Music for Band

Join world-renowned composer arranger teacher judge and clinician Richard Saucedo as he guides you through a system of teaching music fundamentals that has earned acclaim and success at both the state and national levels. ThisDeveloping the Individual DVD presents innovative ideas for teaching today's best symphonic bands featuring Saucedo's proven strategies for increasing music achievement. Chapters include: The First 20 Minutes of Rehearsal Listen/Sing/Play Will You Folks Just Play in Time? Those Pesky Long Tones Band Kids Love Scales Band Kids Love Chorales Individual Practice Time The Big Picture and Isolated Practice Rooms (Wenger).

Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists religious and military leaders were sent in exile many years ago. The island has historically had a strong community of taiko drummers and as such the piece incorporates optional homemade taiko drums. Blackshaw writes: To capture the idea of interpretation and the concept of reading between the lines the students are invited to become decision makers about particular sections in the music. For example the opening and closing sections of the piece use the same material which is a selection of repeated melodic figures.The students themselves decide how to play these figures as individuals in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast?) dynamics (how loud?) and articulation (smooth short or hard?). To inspire them we use the haiku poem; i.e. the opening section invites the students to play the material as if it were a 'stormy wild sea' and the closing section invites the students to play the same melodic figures but this time draw their inspiration from 'Heaven's River ' or as we know it the Milky Way. In-between there is an elaborate heavily textured section that becomes increasingly powerful. The music doesn't rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas that would have surrounded those individuals sent to Sado Island in exile the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance. Embrace your players' creativity offer them your trust and see how far Letter from Sado can take your band!

“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky

Gregorian chant is one of the earliest forms of notated music using free flowing rhythms and simple melody. In Old Churches composer Michael Colgrass uses these elements to create an aura of voices echoing in themonastery. Using easy graphic notation students have a fun and creative way to explore sound production along with the compositional process. (Includes score and parts.) (5:20)CD-ROM Now Available!Designed toenhance the musical experience the CD-ROM for Michael Colgrass' Old Churches includes video clips of the St. John's Abbey monks singing photos of various sacred spaces such as Ayer's Rock in Australia as well as ahistory of standard Western notation. In addition this CD-ROM enables students to explore graphic notation and composition with built-in notation software Finale Notepad®. Guaranteed to engage your students and provide addedinsight into this unique work.04002010/$14.99 (CD-ROM)04002702/$60.00 (Band set with CD-ROM)

Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Par BRAKSTAD JOHN. 'Interlude for Band' is an arrangement based on the theme from 'Affinity and Fellowship'. 'Affinity and Fellowship' was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice). 'Interlude for Band' is a piece with elements of ensemble, including an important solo part. Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Par JORGENSEN AXEL. Axel Jørgensen was the solo viola in The Royal Danish Orchestra, and as a composer he had a large output, especially for brass. His Romance for trombone and orchestra is one of his most performed pieces, and was first performed by Anton Hansen, the famous teacher. In this arrangement for wind band has Eriksen kept the beautiful late romantic colours. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

(Vocal Score). Par HALLATT CRAIG. This medley features three well-known songs from World War I: Pack Up Your Troubles; Keep the Home Fires Burning and It's A Long Way to Tipperary. This gives a quick-slow-quick feeling to the arrangement which is through-composed and linked by transitional passages. The work ends with a section from Holst's 'The Planets' - Mars and I Vow To Thee My Country. 8 minutes / Date parution : 2022-10-12/ Répertoire / Brass Band ou Vents et SATB