SKU: SP.TS552
ISBN 9781585609123.
Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.
SKU: CY.CC3085
ISBN 9790530110621. 8.5 x 11 in inches.
Fantasy Piece is an early work of Rachmaninoff, part of a grouping of five short pieces called Morceau de Fantasie. One of his most famous works, the Prelude in C-sharp minor is from this same group of music. Opus 3, No. 3 is also sometimes referred to as the Melody in E major. It's slow tempo allows the mood of the work to reach a giant climax. Rachmaninoff's lush harmonies and gorgeous melody work very well with this arrangement by Ralph Sauer. For moderately advanced performers this movement is about 5 minutes in length.
SKU: SP.TS558
ISBN 9781585609185.
SKU: SP.TS542
ISBN 9781585609024.
SKU: SP.TS543
ISBN 9781585609031.
SKU: SP.TS549
ISBN 9781585609093.
SKU: SP.TS557
ISBN 9781585609178.
SKU: SP.TS556
ISBN 9781585609161.
SKU: HL.49018995
ISBN 9783795754945. UPC: 888680927080. 9.5x12.5x2.0 inches.
These exercises and pieces will help wind ensembles focus their concentration on the perception and implementation of refined playing techniques. Practicing music playfully will help students get the hang of contemporary music. Basic Steps will cover the following topics: Warm-up, intonation, chord colours, articulation and rhythm with a particular emphasis on the genre of Swing. This will be accompanied by compact orchestra etudes as well as short pieces. Set of parts - 1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe, 1 F English Horn, 1 Oboe, 1 Eb Clarinet, 3 Bb Clarinet 1, 3 Bb Clarinet 2, 3Bb Clarinet 3, 1 Eb Alto Clarinet, 1 Bb Bass Clarinet, 1 Eb Alto Saxophone 1, 1 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone 1, 1 Bb Tenor Saxophone 2, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 3 Bb Trumpet 4, 1 F Horn 1, 1 F Horn 2, 1 F Horn 3, 1 F Horn 4, 1 Trombone 1, 1 Trombone 2, 1 Trombone 3, 1 Trombone 4 (Bass Trombone), 1 Baritone 1, 1 Baritone 2, 1 Baritone 1 (Bb Tenorhorn 1), 1 Baritone 2 (Bb Tenorhorn 2), 3 Tuba, 1 E-Bass-Tuba, 1 E-Bass, 1 Percussion (Xylophone), 1 Percussion 1 (Bongos, Congas, Pandeiro), 1 Percussion 2 (Tambourine, Cabassa). 1 Percussion 3 (Triangle, Cabassa), 1 Percussion 4 (Shaker), 1 Drums, 1 Harmonic Reference - wind band.
SKU: FG.55011-885-0
Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.This product is the solo part.The orchestral material is available for hire from the publisher.Duration: 19'Instrumentation:Harp solo – equipped with paint brush, tuning key and a plastic hair clip2 Flutes (2nd doubling piccolo)2 Oboes2 Clarinets in Bb2 Bassoons2 Horns in F2 Trumpets in C – trumpets and trombone doubling an egg slicerBass trombone attached to a piece of wood or a flat cardboard boxPercussion (2 players)Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushesPercussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stickPiano – equipped with a plectrum, wire brushes and 2 soft percussion beatersStrings.
SKU: JK.20031
Moroni 7:48, 3 Nephi 27:21, John 3:16, John 13:15.
Orchestration score and parts to accompany choral octavo He Sent His Son - SSAATTBB (#00742).Parts included: Flute Oboe Clarinet in B Flat Bassoons 1 & 2 Horns 1 & 2 Horns 3 & 4 Trombone 1 Trombones 2 & 3 Tuba Glockenspiel Suspended Cymbal Timpani Harp Violin 1 (5)Violin 2 (5) Viola (5) Cello (4) DoublebassArranger: Nathan HofheinsDifficulty: mediumReference: Moroni 7:48, 3 Nephi 27:21, John 3:16, John 13:15.
SKU: JK.20025
Doctrine and Covenants 135, 2 Nephi 3:14-15.
Chamber orchestra score and parts to accompany Octavo #00430 - Praise to the Man SATB.Parts for:FluteOboe(2) Clarinets in Bb I & IIHornBassoonHarpOpt. TrumpetOpt. TromboneOpt. Tuba(3) Violin I(3) Violin II(2) Viola(2) CelloDoublebassArranger: A. Laurence Lyon Performance time: 4:00Reference: Doctrine and Covenants 135, 2 Nephi 3:14-15.
SKU: JK.20026
John 13:34-35, 1 John 4:11.
NO FULL SCORE AVAILABLE, PARTS HAVE SOME ERRORS... Orchestration for the cantata Psalm of Easter (#01118), previously listed under #01437.Parts included in this orchestration:flutereedsclarinet in B flatbassoonhorn 1horn 2trumpettrombonepercussionharpviolaviolin 1violin 2violoncellodoublebassComposer: Luacine Fox Clark / Jerry R. Jackman Difficulty: Medium / difficult acc.Reference: John 13:34-35, 1 John 4:11.
SKU: AP.6-424227
ISBN 9780486424224. English.
This comprehensive guide presents an informative overview of wind instruments used in European orchestras, military, and other wind bands during the past 400 years. Included are well-illustrated, descriptive passages about the various types and sizes of woodwinds--flutes, oboes, clarinets, and bassoons--and brass instruments--trumpets, cornets, horns, trombones, bugles, and related instruments. For this historical survey, the author has incorporated information and materials from numerous sources: old instruments from public and private collections, catalogs, and photographs; written descriptions, instructions for playing the instruments, fingering charts, and illustrations of old instruments from contemporary sources; as well as contemporary music specifically written for an instrument. Among other topics, chapters cover the lengthening slide and valve systems of brass instruments, the mechanics of woodwinds and brass, the transverse flute and whistle-flute, saxophone, bassoon, and bugle horns. Brief descriptions accompany the illustrations. A valuable guide for musicians, teachers, and music students, this book will delight and inform music lovers. Unabridged republication of the edition published by Macmillan and Co., Limited, London, 1939. 30 photographs. 41 drawings and diagrams. 11 charts.
SKU: JK.02001
Isaiah 26:3-4, Psalm 145:8-9, 14-21.
Large Conductor's score and full Orchestra parts for the Oratorio The Redeemer by Robert Cundick. Also available to rent for $590.00. Call (1-800-950-1900). Double Mixed Chorus (SSAATTBB) and Vocalist parts sold separately (#00835).Includes the following instrumental sections:2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns3 Trumpets3 TrombonesTubaPercussionTimpaniCelestaHarpDouble Mixed Chorus (score only)Soloists (score only)Violin IViolin IIViolaVioloncelloDoublebassComposer: Robert Cundick Lyricist: Scriptural text Difficulty: difficult / difficult acc.Reference: Isaiah 26:3-4, Psalm 145:8-9, 14-21.
SKU: HL.14042113
ISBN 9788759826058. International (more than one language).
THE DREAMERS for horn, violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet, THE OLD CHEVALIER is for bass trombone and piano, THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one piece appear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales.The story is made up of three tales with different narrators, but with the same principal caracter in various disguises, all three imbedded within a fourth tale that serves as a framework for the entire short story. The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss, and the tragedy drives her into assuming different personality guises in order to escape reality. Toward the end she is confronted with her true identity, and dies. THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism, dramatic construction, atmosphere, period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the three players try their best to either catch or escape each other, and that when they finally meet, it happens abruptly, even tragically - and only barely provides a little consolation. Duration: approximately 15 minutes.
