vakkundig en uitvoerig verkend in deze expressieve compositie.

Morning Song zeigt das Hornquartett im Wesentlichen in einer Solorolle, aber es gibt auch Stellen, wo die Hörner ihre übliche Funktion im Blasorchester als harmonische Unterstützung oder als Spieler der Gegenmelodie ausfüllen. Diese ausdrucksvolle Komposition lotet die ganze Vielseitigkeit des Hornquartetts aus und bietet diesem Teil Ihres Blasorchesters einmal die Gelegenheit, sich zu präsentieren.

SKU: BT.DHP-1165745-010

English-German-French-Dutch.

Children�??s Oak was commissioned by the wind band from Beauquesne, France. This solemn work pays homage to a city particularly affected by the two World Wars and is inspired by the knowledge that the city of Beauquesne needed to recover from these terrible episodes in its history. The title has its origin in the roots of the word �??Beauquesne�?�, the beautiful oak tree. It is a beautiful slow piece for your concert, or as a resource to work on phrasing and intonation, or alternatively as a warm up piece.

Children�??s Oak is geschreven in opdracht van het blaasorkest van het Franse Beauquesne. Dit plechtige werk is een eerbetoon aan een plaats die in de beide wereldoorlogen zwaar is getroffen. Het is ge nspireerd op de gedachte dat de gemeente Beauquesne zich moest herstellen na deze verschrikkelijke periodes uit haar geschiedenis. De titel is gebaseerd op het woord �??beauquesne�??: de mooie eikenboom. Het is een fraai langzaam stuk voor uw volgende concert dat tevens geschikt is om te werken aan frasering en intonatie. Ook is het prima muziek voor een warming-up.

Das Stück Children�??s Oak wurde vom Blasorchester in Beauquesne (Frankreich) in Auftrag gegeben. Dieses feierliche Werk würdigt eine Stadt, die in den beiden Weltkriegen stark in Mitleidenschaft gezogen wurde. Geprägt von der Hoffnung, die die Stadt Beauquesne brauchte, um sich von den schrecklichen Ereignissen seiner Geschichte zu erholen handelt es sich um ein wunderschönes langsames Stück, das nicht nur für Konzerte geeignet ist, sondern auch um Intonation und Phrasierungen zu üben oder aber auch als Aufwärmstück.

Children�??s Oak fut commandé par l�??Orchestre d�??Harmonie de Beauquesne, France. Ce morceau solennel rend hommage une ville particulièrement touchée par les deux guerres mondiales et s�??inspire de l�??espoir dont a eu besoin la ville de Beauquesne pour se relever des moments terribles de son histoire. L�??�?uvre tire son titre de l�??origine du mot « Beauquesne », le beau chêne. Un magnifique morceau lent pour votre concert, ou comme ressource pour travailler sur les phrasés et l�??intonation, ou sinon comme pièce d�??échauffement.

SKU: BT.AMP-029-030

Morning Song features the horn quartet mostly in a soloistic role - indeed there is an accompanied cadenza towards the end of the piece - but there are moments where the horns assume their conventional brass band role as harmonic support or playing the counter melody. This expressive composition shows all the versatility of the horn quartet and gives them the chance to be in the spotlight.

In diesem unterhaltsamen Werk kann das Hornquartett in weiten Teilen in einer Solo-Rolle glänzen - stellenweise füllt es jedoch auch die gewohnte Funktion als harmonische Unterstützung oder als Spieler der Gegenmelodie aus. Eine attraktive Komposition, welche die ganze Vielseitigkeit des Hornregisters in der Brass Band auslotet.

SKU: FJ.B1638S

English.

As the loss of a loved one is always hard to face, this sensitive lyrical work strives to offer a measure of comfort during this most difficult time. Solemn at moments and uplifting at others, the music explores the full range of emotions when life finds us all at our most vulnerable.

SKU: GI.G-1007

UPC: 785147000723.

In Memory: Music for Reflection and Meditation is a collection of piano and instrumental music intended to soothe frayed nerves, comfort broken hearts, uplift shattered souls, or calm worried minds. Each music selection was chosen for its ability to foster a peaceful, gentle environment whether for gatherings or moments of private prayer and reflection. Use In Memory for quiet music at the funeral home, during reconciliation services, or anytime a more solemn atmosphere is desired.

SKU: FJ.B1795

UPC: 241444412084. English.

This beautiful work draws inspiration from Celtic folklore. Solemn and pure, the music lines pine for safety and refuge as they invoke the power of Brigid, the goddess of spring. Simplicity interacts with lush harmonies, resolving into incredible moments of power and unbridled expression. Stunning.

About FJH Concert Band

Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

SKU: HL.4002119

UPC: 073999263251. 11x17 inches.

This large-scale three-movement work, commissioned by Ray Cramer and the Indiana University Wind Ensemble, embodies the transformation of silence into sound. The opening movement is sparse, utilizing mallet percussion, harp, and piano to create a floating sense of timelessness. Featuring extensive solo flute, this floating texture gradually builds over several minutes, ultimately launching itself into a grandiose, warm, harmonically consonant blanket of sound. The second movement continues the focus on solo flute, and again opens slowly, gradually gaining momentum, but at a faster pace than in the first movement. The music spirals upward and outward, but instead of reaching a plateau, winds itself out and comes to a grinding halt in the upper range of the ensemble. Five brief, solemn chords conclude the movement, which immediately erupts into Movement III, music of unceasing, unsettling, motion, propelled by a driving ostinato which is repeatedly interrupted by bittersweet moments of lyricism, all the while pushing toward an unforgiving climax. The movements may also be performed separately. There is no explicit narrative to the piece, though many particular elements do have personal quasi-biographical significance. Ultimately, this is music of both personal and musical transformation.

NOTE: This work is available as a rental item directly from the composer. For details, e-mail rental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.

SKU: PR.11441825S

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.