Man of Steel, Part 3

This is the standard-bearer for Pedal Steel instruction books. It is extremely comprehensive in scope. Written by DeWitt Scott founder of the International Pedal Steel Guitar Convention and member of the Pedal SteelGuitar Hall of Fame this course teaches E9 tuning Nashville set-up Pedal Steel with three floor and three knee levers. If you want to learn Pedal Steel this book will show you how. The accompanying recording is insplit-track format allowing the student to play with the rhythm accompaniment the Pedal-Steel solo parts or both. Recording available as an audio download online.

Obtenez un gros plan regarder le virtuose de la technique de Lap Steel Darick Campbell dans ce didacticiel unique. En tant que membre des frères Campbell, Darick a joué un rôle important en prenant des racines de la ' sacré Steel ' sonores de ses dans le culte des années 1930 de la maison de Dieu et présentant la musique à un auditoire international laïque. À partir de simples ajustements apportés ouvertes, Campbell aborde un large éventail de techniques et de disciplines dont : String blocage Vibrato et octave lèche Bar technique de marteau-ons et pull-offs voir comment Campmbell emploie le ton, le volume et Wah-Wah pour donner ses mélodies leur qualité distinctive chanter. Puis regarder l'homme mettre tout en action avec des spectacles de favoris de l'Evangile Amazing Grace, je vais Fly Away et marcher avec Me, Lord. / Guitare / Dvd

Le son de la guitare hawaïenne est doux, nostalgique et indéniablement Hawaiian. Vous pouvez sentir presque les alizés et le surf dans sa subtile vibrato. Dans ce livre bien illustré et facile à comprendre, célèbre musicien Henry Kaleialoha Allen partage tout ce que vous devez savoir pour jouer cet instrument magnifique d'acheter une guitare, d'effectuer avec qui s'épanouissent les Hawaiian spécial. Le présent guide, adapté du guide auto-édité populaire de Allen, fonctionnalités, une histoire de la guitare hawaïenne - instructions pour la notation musicale - un guide pratique pour l'achat et le réglage une guitare - lignes directrices sur l'utilisation de la barre - partitions pour 11 chansons originales de lecture - exerce - une discussion sur les nuances de la Hawaiian touch - et beaucoup plus. Ecrit pour étudiants début et intermédiaires, ce livre et son accompagnement audio CD auront le vous jouer comme un pro en peu de temps. / Guitare (Lap Steel)

Le hit 1983 'Bang the Drum All Day', par Todd Rundgren, est devenue un hymne pour les percussionnistes partout. Cette up-beat, de haute énergie disposition par Aaron Ziegler est parfait pour commencer à bandes d'acier intermédiaires. Instrumentation comprend: plomb, Double Tenors, Secondes doubles, Violoncelle / Guitare, Basse casseroles, Guitare basse (en option), et Drumset. / Ensemble de Steel Drums

Jam With Steel Panther includes Guitar jam tracks and Guitar lessons taught by Danny Gill.This DVD will show you how to nail seven great songs by the US heavy metal band. Learn each song and then perform along with the Guitar jam tracks. / Guitare

This hauntingly beautiful early American folk hymn is a testament to the joy and sadness of love found and love lost. Over the years it has been covered by some of the music business's most famous names including Bob Dylan Joan Baez James Taylor Steeleye Span and Eva Cassidy. Here it has been adapted by Luigi Zaninelli for SSA voices.

City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009 and is dedicated with thanks to Ian Ritchie.Instrumentations - Choir Organ (available separatly) Soprano SaxophoneDuration - 18 minutesFirst performance - 22nd June 2009 at Southwark Cathedral.Performed by The Choir of King's College Cambridgeconducted by StephenCleobury with John Harle (Soprano Saxophone). Programme Note City Solstice celebrates the 800th anniversary of the construction of variousbridges  on the site of the current London Bridge. The difficulty of erecting sturdy  constructions on this bend in the Thames where the currents are particularly  strong has led to a rich seam of stories aboutthe bridges passed on through  history myth and folklore.What are thought to be the original words of 'London  Bridge is falling down' carry much of the references to materials used in building the original bridges- wood  and stone gravel and stone and then later iron and steel. The lines my fair lady   dance over my lady lea (or lee ) and with a gay lady are thought to refer to Matilda of  Scotland (c.1080- 1118) consort of Henry I and who was responsible for  building the series of bridges that carried the London toColchester road across the River Lea.King (Saint) Olaf II of Norway figures prominently in the destruction of the bridge  after its occupation by the Danes around 1013. Coming to the assistance of Aethelred Olaf isthought to have pulled the bridge down into the Thames along  with its occupying Danes rather than fight on the bridge itself. There is a line in the  Norse saga The

Composée par Sciortino Patrice la partition Iris (P1: Steel P2. Balafon P3. Lames P4. Métaux) est éditée par les célèbres éditions françaises Robert Martin sous la référence SL10541.De ce fait, si vous êtes un grand amateur de Percussions et encore plus de Percussions vous trouverez dans cette pièce tout ce que vous cherchez. Alors plus que quelques clics et cette partition vous appartiendra!!! / Percussions / Partition

Inspire your students to make some noise with Teach and Play Steel Pans!The five pieces in this book represent an exciting and varied selection of steel-pan music from traditional calypso and soca to a reggae piece and a Beyonc̩ song. Each piece is broken down into clear and simple steps that show you how to build up the music gradually with your class. Combined with the accompanying DVD Рwhich contains over 50 short clips of the author and a group of KS3 studentsdemonstrating all of the instruments and patterns to each piece Рteaching and learning world music has never been so easy or enjoyable.The five pieces are supplemented with valuable background information about the music and culture cross-curricular projects composing ideas advice on assessment and guidance on teaching whole-class world-music ensembles. The material in this book has been designed primarily for use with KS2 and KS3 classes but the addition of higher-ability parts for each piece means the book can be tailored easily to KS4 as well. It is not necessary to own authentic instruments to get the most out of this book as all of the pieces work equally well on classroom alternatives.'This series has been written by a genuine expert who has thorough knowledge of his subject and shares this with the reader in a lively enthusiastic and passionate way. I have never found any books before that are so clear in explaining the fundamentals of these world-music genres and doing so in a format based around practical relevant and achievable tasks is even more remarkable. I can see these books becoming one of those series that every music teacher will have either read or heard about in years to come.'Matt Allen Head of Music Chessington Community College Kingston

Grades 3-5-Tapping Heels (No. 15 in this book) is currently set on Trinity Guildhall Piano 2012-2014 Grade 4 (B4). See the u-tube clip!A celebration of music styles from around the world these miniatures are a personal response to the music of a wide range of countries: from Japanese ceremonial music to the rhythms of Tanzania from the American fiddler to the Spanish guitarist from the melancholy calm of the Russian landscape to the exuberance of a Trinidadian steel-band. Suitable for pianists of all ages.

A Light Hour 2008-Set of parts for Per NørgÃ¥rd's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs – is based on NørgÃ¥rd´s special infinity series. Score: WH30964 Programme note A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musicianuses two sound sources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that NørgÃ¥rd has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the