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Aleksey Igudesman
Mozart and More
$23.95
- See more - Buy online
Lead time before shipment :
1 to 2 weeks
Format : Score
Violin Duets
. Composed by Wolfgang Amadeus Mozart / Aleksey Igudesman. Performance score. Universal Edition #UE33656. Published by Universal Edition (PR.UE033656).
Composer/Artist :
Aleksey Igudesman
Instrumentation :
2 Violins (duet)
Publisher :
Universal Edition
Igudesman is a HUGE fan of Mozart, and yet he cannot help himself from absconding with the master's creations to apply his own stamp upon them. The titles of his violin duos give a clue what he's about: Twinkle, Twinkle You Big Star; Andante Mozartoso; A Very Little Night Music; and more. These ten pieces contain the humor evident in Igudesman's own performances, and are suitable for performance on subway platforms or concert stage. For advanced performers.
See all
Aleksey Igudesman
sheet music
Seller information:
Sheetmusicplus
Place :
USA
Shipping :
World wide shipping (
except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Mozart, Mozart
2 Flutes (duet)
Ricordi
(16 Selections from the Operas in Historic Arrangements for 2 Flutes). Composed ...
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(16 Selections from the Operas in Historic Arrangements for 2 Flutes). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Various. For Flute Duet. Ricordi Germany. Softcover. 40 pages. Published by Ricordi
$12.99 - See more - Buy online
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24 hours - In Stock
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Mozart's Symphony #40 in G Minor
Concert band
[Score]
-
Intermediate/advanced
Curnow Music
Grade 4 - Score Only. By Wolfgang Amadeus Mozart. Arranged by Stephen Bulla. (S...
(+)
Grade 4 - Score Only. By Wolfgang Amadeus Mozart. Arranged by Stephen Bulla. (Score). Curnow Concert Band Full Set. Size 9x12 inches. 40 pages. Published by Curnow Music.
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Mozart's Symphony #40 in G Minor
Concert band
[Score and Parts]
Curnow Music
(Excerpts from Movement 1). By Wolfgang Amadeus Mozart. Arranged by Stephen Bull...
(+)
(Excerpts from Movement 1). By Wolfgang Amadeus Mozart. Arranged by Stephen Bulla. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.
$89.00 - See more - Buy online
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Alla Turca Jazz Mozart/fazil Say Piano
Piano solo
Schott
For Piano. By Wolfgang Amadeus Mozart. Arranged by Fazil Say. This edition: ED20...
(+)
For Piano. By Wolfgang Amadeus Mozart. Arranged by Fazil Say. This edition: ED20209. Piano. 8 pages. Published by Schott.
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More Violin & Viola & more
(+)
Song List (10)
Traditional: Danny Boy
Igudesman Aleksey: Pizzicato Waltz
W. A. Mozart / A. Igudesman: Twinkle, Twinkle You Big Star
W. A. Mozart / A. Igudesman: Loud Date And Domino
Anonymous: Klezmer'S Freilach
Igudesman Aleksey: Salsa De La Luna
Traditional: My Bonnie Flies Over The Ocean
Igudesman Aleksey: In The Moonlight
Igudesman Aleksey: For A Lease
Igudesman Aleksey: Double Trouble
Reviews
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Mozart: Arie Scelte per Soprano/Mezzo-Soprano
Piano, Voice
Ricordi
Voice and Piano. By Wolfgang Amadeus Mozart. Vocal Collection. 152 pages. Publis...
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Voice and Piano. By Wolfgang Amadeus Mozart. Vocal Collection. 152 pages. Published by Ricordi.
$26.95 - See more - Buy online
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2 to 3 weeks
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Mozart-Schaum, Book One
Piano solo
[Sheet music]
-
Easy
Alfred Publishing
Based on Events and Episodes of Mozart's Life. By Wolfgang Amadeus Mozart. Arran...
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Based on Events and Episodes of Mozart's Life. By Wolfgang Amadeus Mozart. Arranged by John W. Schaum. For Piano. Piano - Schaum Method Supplement. Schaum Master Composer Series. Level: Late Elementary. Book. 32 pages. Published by Alfred Publishing.
$6.95 - See more - Buy online
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1 to 2 weeks
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Mozart Made Easy for Piano
Piano solo
[Solo Part]
-
Easy
Carl Fischer
By Wolfgang Amadeus Mozart. Arranged by John Brimhall. For Piano. Published by C...
(+)
By Wolfgang Amadeus Mozart. Arranged by John Brimhall. For Piano. Published by Carl Fischer.
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1 to 2 weeks
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Mozart: 2 Serenades: KV 525/KV 388 Eine Kleine Nachtmusik/Serenade a 8 (Night Music)
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS134. ...
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Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS134. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 74 pages. Published by Eulenburg.
$19.99 - See more - Buy online
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24 hours - In Stock
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Mozart: Clarinet Concerto in A Major KV 622
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS136. ...
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Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS136. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 80 pages. Published by Eulenburg.
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24 hours - In Stock
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Mozart: Piano Concerto No. 23 in A Major KV 488
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS140. ...
(+)
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS140. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 82 pages. Published by Eulenburg.
$18.99 - See more - Buy online
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3 to 5 business days
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Mozart: Symphony No. 40 in G Minor KV 550
[Study Score / Miniature]
Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS108. ...
(+)
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS108. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 100 pages. Published by Eulenburg.
$18.99 - See more - Buy online
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1 to 2 weeks
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Mozart: Symphony No35 D Major Kv 385 haffner Study Score/cd
Orchestra
[Study Score / Miniature]
Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS149. ...
(+)
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS149. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 108 pages. Published by Eulenburg.
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24 hours - In Stock
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Mozart: Symphony No. 41 C Major Kv 551 Jupiter
Orchestra
[Study Score / Miniature + CD]
Schott
By Wolfgang Amadeus Mozart. This edition: EAS101. Eulenburg Audio Score (Pocket ...
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By Wolfgang Amadeus Mozart. This edition: EAS101. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 94 pages. Published by Schott Music.
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24 hours - In Stock
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Mozart - Concerto No 3 G K 216 Violin/Piano Urtext
Violin and Piano
G. Henle
Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...
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Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Strings, Repertoire, Solos. Violin Concerto No. 3 G major K. 216. Classical. Softcover Book. 62 pages. G. Henle #HN688. Published by G. Henle (HU.HN688).
$37.95 - See more - Buy online
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4 to 6 weeks
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Mozart : Adagio and Rondo
Euphonium, Piano (duet)
[Score and Parts]
-
Advanced
Winwood Music
By Wolfgang Amadeus Mozart. Arranged by Wilby/Childs. Solo. For Euphonium & Pian...
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By Wolfgang Amadeus Mozart. Arranged by Wilby/Childs. Solo. For Euphonium & Piano. Two varied movements illustrate the flexibility of the instrument. Classical. Level: Advanced. Piano score and parts. Standard Notation. Duration 8:00. Published by Winwood Music (U.K. Import).
$23.95 - See more - Buy online
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4 to 6 weeks
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The Magic of Mozart
Concert band
[Study Score / Miniature + CD]
-
Intermediate
C.L. Barnhouse
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ed Huckeby. Concert band. Cl...
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By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ed Huckeby. Concert band. Classics Series. Audio recording available separately (item CL.WFR328). Transcription. Grade 3. Score and set of parts. Composed 1991. Duration 3 minutes, 29 seconds. Published by C.L. Barnhouse
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1 to 2 weeks
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Beginning Mozart for Piano
Piano solo
[Sheet music]
Music Sales
(Beginning Piano Series). By Wolfgang Amadeus Mozart (1756-1791). Music Sales Am...
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(Beginning Piano Series). By Wolfgang Amadeus Mozart (1756-1791). Music Sales America. Softcover. 32 pages
$9.95 - See more - Buy online
Pre-shipment lead time:
24 hours - In Stock
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The Magic of Mozart
Concert band
[Score]
-
Intermediate
C.L. Barnhouse
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ed Huckeby. Concert band. Cl...
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By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ed Huckeby. Concert band. Classics Series. Audio recording available separately (item CL.WFR328). Grade 3. Extra full score. Composed 1991. Duration 3 minutes, 29 seconds. Published by C.L. Barnhouse
$11.00 - See more - Buy online
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1 to 2 weeks
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Mozart Minuet and Rondo
String Orchestra
-
Beginner
Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus...
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By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus Mozart / arr. John O'Reilly. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.
$42.00 - See more - Buy online
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1 to 2 weeks
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Mozart Minuet and Rondo
String Orchestra
[Score]
-
Beginner
Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus...
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By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus Mozart / arr. John O'Reilly. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score. 8 pages. Published by Alfred Publishing.
$6.00 - See more - Buy online
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1 to 2 weeks
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Wolfgang Amadeus Mozart: Sonata in A, K. 331 (Complete)
Piano solo
[Sheet music]
-
Intermediate/advanced
Alfred Publishing
By Wolfgang Amadeus Mozart. Edited by Maurice Hinson. For Piano. Piano Solo. Mas...
(+)
By Wolfgang Amadeus Mozart. Edited by Maurice Hinson. For Piano. Piano Solo. Masterwork. Level: Early Advanced (grade 6 ). 24 pages. Published by Alfred Publishing.
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4 to 6 weeks
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Wolfgang Amadeus Mozart: Mozart Arias for Mezzo-Soprano
Mezzo-Soprano voice
[Sheet music + Audio access]
Hal Leonard
The Vocal Library. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ro...
(+)
The Vocal Library. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Robert L. Larsen and Richard Walters. The Vocal Library. Classical Period, Opera and Play Along. Softcover Audio Online. With vocal melody, piano accompaniment, lyrics and translations. 86 pages. Published by Hal Leonard
(1)
$19.99 - See more - Buy online
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24 hours - In Stock
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Wolfgang Amadeus Mozart: Theme and Variations (Fourth Movement from Quintet for Clarinet and Strings)
Clarinet and Piano
[Sheet music + CD]
-
Advanced
Carl Fischer
Fourth Movement from Quintet for Clarinet and Strings, K. 581. By Wolfgang Amade...
(+)
Fourth Movement from Quintet for Clarinet and Strings, K. 581. By Wolfgang Amadeus Mozart. Arranged by Walter E. Cochrane. For Clarinet, Piano. This edition: Clarinet in Bb and Piano with Piano Accompaniment on CD. Carl Fischer CD Solo Series. Level: advanced. Score and Audio CD. K 581. 8 pages. Published by Carl Fischer.
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1 to 2 weeks
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Wolfgang Amadeus Mozart : Works for Piano Four Hands
2 Pianos, 4 hands
[Sheet music]
Dover Publications
By Wolfgang Amadeus Mozart. Keyboard. Size 9 3/8 x 12 1/4. 160 pages. Published ...
(+)
By Wolfgang Amadeus Mozart. Keyboard. Size 9 3/8 x 12 1/4. 160 pages. Published by Dover Publications.
(2)
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1 to 2 weeks
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Mozart: Horn Concerto in D Major, K412/514
French horn
[Sheet music + CD]
Hal Leonard
Classical Play-Along Volume 6. By Wolfgang Amadeus Mozart. Classical Play-Along....
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Classical Play-Along Volume 6. By Wolfgang Amadeus Mozart. Classical Play-Along. Play Along. Softcover with CD. 8 pages. Published by Hal Leonard.
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Mozart: Piano Concerto in C Major, K467
Piano solo
[Sheet music + CD]
Hal Leonard
Classical Play-Along Volume 17. By Wolfgang Amadeus Mozart. Classical Play-Along...
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Classical Play-Along Volume 17. By Wolfgang Amadeus Mozart. Classical Play-Along. Play Along. Softcover with CD. 32 pages. Published by Hal Leonard. (
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Mozart: Violin Concerto in G Major, K216
Violin
[Sheet music + CD]
Hal Leonard
Classical Play-Along Volume 15. By Wolfgang Amadeus Mozart. Classical Play-Alon...
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Classical Play-Along Volume 15. By Wolfgang Amadeus Mozart. Classical Play-Along. Play Along. Softcover with CD. 16 pages. Published by Hal Leonard.
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Mozart and More (IGUDESMAN ALEKSEY)
2 Violins (duet)
-
Intermediate
Universal Edition
Violin Duets. Par IGUDESMAN ALEKSEY. There is no doubt about Aleksey Igudesman's...
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Violin Duets. Par IGUDESMAN ALEKSEY. There is no doubt about Aleksey Igudesman's admiration for Mozart and his music and these 'Igudesmanised' pieces for two violins would most likely have Mozart himself laughing, were he to hear them. The 10 pieces for two violins such as 'A Very Little Night Music' through to 'Loud Date and Domino' will be enjoyed by all including two inspired by Mozart but composed by Igudesman himself. There is also a free bonus piece, 'Concertino in G', as a digital sheet music download included. 'Whether the pieces in this book are unmistakably 'Igudesman' is for you to judge, but I am quite convinced that Mozart, were he alive, would have had a laugh if he heard them... before he sued me for copyright infringement!' Aleksey Igudesman Mozart ? Igudesman-style for two violins Performance pieces full of humour and quirkiness for the stage or even for busking Background notes for each piece are provided / Niveau : Intermédiaire / Recueil / 2 Violons
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Violin, Viola And More (DIVERS AUTEURS (ARR)
Violin, Cello (duet)
Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman...
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10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman is now also available for viola players! 'Violin and Viola and more” features a selection of well-known pieces from his duet series ' and More' arranged for violin and viola in moderate difficulty. The edition includes helpful remarks on background and characteristics of every piece. Thus, style-appropriate interpretation and fun at playing together are guaranteed./ Répertoire / Violon et Alto
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Violin And Cello And More (DIVERS AUTEURS (ARR)
Violin, Cello (duet)
[Sheet music]
Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist ...
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10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist having fun together! Whoever heard of such a thing? But that is exactly what Alexey Igudesman has provided for in his 'Violin and Violoncello and More”. He has responded to popular demand and arranged - no, recreated! - duets from his previous publications for two violins. These encompass many different styles but always with Alexsey's own individual and quirky touch. The contents list reads like a world tour, passing through Scotland, Ireland, Israel, Khazakhstan and many other countries. Igudesman took great care to 'custom make” the cello part as he wanted these arrangements to be as musically valuable as his original versions. He encourages the players to be creative, adding improvisation or even choreography but, above all, to have fun. These pieces will suit intermediate players who want to be stretched or more advanced students who simply want to let their hair down!/ Répertoire / Violon et Violoncelle
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Wolfgang Amadeus Mozart: Great Mozart Arias For Soprano: Voice: Artist Songbook
Soprano voice, Piano
Dover Publications
This compilataion of thirty-six arias from Mozart's seven theatrical masterpiece...
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This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute' complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo' 'The Marriage of Figaro' 'Don Giovanni' 'Cosi fan tutte' and 'La Clemenza di Tito'.
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Alphabet Soup A La Mozart (WHITTEMORE JOAN)
4 Parties Voix Aigües (SSAA), Flûte Traversière et
Boosey and Hawkes
Folk Song. Par WHITTEMORE JOAN. Présenter vos jeunes chanteurs de forme part-si...
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Folk Song. Par WHITTEMORE JOAN. Présenter vos jeunes chanteurs de forme part-singing et de la variation avec cette pièce agréable, une adaptation de la chanson d'Alphabet familier./ Feuillet / 4 Parties Voix Aigües (SSAA), Flûte Traversière et
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Wolfgang Amadeus Mozart: Klaviersonaten Band 2: Piano: Instrumental Work
Piano solo
Wiener Urtext
Research has shown that many printed editions from the 18th Century provide more...
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Research has shown that many printed editions from the 18th Century provide more reliable guidance as to the composer’s intentions than Mozart’s own autograph manuscript; the composer himself prepared many of his works for printing marking them with precise performance instructions for dynamics and articulation. He devoted particular care to the slow movements which are often richly ornamented in the printed editions.This knowledge together with regained access to source materials in the libraries of Eastern Europe gives us sufficient grounds to publish a new Wiener Urtext edition of Mozart’s Sonatas. Advice on performance from the renownedMozart connoisseur Robert D. Levin provides fresh stimulus for revising rather tired standard interpretations of Mozart.
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Wolfgang Amadeus Mozart: Concerto No.2 In D K314: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of th...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.
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Mozart W.a. - Great Mozart Arias For Soprano And Piano
Soprano voice, Organ
Dover Publications
From the youthful exuberance of Abduction from the Seraglio to the spectacular r...
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From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content : IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366 Ilia's recitative and aria, Act I [1] Quando avran fine omai?Padre, germani, addio! Elettra's aria, Act I [2] Tutte nel cor vi sento Ilia's aria, Act II [3] Se il padre perdei Elettra's aria and marcia, Act II [4] Idol mio, se ritroso altro amante?Odo da lunge armonioso suono Ilia's aria, Act III [5] Zeffiretti lusinghieri Elettra's aria, Act III [6] D'Oreste, d'Ajace DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384 Konstanze's aria, Act I [7] ach ich liebte Blonde's aria, Act II [8] Durch Zärtlichkeit und Schmeicheln Konstanze's recitative and aria, Act II [9] Welcher Wechsel herrscht in meiner Seele?Traurigkeit Konstanze's aria, Act II [10] Martern aller Arten Blonde's rondo, Act II [11] Welche Wonne, welche Lust LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492 Cherubino's aria, Act I [12] Non sò più cosa son, cosa faccio Countess Almaviva's aria, Act II [13] Porgi, amor Cherubino's arietta, Act II [14] Voi che sapete Susanna's aria, Act II [15] Venite, inginocchiatevi! Countess Almaviva's recitative and aria, Act III [16] E Susanna non vien??Dove sono?Ah! Se almen la mia costanza Barbarina's cavatina, Act IV [17] L'ho perduta! Me mechina! Susanna's recitative and aria, Act IV [18] Giunse al fin il momento?Deh vieni, non tardar DON GIOVANNI K527 Donna Elvira's aria, Act I [19] Ah! Fuggi il traditor! Donna Anna's aria, Act I [20] Or sai chi l'onore Zerlina's aria, Act I [21] Batti, batti Zerlina's aria, Act II [22] Vedrai, carino Donna Elvira's recitative and aria, Act II [23] In quali eccessi Mi tradì Donna Anna's recitative and aria (rondò), Act II [24] Crudele??Troppo mi spiace?Non mi dir COSÌ FAN TUTTE K588 Dorabella's recitative and aria, Act I / Scene 3 [25] Ah scostati?Smanie implacabili Despina's aria, Act I / Scene 3 [26] In uomini, in soldati Fiordiligi's recitative and aria, Act I / Scene 3 [27] Temerari, sortite?Come scoglio?Rispettate, anime ingrate Despina's aria, At II / Scene 1 [28] Una donna a quindici anni?Dee in un momento Fiordiligi's rondò, Act II / Sce [29] Per pietà, ben mio, perdona?A chi mai mancò Dorabella's aria, Act II / Scene 3 [30] È amore un ladroncello DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620 The Queen of the Night's recitative and aria, Act I [31] O zitt're nicht, mein lieber Sohn!?Zum Leiden bin ich auserkoren The Queen of the Night's aria [32] Der Hölle Rache Pamina's aria, Act II [33] Ach, ich fühl's LA CLEMENZA DI TITO K621 Vitellia's aria, Act I [34] Deh se piacer mi vuoi?Che ceicamente crede Servilia's aria-minuet, Act II [35] S'altro che lagrime Vitellia's recitative obbligato and rondò, Act II [36] Ecco il punto, O Vitellia?Non più di fiori vaghe catene
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Wolfgang Amadeus Mozart: Complete Piano Sonatas: Piano: Instrumental Work
Piano solo
Wiener Urtext
Vol 1 Ut 50226 + Vol 2 Ut 50227-For more than 200 years Mozart’s piano son...
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Vol 1 Ut 50226 + Vol 2 Ut 50227-For more than 200 years Mozart’s piano sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible however to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth Century give more reliable detail than Mozart’s own written scores; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation dynamics and articulation. All this together with the rediscovery of documents that only becameaccessible again at the end of the 20th Century gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart’s Piano Sonatas.To follow the second volume published in the spring of 2003 with Sonatas K 330 to K 576 we now present the first volume which contains the Sonatas K 279 to K 311. For Sonata K 284 variation XI in the final movement is given both in the version that appears in the original manuscript and in the version used in the first edition; in order to make the music easier to read both versions are given in normal print size. Music that is clear and well laid out with page turns in convenient places makes this edition extremely user-friendly.Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.
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Wolfgang Amadeus Mozart: Sonaten 1: Piano: Instrumental Album
Piano solo
Wiener Urtext
For more than 200 years Mozart’s Piano Sonatas have been part of every pi...
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For more than 200 years Mozart’s Piano Sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible however to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth century give more reliable detail than Mozart’s own written scores; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation dynamics and articulation. All this together with the rediscovery of documents that only becameaccessible again at the end of the 20th century gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart’s Piano Sonatas.To follow the second volume published in the spring of 2003 with Sonatas K 330 to K 576 Wiener Urtext now present the first volume which contains the Sonatas K 279 to K 311. For Sonata K 284 variation XI in the final movement is given both in the version that appears in the original manuscript and in the version used in the first edition; in order to make the music easier to read both versions are given in normal print size. Music that is clear and well laid out with page turns in convenient places makes this edition extremely user-friendly.Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.
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Wolfgang Amadeus Mozart: Symphony No. 40 in G Minor: Concert Band: Score
Concert band
Curnow Music
Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually ...
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Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!
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Wolfgang Amadeus Mozart: Symphony No. 40 in G Minor: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually ...
(+)
Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!
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Wolfgang Amadeus Mozart Stephen Bulla: Symphony No. 40 in G Minor: Concert Band:
Concert band
Curnow Music
Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually ...
(+)
Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!
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Wolfgang Amadeus Mozart: Fantasy in F Minor K. 608: Woodwind Ensemble: Score &
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Southern Music Ltd
for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV...
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for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.
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Wolfgang Amadeus Mozart: Fantasy in F Minor K. 594: Woodwind Ensemble: Score &
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Southern Music Ltd
for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV...
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for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
Partition de Poche
[Sheet music]
Barenreiter
a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two cl...
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a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- Urtext of the New Mozart Edition- Parts sextet version (BA5333) octet version (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Chamber Ensemble:
Bläsinstrumenten (2 Oboe, 2 Klarinette in b, 2 Horn, 2 Fagott)
[Set of Parts]
Barenreiter
for two Oboes 2 Clarinets 2 Horns and 2 Bassoons-The Serenade in E-flat K.375...
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for two Oboes 2 Clarinets 2 Horns and 2 Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Oboe (2) Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5333) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Wind Ensemble:
2 Clarinettes, 2 Cors Et 2 Bassons
[Sheet music]
Barenreiter
for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exi...
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for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
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Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...
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The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Upper
Instruments A Vent
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
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Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
26.00 GBP - Sold by Musicroom UK
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Details
Mozart W.a. - Missa Brevis In C Kronungsmesse - Female Choir Sma - Vocal Score
Choral 3-part
SSA, Piano
Barenreiter
The choral scene is in a state of change! On the one hand, more and more choirs ...
(+)
The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works. The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K. 317 (BA 5691), a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality. - Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition” - Idiomatic piano reductions The arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
11.60 EUR - Sold by Woodbrass
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