SKU: BR.CHB-14650-02
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004412282. 7.5 x 10.5 inches.
Ludwig van Beethoven wrote his Missa solemnis between 1819 and 1822.The primary source for the present edition is the work copy of the score that Beethoven most likely commissioned immediately after completing the piece. It is the earliest copy of the work and the sole copy based on the now incomplete autograph. Since the work copy was repeatedly revised and corrected as further copies were made, it comes the closest today to a last authorized version.
SKU: CA.4068949
ISBN 9790007097295. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and part available separately - see item CA.4068900.
SKU: CA.4068915
ISBN 9790007220433. Key: D major. Language: Latin.
SKU: CA.4068909
ISBN 9790007220389. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and parts available separately - see item CA.4068900.
SKU: CA.4068911
ISBN 9790007220396. Key: D major. Language: Latin.
SKU: CA.4068919
ISBN 9790007133481. Key: D major. Language: Latin.
SKU: CA.4068905
ISBN 9790007131135. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score available separately - see item CA.4068900.
SKU: CA.4068914
ISBN 9790007220426. Key: D major. Language: Latin.
SKU: CA.4068912
ISBN 9790007220402. Key: D major. Language: Latin.
SKU: CA.4068950
ISBN 9790007254445. Key: D major. Latin.
Beethoven described his Missa solemnis several times as his greatest work. Coming from the heart, it was intended to touch and move audiences. Beethoven worked long and intensively on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings; for good reason, the premiere took place in a concert hall. With this arrangement for chamber orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani and strings, plus organ ad lib), smaller choirs, as well as choirs with more limited resources of space or finance, can now perform this work too. However, the symphonic character and wide dynamic range of the work remain. The scoring of 7 instead of 18 winds offers an optimal balance between transparency and orchestral sound. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal score and chorus score of that version can be used. Major mass can also be performed by smaller choir Wind and brass parts of the original version reduced to just seven single instruments Vocal scores and choral scores from the original version can be used. carus plus: the work (original version) is available in carus music, the choir app, and in the practice CD series Carus Choir Coach. Score available separately - see item CA.4068900.
SKU: CA.4068904
ISBN 9790007187842. Key: D major. Language: Latin.
SKU: CA.4068991
Key: D major. Language: Latin.
SKU: CA.4068994
SKU: CA.4068992
SKU: CA.4068993
SKU: BR.OB-5329-11
ISBN 9790004333525. 10 x 12.5 inches.
According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.
SKU: BR.OB-5329-16
ISBN 9790004333549. 10 x 12.5 inches.
SKU: BR.OB-5329-26
ISBN 9790004333556. 10 x 12.5 inches.
SKU: CA.9103319
ISBN 9790007138561. Key: C major. Language: Latin.
Johann Ernst Eberlin was the foremost personality in the musical life of Salzburg before Mozart, who later respectfully praised the richness of ideas in Eberlin's compositions, a feature of this short, festively scored Mass. Its polyphonic texture and rhythmical verve give it an exciting character, which is heightened by its scoring with trumpets and timpani. Score and parts available separately - see item CA.9103300.
SKU: BR.OB-5329-30
ISBN 9790004333563. 10 x 12.5 inches.
SKU: CA.9103300
ISBN 9790007115036. Key: C major. Language: Latin.
Johann Ernst Eberlin was the foremost personality in the musical life of Salzburg before Mozart, who later respectfully praised the richness of ideas in Eberlin's compositions, a feature of this short, festively scored Mass. Its polyphonic texture and rhythmical verve give it an exciting character, which is heightened by its scoring with trumpets and timpani.
SKU: BR.CHB-5289-02
ISBN 9790004412046. 7.5 x 10.5 inches.
SKU: BR.PB-5329
ISBN 9790004210420. 10 x 12.5 inches.
SKU: BR.OB-5329-15
ISBN 9790004333532. 10 x 12.5 inches.
SKU: CA.2790109
ISBN 9790007303976. Key: B flat major. Latin.
Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and parts available separately - see item CA.2790100.