Mozart, Wolfgang Amadeus : The World's Great Classical Music : Mozart

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2