Mass E-flat major D 950

SKU: BA.BA05576-85

ISBN 9790006576029. 32.5 x 25.5 cm inches. Key: E-flat major. Text Language: Latin.

SKU: BA.BA05576-75

ISBN 9790006575992. 32.5 x 25.5 cm inches. Key: E-flat major. Text Language: Latin.

SKU: CA.2709705

ISBN 9790007188962. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709703

ISBN 9790007188955. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709709

ISBN 9790007255114. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709711

ISBN 9790007261740. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709712

ISBN 9790007261757. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: BR.PB-5286

Schubert's last great mass, whose first performance in October 1829 he no longer lived to experience.

ISBN 9790004211496. 10 x 12.5 inches.

Striving for the highest in art - this is how Schubert announced his A-flat major Mass to the Schott publishing house in 1828. The statement can also be seen as an artistic credo applicable to his last great mass, which the composer wrote that same year but whose first performance in October 1829 he no longer lived to experience. Since a source-critical new edition of the E-flat major Mass is a must for Breitkopf & Hartel's catalogue, Peter Jost has taken up this challenge and come up with a compelling edition that does justice to the high demands of the Breitkopf Urtext collection.

Schubert's last great mass, whose first performance in October 1829 he no longer lived to experience..

SKU: BR.OB-5286-30

ISBN 9790004337684. 10 x 12.5 inches.

Striving for the highest in art - this is how Schubert announced his A-flat major Mass to the Schott publishing house in 1828. The statement can also be seen as an artistic credo applicable to his last great mass, which the composer wrote that same year but whose first performance in October 1829 he no longer lived to experience. Since a source-critical new edition of the E-flat major Mass is a must for Breitkopf & Hartel's catalogue, Peter Jost has taken up this challenge and come up with a compelling edition that does justice to the high demands of the Breitkopf Urtext collection.

Schubert's last great mass, whose first performance in October 1829 he no longer lived to experience..

SKU: BR.OB-5286-16

ISBN 9790004337646. 10 x 12.5 inches.

Striving for the highest in art - this is how Schubert announced his A-flat major Mass to the Schott publishing house in 1828. The statement can also be seen as an artistic credo applicable to his last great mass, which the composer wrote that same year but whose first performance in October 1829 he no longer lived to experience. Since a source-critical new edition of the E-flat major Mass is a must for Breitkopf & Hartel's catalogue, Peter Jost has taken up this challenge and come up with a compelling edition that does justice to the high demands of the Breitkopf Urtext collection.

Schubert's last great mass, whose first performance in October 1829 he no longer lived to experience..