Madrigals And Part Songs From Gilbert And Sullivan

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties

The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Petti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /

Place Names-The Chester Books Of Madrigals offer an exciting collection of secular European madrigals partsongs and rounds from the 16th and ear;y 17th centuries newly edited from early sources by Anthony G. Patti who contributescopious historical notes to each volume.The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages with an English translation (for non-English texts) provided at thehead of each piece.

The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and ear;y 17th centuries, newly edited from early sources by Anthony G. Patti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /

This volume includes 59 of the finest examples of the secular choral repertoire from the 15th to the 20th century. Edited by Clifford Bartlett.

Contents: 1. British Tar2. Lets Give Three Cheers3. I Hear The Soft Note4. Brightly Dawns Our Wedding Day5. When The Buds Are Blossoming6. Strange Adventure7. When A Wooer Goes A-Wooing8. Thank You Gallant Gondolieri9. Try We Life-Long

Reynaldo Hahn’s Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the ‘Bal De Béatrice D'Este’ the composer continued to explore the past with a tribute in 1907 to Rameau (in the final drumroll of the ‘Sonatine’ for Piano). He also published Songs And Madrigals composed on a selection of texts written by famous 15th and 16th century poets: Charles d’Orléans Jean-Antoine de Baïf and Agrippa d’Aubigné.Composed for three- and four-part choir (with optional Piano accompaniment duplicating the Vocals) these six Songs And Madrigals radiate a powerful charm that preserves them from affectation: Un Loyal Coeur envelops the listener in the polyphonic latticework of an enchanting melancholy while Vivons Mignarde borrows rhythmically from Lully to exalt the 'sweet life' that Coralie's lips promise to make even more voluptuous. With its seductive melody and expressive delays Pleurez Avec Moi! bestows heartrending accents upon the sighs of a desolate soul. En Vous Disant Adieu Comment Se Peut-il Faire Ainsi and Les Fourriers D'Eté round off this collection of deliberately archaic songs that exhale an irresistible freshness.

Musical Adaptation of the William Shakespeare Play-Greetings lords and ladies! I William Shakespeare will be your host this evening and I have a special treat for my thespian friends! You are about to be transported to a land of kings and queens fairies and nymphs music and madrigal and most of all trickery and love for love can happen in the strangest ways especially on a Midsummer Night! Intimidated by the idea of producing a Shakespeare musical play? Nonsense with this new version even I'm a piece of cake! You will create an educational and artistic experience your cast and audiences will never forget. I've made it very easy for you! Experience Shakespeare like never before in this fresh new rendition of the oldclassic. Designed for grades 6-9 this full-length 60-minute production features five acts with eight original songs in a variety of musical styles from madrigal to rap arranged for 3-Part Mixed with suggestions for 2-Part Treble voices. The expanded script involves ten major speaking roles several minor speaking parts and numerous opportunities for non-speaking group involvement. The Director's Guide includes excellent staging and interpretation notes throughout the script piano/vocal song arrangements plus additional production set and costume hints for a successful experience from start to finish. The Libretto/Vocal book features script and vocal parts for your aspiring young actors. Available separately: Director Guide Libretto/Vocal 5-Pak Preview CD (dialog not recorded) Preview Pak (1 Libretto/Vocal 1 Preview CD) Performance/Accompaniment CD (dialog not recorded) Performance Kit/CD (1 Director 20 Libretto/Vocal P/A CD). Duration: ca. 60 minutes. Suggested for grades 6-9.

Musical Adaptation of the William Shakespeare Play-“Greetings lords and ladies! I William Shakespeare will be your host this evening and I have a special treat for my thespian friends! You are about to be transported to a land of kings and queens fairies and nymphs music and madrigal and most of all trickery and love for love can happen in the strangest ways especially on a Midsummer Night! Intimidated by the idea of producing a Shakespeare musical play? Nonsense with this new version even I'm a piece of cake! You will create an educational and artistic experience your cast and audiences will never forget. I've made it very easy for you!” Experience Shakespeare like never before in this fresh newrendition of the old classic. Designed for grades 6-9 this full-length 60-minute production features five acts with eight original songs in a variety of musical styles from madrigal to rap arranged for 3-Part Mixed withsuggestions for 2-Part Treble voices. The expanded script involves ten major speaking roles several minor speaking parts and numerous opportunities for non-speaking group involvement. The Director's Guide includes excellentstaging and interpretation notes throughout the script piano/vocal song arrangements plus additional production set and costume hints for a successful experience from start to finish. The Libretto/Vocal book features script andvocal parts for your aspiring young actors. Available separately: Director Guide Libretto/Vocal 5-Pak Preview CD (dialog not recorded) Preview Pak (1 Libretto/Vocal 1 Preview CD) Performance/Accompaniment CD (dialog notrecorded) Performance Kit/CD (1 Director 20 Libretto/Vocal P/A CD). Duration: ca. 60 minutes. Suggested for grades 6-9.

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953 when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey being preceded the evening before by the premiere of 'Silence and Music' fourth of ten partsongs of A Garland for the Queen commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch.Long unavailable except as separate items from individual publishers this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and in 2013 the 60th anniversary of the Coronation itself.In addition to VW's contribution A Garland for the Queen includes important settings by Bax Berkeley Bliss Finzi Howells Ireland Rawsthorne Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax Edmund Blunden Paul Dehn Christopher Fry Christopher Hassall James Kirkup Louis MacNeice Walter de la Mare Henry Reed and Ursula Wood.Intended as a counterpart to The Triumphs of Oriana of 1601 the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration from the airy five-part ensemble of Bax's 'What is it like to be young and fair?' and the soprano solo with SATB of Rawsthorne's Canzonet to the lustrous contrasting of male and female timbres in Bliss's Aubade and the rapturous eight-part setting of