SKU: HL.48186031
UPC: 888680842048. 9.0x12.0x0.117 inches.
Bacri Meditation D'apres Un Theme De Beethoven Op.94 4 Cellos Book.
SKU: HL.14028850
ISBN 9780711942530.
Invocation, Dance and Meditation by Robert Saxton, written in 1991 for viola and piano.
SKU: HL.14016414
8.25x11.75x0.08 inches.
Jacob 'Prelude, Meditation And Fanfare' for Organ.
SKU: HL.14023324
Danish.
Rondo d'Anno - Meditation by Per Norgard, a four-minute instrumental work for Flute or Recorder with Guitar.
SKU: HL.48184761
UPC: 888680839222. 10.5x14.0x0.021 inches.
Planchet Meditation Religieuse Organ Book.
SKU: HL.48182909
UPC: 888680862145. 0.298 inches.
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony and melodies, Meditations on the Mystery of the Holy Trinity is no exception to the composer's popular, distinctive style. Composed in 1969, Meditations on the Mystery of the Holy Trinity is an example of Messiaen's use of Serialism. The composer first used what he called his musical alphabet in Meditations on the Mystery of the Holy Trinity, where the alphabet includes motifs for the concepts, 'to have', 'to be' and 'God'. Furthermore, 'sentences' depict the writings of St. Thomas Aquinas. Messiaen's musical alphabet, which he also described as communicable language is explained as a preface to the composition Meditations on the Mystery of the Holy Trinity. Divided into nine sections ('meditations'), a typical performance lasts about 74 minutes. Messiaen's Meditations on the Mystery of the Holy Trinity is essential to all advanced, virtuoso and contemporary organists seeking to expand and vary their repertoire..
SKU: GI.G-6011
ISBN 9781579994709.
Originally written for use during the Lenten season. Three baroque dances from Bach (“Sarabande”), Handel (“Courante”), and Walond (“Siciliana”) are arranged for an ensemble of two flutes and a clarinet, or a flute and two clarinets, or recorders. The composer also provides a meditation on the Lenten hymn parce domine. CONTENTS: COURANTE • SARABANDE • SICILIANA • MEDITATION ON PARCE DOMINE.
SKU: BT.DHP-1125174-120
9x12 inches. English-German-French-Dutch.
Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies. Meditation, gebaseerd Dear Lord and Father of mankind (1887) van de Engelse componist/organist Frederick Charles Maker (1844-1927) is een werk met een verstild en ingetogen karakter. Er is een belangrijke rol weggelegd voor de Euphoniumsolist die ons in het eerste deel van deze meditatie leidt naar één van de mooiste Engelse hymn tunes ooit.Meditation basiert auf Dear Lord and Father of Mankind aus dem Jahre 1887 vom englischen Komponisten und Organisten Frederick Charles Maker (1844-1927). Es ist ein ruhiges, introvertiertes Werk von dennoch intensiver Wirkung. Eine bedeutende Rolle fällt hier dem Euphoniumsolisten zu, der im ersten Teil dieser musikalischen Meditation zu einer der schönsten englischen Kirchenliedmelodien hinführt. Dear Lord and Father of Mankind (Seigneur et Père de l’Humanité) est un hymne composé par l'organiste anglais Frederick Charles Maker (1844-1927), d’après un poème de John Greenleaf Whittier. Jan de Haan nous offre une adaptation calme et cependant intense de cet air méditatif. L’euphonium joue un rôle important dans la première partie de la pièce, conduisant l’une des plus belles mélodies de tous les hymnes anglais. Meditation si basa su Dear Lord and Father of Mankind (1887) del compositore e organista Frederick Charles Maker (1844-1927). Un brano calmo e introverso, ma di sicuro effetto. Nella prima sezione l’assolo di eufonio riveste un ruolo importante e accompagna il brano verso una delle più belle melodie inglesi del repertorio ecclesiastico.
SKU: BT.DHP-1125174-030
Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies. Meditation, gebaseerd Dear Lord and Father of Mankind (1887) van de Engelse componist/organist Frederick Charles Maker (1844-1927) is een werk met een verstild en ingetogen karakter. Er is een belangrijke rol weggelegd voor de Euphonium solist die ons in het eerste deel van deze meditatie leidt naar één van de mooiste Engelse hymn tunes ooit. Meditation basiert auf Dear Lord and Father of Mankind aus dem Jahre 1887 vom englischen Komponisten und Organisten Frederick Charles Maker (1844-1927). Es ist ein ruhiges, introvertiertes Werk von dennoch intensiver Wirkung. Eine bedeutende Rolle fällt hier dem Euphoniumsolisten zu, der im ersten Teil dieser musikalischen Meditation zu einer der schönsten englischen Kirchenliedmelodien hinführt. Dear Lord and Father of Mankind (Seigneur et Père de l’Humanité) est un hymne composé par l'organiste anglais Frederick Charles Maker (1844-1927), d’après un poème de John Greenleaf Whittier. Jan de Haan nous offre une adaptation calme et cependant intense de cet air méditatif. L’euphonium joue un rôle important dans la première partie de la pièce, conduisant l’une des plus belles mélodies de tous les hymnes anglais. Meditation si basa su Dear Lord and Father of Mankind (1887) del compositore e organista Frederick Charles Maker (1844-1927). Un brano calmo e introverso, ma di sicuro effetto. Nella prima sezione l’assolo di eufonio riveste un ruolo importante e accompagna il brano verso una delle più belle melodie inglesi del repertorio ecclesiastico.
SKU: BT.DHP-1125174-140
Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies. Meditation, gebaseerd Dear Lord and Father of Mankind (1887) van de Engelse componist/organist Frederick Charles Maker (1844-1927) is een werk met een verstild en ingetogen karakter. Er is een belangrijke rol weggelegdvoor de Euphonium solist die ons in het eerste deel van deze meditatie leidt naar één van de mooiste Engelse hymn tunes ooit.Meditation basiert auf Dear Lord and Father of Mankind aus dem Jahre 1887 vom englischen Komponisten und Organisten Frederick Charles Maker (1844-1927). Es ist ein ruhiges, introvertiertes Werk von dennoch intensiver Wirkung. Eine bedeutende Rolle fällt hier dem Euphoniumsolisten zu, der im ersten Teil dieser musikalischen Meditation zu einer der schönsten englischen Kirchenliedmelodien hinführt. Dear Lord and Father of Mankind (Seigneur et Père de l’Humanité) est un hymne composé par l'organiste anglais Frederick Charles Maker (1844-1927), d’après un poème de John Greenleaf Whittier. Jan de Haan nous offre une adaptation calme et cependant intense de cet air méditatif. L’euphonium joue un rôle important dans la première partie de la pièce, conduisant l’une des plus belles mélodies de tous les hymnes anglais. Meditation si basa su Dear Lord and Father of Mankind (1887) del compositore e organista Frederick Charles Maker (1844-1927). Un brano calmo e introverso, ma di sicuro effetto. Nella prima sezione l’assolo di eufonio riveste un ruolo importante e accompagna il brano verso una delle più belle melodie inglesi del repertorio ecclesiastico.
SKU: BT.DHP-1125174-020
SKU: BT.DHP-1125174-130
SKU: BT.DHP-1125174-010
SKU: CF.YAS68
ISBN 9780825869464. UPC: 798408069469. 8.5 X 11 inches. Key: A minor.
This original composition from Bill Calhoun has a dark and rich texture in the tradition of medieval music. Meditation and Ritual has a seriousness to it that students will gravitate toward, and is an excellent choice for contest or festival performance.Meditation and Ritual is composed in the key of A minor and represents two contrasting styles. The first (“Meditation”) is a thought-provoking chorale. Each voice gains prominence through its lyrical quarter-note movement. The use of suspensions to create tension and release are prevalent throughout, which along with its dynamic shading help to create interest within thistender section. “Meditation” reaches its climax at m. 16 before ending with the warmth and emotion in which it began.After a very brief pause “Ritual” begins. Its medieval-sounding theme is characterized by the contrast between short and long (or slurred) articulations and is important to bring to your students’ attention in performance. The dance-like theme is portrayed in both the upper andlower voices and takes some interesting turns harmonically. After reaching a dramatic climax at m. 42, it quickly moves into a return to its opening character. After a brief and quieter move harmonically to C major, it forcefully returns to its original key. A short diminuendo takes the piece into a building flourish of eighth notes in the violins and violas, accompanied by descending quarter notes in the cellos and basses before coming to its dynamic conclusion.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: GI.G-CD-1017
UPC: 785147001720.
The Meditation collection was created to feature famous classical melodies in an original dialogue between two distinctive instruments. These beautiful recordings will encourage a sense of calmness and serenity during meditation. This edition combining kora & cello is one of the top five best sellers from the Meditation collection. Some of the timeless titles on this recording include “Jesu, Joy of Man’s Desiring” by Bach, “Sarabande” from Suite in D minor by Handel, and the traditional Irish tune “Londonderry Air” (Danny Boy).
SKU: GI.G-CD-1018
UPC: 785147001829.
The Meditation collection was created to feature famous classical melodies in an original dialogue between two distinctive instruments. These beautiful recordings will encourage a sense of calmness and serenity during meditation. This edition combining cello and harp is one of the top five best sellers from the Meditation collection. You will be transported by the beautiful performances of Frédérick Dupuis on cello and Joanna Kozielska on harp. “Prelude in C major” by Bach, Bellini’s “Nocturne for Cello and Harp,” and Caccini’s “Ave Maria” are just a few of the treasured titles from this fine assortment of the most recognized and beloved melodies in classical music.
SKU: GI.G-CD-1024
UPC: 785147002420.
The Meditation collection was created to feature famous classical melodies in an original dialogue between two distinctive instruments. These beautiful recordings will encourage a sense of calmness and serenity during meditation. Philippe Davenet on piano and Martial Murray on the angelic zither join forces for this latest edition in the series. Satie’s “Gymnopédie No. 3,” Chopin’s “Nocturne in C# Minor,” and Offenbach’s “Barcarolle” from the Tales of Hoffman are just a few of the classic titles you’ll discover on this marvelous recording.
SKU: BT.ALHE09626
French.
The instantly recognisable and ever-popular Méditation, from the opera Tha s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, PaulTaffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Tha s was first performed at the Opéra Garnier in Paris in 1894and continues to be one of the composer's most performed operas. The famous Méditation, is an intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequentconcert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks, phrasing, changing octaves for some notes andarticulation, among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire.
SKU: HL.14042523
ISBN 9788759826911.
To Mediterrane Meditiationer / Two Mediterranean Meditations for Piano solo was composed by Per Nørgård in 1980. Dedicated Ragnhild Toft.
1. Græsk motiv (Greek motif) 2. Medstrømme (Cocurrent) The piano pieces (Two Mediterranean meditations) was inspired by a little town, Isternia, in the Greek island Tinos. During a stay there I was captured by the timeless peace that emitted from the shimmering white sculptured steps, and by the sounds in the narrow streets, creating an atmosphere of balanced activity on the background of a meditative silence. The pianopieces are related to the work “Isternia” (1979, for cimbalon solo, later rewritten for other instruments); the music seems to possess a certain timeless or rather ´genre-less´ character; this is effected through the use of archetypal melodies and meters changed in a rather ´cubistic´ way. In this respect the work is related to my “Sonora” (for flute and harp) and the duet “Medstrøms og modstrøms” (“Cocurrent & countercurrent”) Per Nørgård
SKU: SU.50025750
Traveling by train through the Southwest in 1978 inspired Meditation; the expansiveness of the land brought to mind pacing and sound materials of the piece. Meditation features blues-like bent notes, harmonics, and a repeated strumming pattern that seemed to grow out of this experience. —Clement ReidGuitar Duration: 5' Composed: 1979 Published by: Seesaw Music.
